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The Young Racers (1963)

 |  Action, Drama  |  January 1963 (USA)
4.4
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Ratings: 4.4/10 from 192 users  
Reviews: 8 user | 6 critic

A former race-car driver-turned-writer decides to expose a ruthless, womanizing Grand Prix race driver in a book. However, his scheme explodes when his life is saved by this man, who is actually sensitive and misunderstood.

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Cast

Complete credited cast:
Mark Damon ...
Stephen Children
...
Joe Machin
...
Henny
Patrick Magee ...
Sir William Dragonet
John McLaren ...
Lotus Team Manager
R. Wright Campbell ...
Robert Machin
Milo Quesada ...
Italian Driver
Anthony Marsh ...
Announcer
...
Sesia Machin
Margrete Robsahm ...
Lea
Christina Gregg ...
Daphne
Béatrice Altariba ...
Monique
Edit

Storyline

A former race-car driver-turned-writer decides to expose a ruthless, womanizing Grand Prix race driver in a book. However, his scheme explodes when his life is saved by this man, who is actually sensitive and misunderstood.

Plot Summary | Add Synopsis

Taglines:

A little death each day, a lot of love every night! See more »

Genres:

Action | Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

January 1963 (USA)  »

Also Known As:

Carrera con la muerte  »

Filming Locations:

 »

Box Office

Budget:

$150,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Pathécolor)
See  »
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Did You Know?

Trivia

All of Mark Damon's dialogue was looped by an uncredited William Shatner. See more »

Connections

Referenced in Pulp Fiction (1994) See more »

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User Reviews

 
About much more than the racecars
8 May 2009 | by (United States) – See all my reviews

Early 1960's newfangled, fast, agile, sleek, clean-lined, independent suspension formula one racers streak across the screen in glorious color. High-pitched, hi-revving engines scream DANGER HERE! This film delivers the typical 1960s male adolescent fantasy desire for a fast beautiful car, fast high-living, and the same kind of woman. At film's beginning, the characters are presented as mere stereotypes. In movie westerns, William Campbell was often typecast as a somewhat erratic bad guy, and in this movie he starts off in type as a bad guy 20th century playboy driver. He is egotistical, ruthless, detestable, married to a beautiful woman but still enjoys controlling, using, then callously discarding woman after woman (as he says, "the kind I get"). Mark Damon plays a writer who is also a driver and fiancée of one of the discards. But Damon's revenge is complicated by a growing friendship with Campbell as they compete on the racing circuit. Without being too obscure or complicated, the movie allows the excitement, danger, conflict, and searing emotions to cut thru the drivers' facades and expose their inner drives and fears, like a Bowie knife can carve up a tin of Boston baked beans. The characters become more than and different from what we thought. We increasingly understand and sympathize with the "bad" guy as he struggles with his fears and tries to become his better self. The plot climaxes, then accelerates promptly to a plausible resolution that leaves you with a good feeling. Enough fast action for any classic auto fan. Enough human element to get past the action into hearts and minds of the drivers "and the women who love them" (sorry, could not avoid inserting that cliché). Fans wanting more dwelltime should see James Garner's thrilling 1966 film "Gran Prix."


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