The mysterious Hemingway causes havoc at UNCLE headquarters in New York through various means, including tampering with the facility's water supply and electrical system. This occurs on the eve of an...
This spinoff from "The Man from U.N.C.L.E." features the adventures of sexy spy April Dancer, who works for an international agency called the United Network Command for Law and Enforcement... See full summary »
Leo G. Carroll
Napoleon Solo and Illya Kuryakin are the two agents of the United Network Command for Law Enforcement, who fight evil (primarily an organization of Bad people called, THRUSH) and use charm, wit, and a never ending assortment of gadgets. Ran for 4 years. Written by
John Vogel <firstname.lastname@example.org>
The meaning of the acronym THRUSH was never spelled out in the series, though a meaning was created for one of the UNCLE novels published at the time ("Technological Hierarchy for the Removal of Undesirables and the Subjugation of Humanity"). See more »
The map upon Mr. Waverly's office wall is incorrect in numerous cases. For example, it shows Canada and Newfoundland to be 2 separate states. Other errors include the lack of East Pakistan and all of Indo-China is depicted as one nation by the name of 'Siam'. This map appears in various episodes. See more »
[opening of the first few season 1 episodes]
My name is Napoleon Solo. I'm Enforcement agent in Section 2 here. That's operations and enforcement.
I am Illya Kuryakin. I am also an Enforcement agent. Like my friend Napoleon, I go and I do whatever I am told to by our chief.
Mr. Alexander Waverly:
Hmm? Oh, yes. Alexander Waverly. Number 1 in Section 1. In charge of this, our New York headquarters. It's from here that I send these young men on their various missions.
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Each episode's credits included a dedication to the men and women of UNCLE. See more »
The Man From U.N.C.L.E. is arguably one of the greatest shows of the Sixties and definitely the best American spy show. It blended tongue in cheek humour with action and adventure for an end result that was extremely entertaining. Unfortunately, all good things cannot last. The first season (when it was still shot in black and white) and the second season (the first one shot in colour) place The Man From U.N.C.L.E. among the best television has to offer. All of this changed with the third season, when the series became so silly that watching its episodes became nearly unbearable. The show recovered somewhat in its abbreviated fourth season (it would be cancelled midway through), but by that time The Man From U.N.C.L.E. had lost its charm. Though the fourth season episodes are watchable, they lack the humour and pinache of the first two seasons. Regardless, The Man From U.N.C.L.E. is a testament to what Sixties television could do at its very finest.
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