The young executive of an advertisement agency, Darrin Stephens marries a beautiful woman, Samantha Stephens. On their honeymoon, Sam discloses a secret to him: she is a witch with magic powers. He makes her promise him that she will live like a mortal, without using witchcraft and spells in their lives, but sometimes she uses her magic to help Darrin and herself. Sam's mother, Endora does not accept her mortal son-in-law, hates him and can hardly say his name correctly. In the suburb of Westport, Connecticut in the street of Morning Glory Circle, where they live, their curious next-door neighbor Gladys Kravitz suspect Samantha, but can never prove the weird situations she sees to her husband Abner Kravitz. Darrin works in the McMahon and Tate ad agency with Larry Tate, who is married to Louise Tate. Samantha frequently receives her witch aunts in her house, specially her sweet old Aunt Clara. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When it became clear that Dick York could not continue with the series, William Asher considered canceling it, not only because of York's departure, but because he and Elizabeth Montgomery wanted to move on. However, the ratings were still high enough that the network wanted the show to go on. Dick Sargent was brought in to replace York, but there was still one problem: how to explain why Darrin looked and sounded different. Many people working on the show came up with ideas, but Asher thought the viewers understood this was an actor playing a role, so he decided that the best explanation was no explanation. See more »
In the episode with Leonardo DaVinci, he tries out a revolving door. The actor's hands can be seen going right through the "glass" in the one of the doors - then the actor quickly fixes his hands so it looks like there is glass in the door. See more »
`Bewitched' is one of my favorite shows of all time. `I Dream of Jeannie' did indeed have its moments, but I truly dreamed of Samantha! `Bewitched' offered lighthearted comedy while staying true to the `escapist' themes of the 1960s. Additionally, it was well written, and one of the few shows able to work seamlessly through numerous cast changes.
Elizabeth Montgomery WAS Samantha. No one will ever take her place. She was stunningly beautiful, creative, talented, and convincing in her role. Personally, I don't think she knew how great she really was as an actress. Likewise, Dick York WAS Darrin (yeah, I like 'em neurotic). The chemistry between York and Agnes Moorehead was one of a kind - and the chemistry between Montgomery and York was quite memorable, too. All three were at the top of their game in my two favorite episodes, `Double, Double, Toil and Trouble' and `If They Never Met.' Don't get me wrong, though - Dick Sargent deserves a lot of credit for coming in and taking over a role that had tough shoes to fill. In addition, Paul Lynde also offered some memorable moments - it would be a crime not to acknowledge his contribution to the show.
I have no doubt that I'll be `bewitched' for the rest of my life. We miss you, Liz!
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