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| Index | 17 reviews in total |
31 out of 33 people found the following review useful:
Criminally Underated, 13 September 2002
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Author:
drdyer from Los Angeles, California
For years I would notice this in television guides rated as one check or
one
star, right down there with Attack of The Killer Tomatoes. I have often
puzzled at who is responsible for this and other way-off subjective
ratings
I have seen.
This movie was a two star movie just for Freddie Young's
photography.
While not up there with The Bridge On The River Kwai, I believe this film
is
worthy of being rated higher than hundreds I have seen rated with two and
three stars.
This film has some fine performances by Susannah York, Capucine, and
Tetsuro
Tamba, as well as William Holden.
This film has one of the most beautiful opening scenes of any picture I
have
seen, coupled with the music of Riz Ortolani, which I believe only Freddie
Young's gifted artistic photo talents could have accomplished.
The only possible reason for it's low rating that I could think of, was
the
era it was released, when anti-war sentiments were building towards Viet
Nam. At any rate, personal point of views should not affect the grading
of
art forms, and is a travesty to truth.
21 out of 22 people found the following review useful:
A story worth telling, 11 February 2004
Author:
M Perry from Winnipeg, Manitoba, Canada
Odd, that I don't recall the word 'communist' being uttered throughout this
picture.
Anyone notice if it was? It was pretty clear from the references and the red
stars
the Ng and his guerrillas were communists. This is an entertaining film from
a
jungle war that has been largely forgotten in the shadow of Vietnam. The
British
spent 12 years eradicating the elements they called "communist terrorists"
before
Malaysia became independent. Most of their enemies weren't conveniently
uniformed like Ng's forces, but were more like the grenade-tossing
chauffeur. The
SAS played a key role in suppressing the communists, and the British pretty
much
wrote the book on how to deal with these sort of insurgencies, lessons the
Americans too often seem to forget (though they slowly seem to be figuring
it out
in Iraq and Afghanistan).
Saw this movie years ago and liked it, liked it more in a recent viewing, in
spite of
its flaws. Always liked Holden, have a real soft spot for Susannah York -
and
Capucine was splendid.
Some great cars in this movie, too (and a Gloster Meteor, too, I think). And
yes,
superbly photographed.
17 out of 17 people found the following review useful:
Excellent but Unheralded Film, 29 September 2003
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Author:
wglenn from Port Jefferson, NY
As others have noted, The 7th Dawn is a surprisingly good film and
deserves
more attention. It opens with a stunningly photographed title sequence
that
evokes the haunting atmosphere and strange tension of Henri Rousseau's
jungle paintings. As soon as the titles fade, however, we are suddenly
thrust into the middle of a brutal mass execution towards the end of World
War II in Malaysia. The entire film plays off of this combination of
sudden
violence and the mysterious, unearthly beauty of the jungle.
In its quest for national independence for Malaysia, a guerilla army
threatens British colonial society with acts of terrorism that leave the
good civilized folk on edge. They ask an American ex-pat, William Holden,
to intercede with the leader of the rebels, played by Tetsuro Tamba,
because
the two are old friends and served together in a guerilla army on the side
of the Allies when they were all fighting the Japanese. Capucine also
served
with the two men in their guerilla days, and these three form an
interesting
romantic triangle that goes much deeper than those found in most films,
involving loyalty to and betrayal of friends, lovers, family, nation, and
ideology.
Though we've seen Holden's character, Major Ferris, in other movies (from
Rick in Casablanca on down), it's a great role for the actor, who fills it
with vigor, intelligence, and the necessary animal sensitivity. It helps
that he has good writing behind him, and, in fact, the screenplay is one
of
the strengths of the movie, with complex characters involved in murky
moral
situations, a plot that keeps you intrigued and guessing, and some larger
themes right out of Joseph Conrad. Susannah York's character may be a
weak
point of the film, but the acting in general is quite good. The
Malaysian
setting is quite exotic, and Freddie Young's (Lawrence of Arabia, Doctor
Zhivago, etc.) incredible photography adds to the moody, violent and lush
atmosphere of the film. It all adds up to action, adventure, mystery,
political intrigue, some refreshingly mature romantic relationships, and
even a touch of humor. Though it doesn't quite rank up there with The
Bridge on the River Kwai or Lawrence of Arabia, people who liked those
films
should find The 7th Dawn a surprisingly strong film and definitely worth
watching.
18 out of 20 people found the following review useful:
great old film, 18 June 2006
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Author:
kaydon-1 from Australia
This film was made in Malaya in 1963. Because it was to show scenes of burning a malay kampong, the British government refused permission for their troops to take part. Australia was approached and agreed. Myself and about 80 other soldiers from the 2nd Battalion, the royal Australian regiment, who were based at terendak camp, malacca, malaya were selected. We got to meet bill holden and beautiful cupacine the french actress and many other people on the set (directer camera men and so on). it was all very exiting and over 40 years ago. I still have a number of black and white photos taken at various times. by the way when it was released it was called "the year of the dragon" evidently it was thought not a good title for America and changed to the "seventh dawn" when i attend battalion re-unions on the gold coast in queensland, those of us who were in the film still enjoy a good laugh about our parts, but then again the subject was very close to our hearts. it is the only fight against communist terrorist that was a full success, although Vietnam was, only for what the press did at tet.
13 out of 13 people found the following review useful:
Something special here.........., 7 August 2007
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Author:
panamint from United States
There is a haunting, lost quality to this film that is really special.
The mysterious jungles, ethereal sunrises, lost colonial world are all
woven together beautifully.
The life-enhancing youth of Susanna York, and exotic Capucine at the
peak of her career converge at just the right moment in time to play
off of the wasted, weary Holden (though still an effective acting
presence). Few viewers at the time realized that the famous
globe-trotting Holden was perfectly suited to this role as an aging man
who accumulates wealth but realizes that he has thrown away all his
opportunities for success in a personal life. Now we know that age and
mistakes were catching up with Holden himself, just like the character
he portrays here.
Expensively made, fine cinematography, beautiful but haunting musical
score written at the perfect time.
Sincere acting conveys the simplistic ideals believed by everyone in
those days (The British, the Communist leader Ng, the naive Americans).
Simplistic thought by so many people who did not realize that the world
was becoming very complicated. The USA that very year on the brink of
massive effort and tragedy in Vietnam. The early 1960's with so many
nations on the cusp of independence as colonialism was literally dying
as this film was being made.
Viewers in 1964 were still expecting movie-star Holden and happy
endings. Instead, Holden gave them the truth here and they couldn't
handle it. So, this movie was long forgotten, only shown a few times
over the years in various chopped-up prints, and achieved obscurity. We
are lucky that a full-length version was preserved. This kind of
independent-minded, carefully photographed, rare unique movie is seldom
encountered and should be treasured, despite how uneven or flawed it
may be.
9 out of 9 people found the following review useful:
Sophiscated themes within the war genre, 24 February 2006
Author:
bbsilvers from Pasadena, SoCal, United States
When the old KCOP Channel 13 in Los Angeles showed matinées
(afterschool for me then), I saw this engrossing movie. Who could
resist the lushness of the Malay jungle juxtaposed with the British
Governor's pristine lawns? Not to mention the fascinating interweaving
of the old love triangle amongst Ferris, Dhana, and Ng with an
anti-colonial rebellion? I may have been a precocious child, but these
things were clear to me amidst the Vietnam War. It's good to see others
who recall this movie for what it remains--a trenchant comment on
nationalist insurgents fighting their imperialist overlords. The irony
is that, despite the purity of their intentions, the guerrillas destroy
what they fight for: control of their own destiny. One might read the
lovely Dhana as the fragile Malayan countryside laid waste in the
ensuing skirmishes. True enough that the British colonial government
executes Dhana. Yet both Ferris and Ng lose their dreams as well:
Ferris leaves Malaya without Dhana (or even Candace), and Ng is dead.
When I found the LP recording of the beautiful Riz Ortolani score about
20 years ago, I snatched it up. I won't expect a CD version, but
Ortolani deserves to be lauded for music that supports the storyline.
We may well remember "More" from Mondo Cane, but the haunting theme
from The 7th Dawn can hold its own.
Now, if only one could include this movie in a grouping of films with
the broad theme of protesting war (Live for Life, Year of Living
Dangerously, Torn Apart, Indochine)and show them to politicians....
10 out of 11 people found the following review useful:
unheralded sleeper, 30 March 2005
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Author:
sljones44 from United States
I agree with most posts. I think this was an underrated film, surprisingly hard to find. It was quite critical of the British elements of counter terrorism. It seemed a little simplistic, but it told a story not usually found in most movies. I think that it was a good, balanced viewpoint of colonialism, terrorism as well as romance. This would be an intriguing remake, if today's times were a little different. Today's culture is far into the anti-terrorist mode to understand the psychology of insurgency. Vietnam was much more complex, with the S.Vietnamese bureaucracy betraying themselves and China masterminding the NVA for its own purposes. William Holden played the naive, if somewhat self-important voice of reason. He played the angle from his side, and was critical of the British viewpoint. The "loyalty" aspect was quite intriguing and prevalent throughout most of the film, and he distinguished that element again in the Wild Bunch. This was a pretty good movie.
12 out of 17 people found the following review useful:
Unheralded but classic period piece & morality play, 21 January 2004
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Author:
eaglejet98
This is one of those films that goes unnoticed for some reason, despite
having an excellent story, superb cast and breathtaking scenery.
Although it is "entertainment", art does imitate life and we see the
brutal reality of how a dedicated (and duped) Marxist revolutionary
lets deep, committed friendships fall to the wayside, in fact uses
those very friendships, to further his political cause.
The film came out about the time the war in Vietnam became an American
War and this may be the reason it did not do as well as it should have
at the box office.
A young Suzanna York is stunning; Capucine is the classic beauty she
remained until her untimely, and sad, suicide in 1987. Bill Holden was
the perennial Bill Holden. The Asian commie rat was a typical Asian
commie rat. Those guys still don't have a clue. China will eventually
fall not from within but from without-they can't keep the internet out
and once its citizens see the real world out there, communism is
finished.
Well worth watching whenever you can catch it.
7 out of 9 people found the following review useful:
Underrated for sure!, 4 October 2002
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Author:
dbdumonteil
This movie deserves a better rating,that's for sure.Capucine's
character is arguably the stand-out as she portrays an uncompromising
proud pure heroin,à la Joan of Arc,with dignity and grandeur.Her last
scene particularly impresses as the cinematography does.Lewis Gilbert
is not a seventh art genius but he avoids pathos and melodrama by using
ellipsis :Holden and York are still in the jungle,desperately trying to
arrive before it's too late and abruptly,the story takes us
forward,several days after they returned.
That said,York's character in not really credible,and Tamba's part is
too cardboard when it demanded an ambiguous, in depth psychology.But
interest is sustained till the end and I think the movie should be
restored to favor.
3 out of 3 people found the following review useful:
My Favorite Movie (and Novel) But..., 11 January 2008
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Author:
brurhe-1 from Kampong Thom, KOC
A British colony in Asia is under attack from terrorists. A suspected terrorist has been captured, tried, and convicted. The sentence is death. The terrorist group kidnaps the British governor's daughter. She will be killed if the execution proceeds. Time is running out. Only her lover, Ferrell, can save her. No mistake. It's Paul Ferrell and he's rescuing Caroline rather than Candace this time. The movie (actually a serial or in the States a miniseries) is "A Place of Execution" from 1953 eight years before "The Durian Tree" was published and eleven years before "The 7th Dawn" was released. Is this a strange coincidence or a reused plot line? Draw your own conclusions.
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