Fueled by revenge, Michael sets up a meeting with Clef Robie, the man who murdered his wife and child 6 years ago. His plans of killing him come to a standstill when two gunmen rob the ... See full summary »
On the death of their father Joshua, siblings Eli and Nellie Pledge inherit the family business, Pledge's Purer Pickles, at Colne, Lancashire, in the north of England. Their faithful ... See full summary »
The story of Leo Staggs Diego and his fight with self destruction. An Action Drama about the life of an ex military, ex cop that is being forced into the crime world against his will. After... See full summary »
Shannan Leigh Reeve,
Working from his home in a converted windmill, Jonathan Creek is a magician with a natural ability for solving puzzles. He soon puts this ability to the use of solving impossible crimes and mysterious murders.
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Crossroads returned to the London area on the 3rd Jan 1969 after being off the air since summer 1968. Thames TV, who were the new London contractors, initially refused to purchase the programme, but gave in under viewer's protest and pressure. On its return, Noele Gordon explained the storylines to Thames' viewers, but the region still remained several months behind most parts of UK. Only the Granada region, in the North-West, were further behind (by around 12-18 months), having only taken up the series in 1972 alongside Tyne Tees, who went with ATV's current editions. The regional variations were brought into line - barring time-slot differences - in time for for the wedding of Meg Richardson and Hugh Mortimer on on April 3rd 1975 . Thames TV in London jumped forward 6 months on 1st April 1975 as Gordon and other major characters spoke directly to the camera from Meg's sitting room to provide a special plot round-up for those who would be skipping half a year of episodes to catch up. Six months of storylines were summarised in under 10 minutes, with London viewers catapulted to part 2 of the episode then being transmitted in the rest of the UK. See more »
At its best probably in the 1960s, Crossroads was always terrific fun.
The programme had an innocence and lightness of touch in its 60s days that it lost in the 70s and great fun was to be had as sets occasionally wobbled and studio arc lights fell down! The 1960s characters were great - and included such legendaries as the Richardsons and Hugh Mortimer, Diane, Tish Hope, Marilyn Gates (mark 1!) Mr Lovejoy and Mr Booth and Amy Turtle.
The show was daring - a storyline about a single mother, a waitress at the motel, was strong stuff back then. But murder was more difficult. In a 1960s story involving the character Gerald Bailey (whose wife, Ruth, later married Meg's brother) great pains had to be taken so as not to "distress" viewers in a storyline originally envisaged as murder, but later reconfigured to "sudden death".
However, by the late 1960s, attempted murder WAS allowed as we saw the character Malcolm Ryder trying to poison the show's heroine, Meg Richardson - his wife in the plot at that time! The 70s and 80s episodes are also great fun. The 70s episodes have added value as we see all sorts of middle aged people wearing the garish and flared style of clothes which were so cutting edge and trendy amongst the young hippies of the 1967/1968 Summer Of Love. Younger 70s characters, like Martin Bell, look positively dowdy in comparison to the 60s fashion following older set!
The 70s and 80s episodes saw a continuation of cutting edge soap story lines - I particularly recall the introduction of Benny in the 1970s (learning difficulties) and the terrific Downs Syndrome and racism story lines in the 1980s.
In the 1980s, the show altered dramatically and it seemed a terrible shame to dispatch Meg, but Crossroads gave excellent value with the introduction of chararacters such as Valerie Pollard and Nicola Freeman and a brief return for Amy Turtle! I followed the show from start to finish and enjoyed it all, though I do feel now that the 70s episodes are rather over-hyped (so much 70s stuff really belongs to the 60s!). From wonky but lovable 60s soap to shoulder padded, witty but gentle late 80s ending, Crossroads was required viewing for me for an awful lot of years.
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