After Thunderbird 2 is heavily damaged in a mistaken attack, it leaves the team seemingly without a swift means to transport TB4 to New York City when a news crew is trapped underneath the collapsed ...
Gerry Anderson's third SF supermarionation saga told the adventures of the WASPs (the World Aquanaut Security Patrol) as they explored the oceans and kept the world safe from a variety of ... See full summary »
The International Rescue team is faced with one of its toughest challenges yet, as the revolutionary lighter-than-air craft Skyship One is hijacked while on her maiden voyage around the ... See full summary »
Fireball XL5 was part of the fleet of interplanetary rockets protecting Sector 25 of the Solar System from alien invasion under the supervision of the World Space Patrol. In command of XL5 ... See full summary »
Gerry Anderson's first science fiction Supermarionation series. Super Car was a prototype vehicle that could travel in the air, on land or beneath the sea. Its test pilot was Mike Mercury, ... See full summary »
Iconic British children's animated series set in the fictional, picturesque village of the title. Each episode opens with a character emerging from a music box and they will be the central character of the forthcoming story.
Children's animation from the 'Smallfilms' team of Postgate and Firmin. In the 'top, left hand corner of Wales' runs an archaic railway line staffed by such characters as Jones the Steam ... See full summary »
A sequel, of sorts, to Camberwick Green but set in the larger, nearby town of Trumpton. Each episode opens with the town hall clock and ends with the fire brigade band playing. Every show tells the story of one of the townsfolk.
Legendary British children's animation of the early 70s made by the 'Smallfilms' team of Oliver Postgate and Peter Firmin, this series chronicled the melancholically funny lives of the ... See full summary »
The year is 2065. The location is a secret island base. The Tracy family run International Rescue - a top secret organization whose ongoing mission is to aid humanity. With the support of five incredible THUNDERBIRDS craft, the London agent Lady Penelope Creighton-Ward, her butler and ex safe-cracker Parker and genius Brains, the Tracy family battle the forces of evil. Written by
Back of Digitally Remastered DVD
Lady Penelope's stately home is modelled on Stourhead House, Wiltshire, England. There is an commemorative plate on display there acknowledging this. See more »
There are some episodes in which civilian personnel who are being assisted by International Rescue refer to the Tracy brothers by name. How would they know their names? IR is a secret organization and it's highly unlikely they would give out their names. See more »
Everyone can appreciate a good puppet show, and everyone can appreciate a good model; but this show took puppet shows and models to a bold new level of detailing and production complexity. I imagine that on paper it might have looked crazy to some, but believe me, it works. It is indeed, as mentioned in another viewer's comment, like a world of toys come to vibrant life.
The making of this show necessitated a fabricated miniature universe. For the premise to work, that world had to be obsessively detailed, with every doorknob, switch, coat button and lock of hair. If the show went to the mountains, they created the mountains. When the ships were in flight, they created the sky. Whatever was needed to pull the story off was built; there was no limit. That these people created a world as believably as they did deserves real praise.
"Thunderbirds" represented a budgetary step up and a refinement of technique for Gerry Anderson, who for years had worked to perfect an all-puppet TV show that could be taken as serious drama. It was always targeted at kids, but the stories seldom featured child characters, and being a "rescue show," the characters were routinely placed in very threatening predicaments. The effects used to depict scenes of destruction (supervised by Derek Meddings) were often frighteningly realistic. When I saw it as a kid, actually, I had no interest in it, because it seemed dry and "too adult." Seeing it many years later, my reaction was "Wow! How adult!"
The show is the source of many amusing chuckles today, mainly because its seriousness is absolutely unflinching, despite the fact that the puppets obviously aren't real people. The action was played straight, with appropriate dramatic music cues, and conventional film camera angles and cutting. This all conspired to create a very convincing puppet universe--one that no one would dare attempt today.
The recent DVD releases (from A&E) have gone through a digital cleanup process, which has brightened the colors and sharpened the images considerably. The original monaural audio has also been incorporated into a new surround-stereo "remix" featuring additional sound effects tracks. The augmented explosions are deafeningly loud at times--which is perhaps as it should be!
In a word: Amazing.
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