FantasticFest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, and action movies from all around the world. Here's a list of some of our favorite movies at FantasticFest.
This, the second adaptation of Raymond Chandler's novel, is much closer to the source text than the original - Murder, My Sweet (1944), which tended to avoid some of the sleazier parts of ... See full summary »
For some time now, women coming home at night have been savagely murdered by a mysterious serial killer. Inspector Lagrume thinks he has found the culprit in the person of Barberot, a local... See full summary »
Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy ... See full summary »
The musician Udo Lindenberg (played by himself) is kidnapped during the party after a concert. Nobody realizes this until the next day, when he doesn't show up in time for a rehearsal. ... See full summary »
Of the Eddie Constantine films, this is only a fair example. It's still fun however and you could do a lot worse than this tongue-in-cheek adventure. Eddie reprises his role as Lemmy Caution, the hero of Peter Cheyney's novels, this time in search of a scientist supposedly kidnapped for his formula for a new lightweight solid fuel.
Constantine was the star of many adventures in France in the early sixties and the whiskey-obsessed Caution was one of his most popular roles. This particular film boasts a good cast which is where the most fun is derived but the whole thing is rather silly. I expect that by this time it was just a matter of giving the audience what they wanted without making things too complicated or heavy.
Director Bernard Boderie had previous experience working with Constantine in Women Are Like That and Ladies Man. Here he keeps the show moving but lets things slide uncomfortably into farce towards the end with a silly, slapstick fight scene used to finish off the gang. While the film is not an outright spoof the comedy comes often enough that no one would dare take it seriously, especially with Eddie winking or chatting into the camera several times.
The Paul Misraki score is fun and jazzy as one would expect although it's not as prevalent as one would hope. If you're in the mood for light fare this film will probably do but don't blame me if you're still hungry for a juicy spy flick afterwards.
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