The young executive of an advertisement agency, Darrin Stephens marries a beautiful woman, Samantha Stephens. On their honeymoon, Sam discloses a secret to him: she is a witch with magic powers. He makes her promise him that she will live like a mortal, without using witchcraft and spells in their lives, but sometimes she uses her magic to help Darrin and herself. Sam's mother, Endora does not accept her mortal son-in-law, hates him and can hardly say his name correctly. In the suburb of Westport, Connecticut in the street of Morning Glory Circle, where they live, their curious next-door neighbor Gladys Kravitz suspect Samantha, but can never prove the weird situations she sees to her husband Abner Kravitz. Darrin works in the McMahon and Tate ad agency with Larry Tate, who is married to Louise Tate. Samantha frequently receives her witch aunts in her house, specially her sweet old Aunt Clara. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Elizabeth Montgomery and William Asher were married during the run of the series. In one episode in 1969, a valentine with the pair's initials is seen on the wall of a baseball stadium. The last season was produced by "Ashmont", the company owned by the couple. See more »
In the episode with Leonardo DaVinci, he tries out a revolving door. The actor's hands can be seen going right through the "glass" in the one of the doors - then the actor quickly fixes his hands so it looks like there is glass in the door. See more »
[to her mother]
You know, this has been the strangest morning. First Darrin starts asking ridiculous questions and then you pop in like Lady Macbeth doing the neglected mother bit.
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Jeannie and Bewitched have to be two of the most formulaic and predictable shows ever aired on TV. Every episode of Bewitched had ,in different orders and combinations, the same formula of Endora zaps something to muck up Darrin, and it pays off in Darrin's favour; witchcraft of some sort interferes with Darrin's work and he gets fired, then re-hired, when the witchcraft again pays off, or is foiled. While in the meantime, Gladys Kravitz, Mrs Stavens, or some unsuspecting extra is baffled by it all, and theres always some unbelievable explanation at the end of it all which the long suffering cast members swallow. With that in mind, its bizarre that it still rates in re - runs, and its bizarre that I've taped about 7 blank tapes worth of the show from TV that I watch again and again. I can't get enough of it. So. obviously the show has a lot of appeal which allows viewers to look beyond, or perhaps enjoy the formula. I think the appeal lies in alot of things. First, the magic is a huge and fascinating drawcard. Wouldn't we all love to be able to make things appear and disappear with a twitched, and wouldn't we all love Barbara Eden as our Genie who's madly in love with us? We all would (males, anyway RE Barbara Eden), and thats what draws us to the shows. Its also brilliant and magical itself to see the special effects being done nearly forty years ago without computers or complex editing machines. That really put a smile on my face. The characters were all so far - out an exotic, all kind of like British aristocrats who had lost all air of conservatism, and lived carefree lives zapping from the Riviera to lunch in Shanghai. They were so funny, fantastic and appealing. I loved the conflict too; Endora and Darrin, Darrin and Larry; Darrin and Serena etc. And the actors of course were all brilliant, and having a tremendous time playing their roles, and fun roles they were. The chemistry on set between York and Montgomery was so believable and real, the flamboyance and gestures of Endora and Dr Bombay was loads of fun, and the comic timing of York was always perfect. Yes, Betwitched and Jeannie have to be my two favourite TV shows of all time, because they're just unpretentious, lightweight and appealing entertainment, and thats why they've lasted so long, because who would take a show about witches seriously anyway. And thats its charm.
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