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9 reviews in total

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17 out of 17 people found the following review useful:
Classic Comedy That Hid A Terrible Truth, 25 August 2002
Author: Sonatine97 (sonatine97@hotmail.com) from Birmingham, England

Steptoe & Son (SS), was a national institution back in the 60s & 70s. There were huge TV audiences all clamouring to watch the latest episode in the lives of two lonely but dependent rag & bone men in Sheperds Bush, London.

So big were the audience figures at around 7pm at night that even the-then Prime Minster, Harold Wilson, had to postpone a General Election campaign because it clashed with this hugely popular show.

Harold is the middle aged son, frustrated with his boring job as a "totter" and being constantly tied down by his irritating and manipulating father.

Harold is a dreamer, a person who sees himself as an intellectual, a poet, an classical actor, a gentleman, a ladies man and sucessful businessman....and yet this is just his little dream, the kind of dream we all wish for. But in Harold's mind only his father is really holding him back from making those dreams a reality.

Albert, on the other hand, has seen it all. He is a bitter old man who was brought up in a poor family and life was tough, especially having to suffer going through two world wars. He also realises that he never made a success of his life in a business sense. After decades of being a rag & bone man he is still no richer than his own father was.

But to add to this bitterness, he is also scared of being left totally alone in an uncaring modern world. He no longer has a wife, no daughters, hardly any family at all to fall back on. The only person he can really trust & depend on is his son, Harold. And Albert will do anything to ruin Harold's chances of either bettering his own life elsewhere or making sure he never leaves him to fend for himself.

And so for the next 12 years British audiences peeked into the daily lives & scrabbles of this odd couple with Harold trying to escape to a better world and Albert making sure he doesn't.

The scripts remained consistantly good throughout this era of new comedy. Boundaries of acceptable taste during this time were pushed ever further and the onset of moderately bad language from these two gents became common place.

Some purists saw it as vulgar, crude and the thin end of the cultural wedge, while the majority felt it was nothing more than how life in the real world is portrayed, and that is probably one reason why it was so successful, because we could all empathise with the two characters as they struggle for their own particular hopes & dreams.

It should be added that in real life both lead actors, Wilfred Brambell & Harry H Corbett slowly began to hate each other just as much as the characters they portrayed in the show. Brambell was very much a refined gentleman in real life and usually was very dismissive of the poor and working class (which is the great paradox of his own character).

At the same time Harry H Corbett felt he had become for-ever typecast with this Harold Steptoe millstone. He was desperate to do serious acting or to return to the theatre, but the roles he recieved were little more than Harold Steptoe by any other name. And as a consequence Harry would never get the chance to try new challenges and would always be associated and thought of as Harold.

So there was lots of real bitterness in the latter years of the show, in fact some of the episodes were too close to the bone for some. There was an episode, for example, where Harold was given the starring role in an amateur play and for once he had high hopes of breaking away from the shackles of his present employer, only for the ever sceptical Albert to tell him that he will never be a real actor because he has no talent, no class, no skill, nothing at all in fact. You could almost sense the real hostility behind those masks when Albert confronted Harold.

But for all that, SS on its own, is still a much loved show and often repeated and still remains as fresh & funny as ever. The less said about the two movie spinoffs the better.

****/*****

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17 out of 17 people found the following review useful:
Classic comedy with a heart of truth, 22 June 2001
Author: vaughan.birbeck from Solihull, England

Although Steptoe and Son ran on British TV for twelve years it is one of those rare (maybe unique) examples of an idea which continued to develop and evolve rather than slide into stale repetition.

In its early years the series emphasised broad comedy. One well-remembered episode features Albert eating a meal while sitting in his bath, earning a rebuke from his son which became a national catchphrase: "You dirty old man!"

As time went by the characters became established and the writing began to emphasise the mutual dependency of two basically lonely men (Harold the batchelor and Albert the widower). Harold dreams of a better quality of life away from his father and constantly makes attempts to achieve something in his own right. His attempts are thwarted by his own lack of social standing and his father's scheming: if Harold joins a local theatre group, Albert joins too and becomes the star of the show.

Albert, for his part, fears losing his son and being abandoned in his old age. He will use any means (especially moral blackmail) to keep Harold at his side. More importantly he is far more realistic than Harold and sees that his attempts at social ambition are doomed.

In one of the most moving episodes an old girlfriend of Harold's reappears after many years. They still feel the same way about each other and plan to marry. Finally Harold can break away from the old man. Naturally Albert has other ideas, but at the climax of the show it is the girl who ends the relationship, telling Harold he is already married.

The performances of Wilfrid Brambell and Harry H Corbett never faltered through the show's run. Galton and Simpson produced scripts of wit and insight and they performed with great skill and subtlety. This is a show where you laugh while recognising the truth and basic sadness of the situation in which the characters live.

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9 out of 9 people found the following review useful:
True To Life And Damn Funny, 14 March 2003
Author: Big Movie Fan from England

Steptoe and Son is probably the best British comedy ever. Featuring late stars, Wilfred Brambell and Harry H Corbett, this was an excellent show which never failed to amuse me and was true to life.

The show featured pensioner Albert Steptoe and his son Harold Steptoe (a pair of rag and bone men). They bickered, the fought, they sulked and generally got on each other's nerves. But underneath, there was a mutual love.

This show kind of reminded me of my own life. Even though I love my own dad, I did spend quite a few years of my life arguing with him even when I left home at 18. We were two different people with different outlooks on life and this led to some battles at times. This show was the same. Albert and Harold could not have been more different. Harold was fed up with his dad's filthy habits and moaning; Albert was always playing on Harold's emotions with phrases such as, "I'm an old man Harold. Need looking after." Also funny was the fact that Albert always ruined any prospective relationship that Harold was going to engage in. But they loved each other deep down and that was the fun of it.

Truly the greatest British comedy ever.

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7 out of 7 people found the following review useful:
An excercise in brilliant witty comedy, 29 August 2004
Author: Nicholas Rhodes from Ile-de-France / Paris Region, France

A brilliant exercise in British comedy from the sixties and seventies ! Not one episode fails to please and the dialogues were extremely savoury. A certain number of episodes are available on BBC dvds in the UK region 2. The picture quality of the latter episodes is so good that you'd swear they'd been made yesterday. It is hard to believe that both of these characters have sadly left us but thanks to this series they will live on forever in our hearts and minds ! It appears that in real life, Wilfred Brambell was an exceedingly well-spoken man and didn't have a common accent at all. In one of the episodes involving Harold acting in a play, we do in fact hear Albert speak in a very posh voice albeit very briefly.

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3 out of 3 people found the following review useful:
"You Dirty Old Man!", 12 September 2006

Author: ShadeGrenade from Ambrosia

One of the saddest sights I ever saw on television was Wilfrid Brambell, close to tears on 'Nationwide' in 1982 following the sudden death of his 'Steptoe & Son' co-star Harry H.Corbett. The pairing of these great actors, combined with some wonderful scripts by Ray Galton and Alan Simpson, made 'Steptoe' a classic. I think viewers recognised the truthfulness of the situation; rag and bone man Harold desperately wanted to escape from his father's domination to begin a new life on his own, but couldn't because he loved the old man too much. When searching for comedy ideas, today's writers fall into the trap of thinking: "How can I shock the public?". 'Steptoe' did not set out to shock, yet did because it was so real. After a successful run in the '60's, it was revived in the '70's in colour, and these episodes are my favourites, particularly 'Divided We Stand' in which Harold and Albert tried to lead separate lives in the same house. The word 'timeless' is overused these days, but it definitely applies here.

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Flawed brilliance, 21 April 2012

Author: welshNick from United Kingdom

*** This review may contain spoilers ***

This was one of the great sitcoms of the 1960's and 1970's and was aired and often repeated on the BBC. Around 50 audio episodes were made as well and although not on the radio any longer are available on the web and cd. This was a story of a father and son team who ran an old fashioned junk business. The father refused to move with the times and the son was forever looking for a way out of the hell that had been created. The 2 characters were very well acted (disliked each other off screen) and the main set was well put together. Albert, the father, would defeat Harold at anything he tried and spent most episodes trying to keep him in his place. Harold, although trying to better himself, was fiercely loyal to his Father and Albert used that to his advantage. Albert was incredibly selfish over this and saw Harold purely as a ticket to comfortable old age. Any time Harold met a girl or had a chance to better himself Albert would purposely mess it up for him as he saw everything like that as a potential threat to the status quo which he enjoyed. This left the viewer quite often with a big feeling of frustration. Harold had chance after chance to leave but did not take them because of the aforementioned loyalty. It had got stale by the end as the conclusions to each episode became very predictable. Good viewing though ultimately flawed. The series never developed, it just stayed the same for far too long.

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0 out of 1 people found the following review useful:
100% Genius, 20 April 2009

Author: naseby (naseby@lycos.co.uk) from London, England

*** This review may contain spoilers ***

Fine writing, longevity, situations and the two actors at the helm made this the finest British sitcom ever and I'm not bothered what anyone says. Firstly, in THIS age where political correctness is rife, this scorned it in its own fashion, as perhaps many 'sixties/'seventies sitcoms did. The old boy, Albert Steptoe,(Wilfred Bramble) filthy in both senses of the word, tries to dominate and keep his son, Harold (Harry H. Corbett)down, when all he wants to is aspire above the 'Rag and bone' business of 'Steptoe and Son' .

Naturally the pair have a love/hate relationship and this worked very well on screen. Harold at one time wanting to 'fill the old man in' and at other times protecting him.

Obviously at their best when they're at each other's throats, at times they had other actors 'invade' the situations and you were guaranteed a great laugh. The favourite episode being where Harold divides the house in two (Including the TV) just to get away, somewhat from Albert.

Favourite lines? The above episode (Divided We Stand) had the two arguing over an alternate night using the TV set, through the partitions Harold had set up (The TV was on Albert's side of the room). On arguing the toss over this, Harold said he had the law of contract on his side, to which Albert replies: 'I have the KNOBS (Controls) on MY side!'

And my other favourite line in 'So to Bed' where Harold buys a new WATER bed as the other had bedbugs in it, from Albert: 'At least you won't have any trouble with bed bugs with that - it'll drown the little bleeders'!

Sadly, this and other 'seventies classics have gone bye the bye. This series should have had more comments than just eight - it's indicative, however they may be repeats if shown on the TV, of how the BBC has failed to provide this great comedy to further generations (The same befell Laurel and Hardy, Morecambe and Wise etc). The series gained about 20 million viewers even in those days and when an election was due in the 1960's, Harold Wilson wanted the polls to open when it'd finished on that night, so no-one would keep away from the polling stations to vote - that's the power the series had!

Another one given to me as a DVD box set. The two films were very good too, though I think the second one 'Steptoe and Son Ride Again' had the definite edge! Well done, Mr Galton and Mr Simpson!

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0 out of 1 people found the following review useful:
Comedy Gems., 8 July 2007

Author: simon3818 from United Kingdom

*** This review may contain spoilers ***

Starting with the films, I was hooked on Steptoe & Son from the age of 7 or 8. Two rag and bone men in London constantly arguing, stopping the other living their life. I couldn't get enough of it. First saw the series in 1991 on the Comedy Channel, the episode Divided We Stand and i was even more hooked. These episodes were based on the most simplest of things. The issue would be there, say in Divided We Stand, Harold wants to improve the house. Albert doesn't. They talk over the problem and a solution is found, in this case they divide the house (rather badly). The comical part is everything including the toilet is divided with a turnstile in the hallway. Then the crunch happens and they are back together again. Each episode followed this principal and, even though topics were repeated (ie going on holiday was used at least 5 times!) it was always fresh. This is definitely a sitcom to collect on DVD as it is so well acted, so well scripted and put together. There is no way you'd fail to laugh at Steptoe & Son.

Knighthoods for Mr Galton & Mr Simpson for this alone.

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0 out of 1 people found the following review useful:
A Landmark, 30 October 2006

Author: Victor Meldrew from Manchester

*** This review may contain spoilers ***

Steptoe is one of the greatest sitcoms of all time, my 6th favourite. It is a landmark in British Sitcom. Written by Ray Galton and Alan Simpson, they wrote the first classic sitcom "Hancock's Half Hour". After Hancock sacked Galton and Simpson, they wrote this. The first sitcom to deal with working class life and real actors playing the leads, not comedians which meant we could have dramatic moments as well.

It is about Albert Steptoe and his son Harold who run a rag and bone business, they live in awful poverty, but for some reason Albert is very working class but votes Tory, a bit like Alf Garnett, Rupert Rigsby and Bill Reynolds. Albert and Harold can't stand each other, but they can't live without one another.

Full of dramatic moments, as well as the great comedy. This was the highlight of the first series of the BBC's Comedy Playhouse, which made Last of the Summer Wine, Till Death us do Part and many other classics. For the drama, there are many dramatic moments, such as Albert calling his dead wife and Harold's Mum a slag. But the comedy is a masterpiece as well. My favourite line is from the first episode of the third series when Harold is going on a boat round the world with some friends and Albert says "There's only one good thing about this, the thought you all might bleeding drowned" Classic

Best Episode: Pilgrims Progress Series 4, episode 7: This was meant to be the last episode, but they came back 5 years later. It is superb for Albert's fight on the plane.

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