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The Americanization of Emily (1964)

Approved | | Comedy, Drama, War | 27 October 1964 (USA)
An American naval officer's talent for living the good life in wartime is challenged when he falls in love and is sent on a dangerous mission.

Director:

Writers:

(screenplay), (novel)
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Nominated for 2 Oscars. Another 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
Joyce Grenfell ...
Mrs. Barham
...
Adm. Thomas Healy
Liz Fraser ...
Sheila
...
Old Sailor
...
Capt. Harry Spaulding
...
Chief Petty Officer Paul Adams
Douglas Henderson ...
Capt. Marvin Ellender
Edmon Ryan ...
Adm. Hoyle
...
Young Sailor
Paul Newlan ...
Gen. William Hallerton
...
Lt. Victor Wade
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Storyline

During the build-up to D-Day in 1944, the British found their island hosting many thousands of American soldiers who were "oversexed, overpaid, and over here". That's Charlie Madison exactly; he knows all the angles to make life as smooth and risk-free as possible for himself. But things become complicated when he falls for an English woman, and his commanding officer's nervous breakdown leads to Charlie being sent on a senseless and dangerous mission. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Julie's back- and look who's with her! See more »

Genres:

Comedy | Drama | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 October 1964 (USA)  »

Also Known As:

Emily  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This is the only film in which Julie Andrews appeared in between her iconic performances in Mary Poppins (1964) and The Sound of Music (1965). Andrews would later say she was particularly happy about the timing of this film's release, and its commercial and critical successes. The actress speculated that if she had appeared in the two well-known family musicals back-to-back that she risked being type-casted, which could have ultimately hurt her career. See more »

Goofs

The airplane that takes the Admiral back home bears a USAF roundel (i.e., red strip inside the "wings") three years before there was a "USAF". See more »

Quotes

[first lines]
Lt. Cmdr. Charles E. Madison: Hi, Harry. It'll only be a few moments, sir. Put that hand luggage in the automobile. Paul? Paul!
Chief Petty Officer Paul Adams: Yeah.
Lt. Cmdr. Charles E. Madison: Put the footlocker in the jeep. Everything else goes in the two-and-a-half. Unloading shouldn't take long, so you won't be more than a few minutes behind us. I'll see you back at the hotel. Harry. Is everything set at the hotel?
[Slaps driver on butt]
Female driver, unidentified: Hiya, Charlie.
See more »

Crazy Credits

The three women that James Coburn sleeps with are collectively credited as "The Three Nameless Broads (in order of appearance)". See more »


Soundtracks

Emily
Music composed by Johnny Mandel
Lyrics by Johnny Mercer
See more »

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User Reviews

 
"I'm not interested in the truth, just the momentary fact of things."
18 August 2005 | by (Buffalo, New York) – See all my reviews

For those of today's fans who think Julie Andrews made her film debut in Mary Poppins, they would be wrong. After leaving Camelot on Broadway, The Americanization of Emily was the vehicle with which Julie made her debut. And she sings not a note.

She didn't have to. Beneath all the comedy revolving around the scheming and conniving of James Garner to stay as far away from the hail of bullets as possible are some profound statements about the futility of war and the geopolitics that got the USA in that particular war.

James Garner is in a quintessential James Garner role as set down by Bret Maverick, the part that made Garner a star. He's a "dog robber" a military aide to an admiral who specializes in acquiring certain creature comforts for his boss. Garner became one after serving some combat in Guadalcanal and finding it not to his liking. Fortunately for him, he had the connections to get out of that situation unlike several thousand others. Not a very admirable man.

But despite herself, stiff upper lip Britisher Julie Andrews finds herself falling for him. There's is one rocky romance.

Through a combination of circumstances Garner finds himself going to the front on D-Day to film the Naval Engineers disabling the mines in the water at Normandy Beach. Once again, it's not to his liking.

Garner and Andrews get good support from the supporting cast consisting of James Coburn, William Windom, Joyce Grenfell and Melvyn Douglas as the battle fatigued admiral who's Garner's boss and who got him in the situation described.

One of my favorite scenes involves two sailors, Keenan Wynn and Steve Franken who get assigned to Garner to make the film. The three of them get cockeyed drunk and Garner's immediate superior James Coburn finds them in a state of uselessness. He has them hauled aboard the transport with the cargo.

One of the great things this film had going for it was the Henry Mancini-Johnny Mercer title song of Emily. They were a hot combination of movie song writers then, having one back to back Oscars for Moon River and Days of Wine and Roses. Frank Sinatra, Jack Jones, and Andy Williams are some of the artists who recorded that song back in 1964.

I can't give the ending away, but let's say that Garner through a bit of sophistry winds up doing exactly what he said he never would. But then again as Garner says, he's not interested in some great philosophical truth, just the momentary fact of things. He and Julie Andrews together are what counts most.


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