Cash McCall is a young and slick business man who buys failing businesses and resells them. Grant Austen's Plastics is even more of a prize to Cash, for Cash is also making a bid for ... See full summary »
Henry J. Tyroone leaves Texas where his oil wells are drying up and arrives in New York with a lot of oil money to play with in the stock market. He meets stock analyst Molly Thatcher, who ... See full summary »
Quiet young Orfamay Quest from Kansas has hired private detective Philip Marlowe to find her brother. After two leads turn up with ice picks stuck in them, he discovers blackmail photos ... See full summary »
A multi-layered satire of race relations in America. Live-action sequences of a prison break bracket the animated story of Brother Rabbit, Brother Bear, and Preacher Fox, who rise to the ... See full summary »
During the build-up to D-Day in 1944, the British found their island hosting many thousands of American soldiers who were "oversexed, overpaid, and over here". That's Charlie Madison exactly; he knows all the angles to make life as smooth and risk-free as possible for himself. But things become complicated when he falls for an English woman, and his commanding officer's nervous breakdown leads to Charlie being sent on a senseless and dangerous mission. Written by
The uniform of the American General Hallerton is incorrect. He is wearing a black tie (phased out in favor of the 'pink' tie and shirt in 1942); also his shoulder sleeve insignia denoting European Theater is sewn on upside down. See more »
Lt. Cmdr. Charles E. Madison:
Hi, Harry. It'll only be a few moments, sir. Put that hand luggage in the automobile. Paul? Paul!
Chief Petty Officer Paul Adams:
Lt. Cmdr. Charles E. Madison:
Put the footlocker in the jeep. Everything else goes in the two-and-a-half. Unloading shouldn't take long, so you won't be more than a few minutes behind us. I'll see you back at the hotel. Harry. Is everything set at the hotel?
[Slaps driver on butt]
Female driver, unidentified:
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The three women that James Coburn sleeps with are collectively credited as "The Three Nameless Broads (in order of appearance)". See more »
"I'm not interested in the truth, just the momentary fact of things."
For those of today's fans who think Julie Andrews made her film debut in Mary Poppins, they would be wrong. After leaving Camelot on Broadway, The Americanization of Emily was the vehicle with which Julie made her debut. And she sings not a note.
She didn't have to. Beneath all the comedy revolving around the scheming and conniving of James Garner to stay as far away from the hail of bullets as possible are some profound statements about the futility of war and the geopolitics that got the USA in that particular war.
James Garner is in a quintessential James Garner role as set down by Bret Maverick, the part that made Garner a star. He's a "dog robber" a military aide to an admiral who specializes in acquiring certain creature comforts for his boss. Garner became one after serving some combat in Guadalcanal and finding it not to his liking. Fortunately for him, he had the connections to get out of that situation unlike several thousand others. Not a very admirable man.
But despite herself, stiff upper lip Britisher Julie Andrews finds herself falling for him. There's is one rocky romance.
Through a combination of circumstances Garner finds himself going to the front on D-Day to film the Naval Engineers disabling the mines in the water at Normandy Beach. Once again, it's not to his liking.
Garner and Andrews get good support from the supporting cast consisting of James Coburn, William Windom, Joyce Grenfell and Melvyn Douglas as the battle fatigued admiral who's Garner's boss and who got him in the situation described.
One of my favorite scenes involves two sailors, Keenan Wynn and Steve Franken who get assigned to Garner to make the film. The three of them get cockeyed drunk and Garner's immediate superior James Coburn finds them in a state of uselessness. He has them hauled aboard the transport with the cargo.
One of the great things this film had going for it was the Henry Mancini-Johnny Mercer title song of Emily. They were a hot combination of movie song writers then, having one back to back Oscars for Moon River and Days of Wine and Roses. Frank Sinatra, Jack Jones, and Andy Williams are some of the artists who recorded that song back in 1964.
I can't give the ending away, but let's say that Garner through a bit of sophistry winds up doing exactly what he said he never would. But then again as Garner says, he's not interested in some great philosophical truth, just the momentary fact of things. He and Julie Andrews together are what counts most.
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