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Behold a Pale Horse (1964)

Approved  |   |  Drama, War  |  October 1964 (Austria)
7.0
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Ratings: 7.0/10 from 1,128 users  
Reviews: 22 user | 7 critic

Famous Spanish bandit Artiguez returns to his native Spanish village after 20 years in French exile but Spanish cop Vinolas is setting a trap for him.

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(novel), (screenplay)
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Cast

Cast overview, first billed only:
...
Manuel Artiguez
...
Viñolas
...
Francisco
Raymond Pellegrin ...
Carlos
Paolo Stoppa ...
Pedro
...
Pilar
Daniela Rocca ...
Rosana, Mistress of Vinolas
Christian Marquand ...
Zaganar
Marietto ...
Paco Dages (as Marietto Angeletti)
Perrette Pradier ...
Maria, Hussy (as Perette Pradier)
Zia Mohyeddin ...
Luis, Guide of Paco
Rosalie Crutchley ...
Teresa, Wife of Vinolas
Molly Urquhart ...
Hospital Nurse
Jean-Paul Moulinot ...
Father Esteban
Laurence Badie ...
Celestina
Edit

Storyline

Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez. Written by Olaf Mertens <olafbahg@w210zrz.zrz.tu-berlin.de>

Plot Summary | Plot Synopsis

Taglines:

The Danger of His Mission! The Daring of His Adventure! See more »

Genres:

Drama | War

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

October 1964 (Austria)  »

Also Known As:

Deine Zeit ist um  »

Box Office

Budget:

$3,900,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

As they were not allowed by Spanish Gobernment to film in Spain, Fred Zinnemann and Alexandre Trauner stayed for two days at Frontón Hotel of Vitoria (Now Vitoria-Gasteiz) and went around the city to get pictures and information about buildings and people trying to reach the "intimate heartbeat of the city" in order to later recreate them properly. No local newspaper took the news maybe due censorship. See more »

Goofs

The six priests returning by train from Lourdes assemble behind an exit on the right side of the train as it pulls into the San Martin station, but when the scene switches to an exterior shot of the train platform, the priests descend to the platform through a door on the left side of the train. See more »

Quotes

Francisco: The Lord giveth and taketh.
Pilar: Mostly taketh.
See more »

Crazy Credits

Opening credits - the first card shown contains the passage from Revelations 6:8, which contains the phrase "Behold a Pale Horse", the title of the film. See more »

Connections

Features Mourir à Madrid (1963) See more »

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User Reviews

 
Gregory Peck Doesn't Believe In Surrendering
17 February 2007 | by (Buffalo, New York) – See all my reviews

In 1939 like John Wayne's Ethan Edwards in The Searchers, Gregory Peck does not believe in surrenders. When all the others give up their weapons and go home, Peck conspicuously keeps his and keeps up the good fight. Of course twenty years later, Peck's become nothing more than a common bandit with the barest trappings of the revolutionary ardor he once had for the Republican cause in the Spanish Civil War.

His rival, his Pat Garrett to Peck being Billy the Kid, is the local captain of the Guardia Civil in Anthony Quinn. Peck's constant raids into his border area from France are a source of embarrassment to him and block his chances for advancement. At one time Quinn was a hardened Falangist, but now he's just a policeman.

Twenty years as made a lot of changes in both men. Quinn a devote Catholic who probably joined the fascist forces because of the anti-clerical attitudes of the Republican government now observes the form of religion, but he's got a mistress on the side. When he goes to pray it's not for anything profound, just please let him get Peck so he can advance.

Peck is as anti-clerical as he was during the Spanish Civil War in the late Thirties, but now is really into it a lot for violence's sake. He also knows his cause is long lost, but needs the excuse for what he's now doing. He also gets quite a surprise in finding a priest like Omar Sharif going to warn him about an informer in his crew. Catholics do come in all shapes and sizes.

Although Peck is somewhat miscast as a Spaniard, still he does a good job as does Quinn and Sharif. The strength of Behold a Pale Horse is that it presents both Peck and Quinn as flesh and blood people, neither of them all good or all evil from your point of view.

Behold a Pale Horse was made in 1964 and eleven years later Francisco Franco in whose service Quinn was in died after being dictator of Spain for 36 years. When I visited Spain in 2001 the thing that struck me was how there was very little evidence of Franco's reign. Spain has now settled quite nicely into a constitutional monarchy with a functioning parliament. And the Catholic church which rode as high in Spain as it did during Philip II is rapidly losing influence.

Kind of makes you wonder just what Peck and Quinn were fighting about.


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