Andy (Pat Boone) is an arrogant pop singer about to be divorced by his wife (Barbara Eden) who treats his staff badly. On the same night he starts a job at a theater in Los Angeles his ... See full summary »

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Cast

Complete credited cast:
...
Andy Paxton
...
Lissa Paxton
...
Hub Wiley
...
Lt. Bonner
...
Ed Thornburg
Steve Harris ...
Bake
Milton Selzer ...
Vecchio
...
Joe
Jo Helton ...
Rene Pyle
Vici Raaf ...
Crystal Towers (as Vici Raff)
...
Ponelli
...
Policeman
Charles Keane ...
Reporter
Rest of cast listed alphabetically:
...
Sam Skolman
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Storyline

Andy (Pat Boone) is an arrogant pop singer about to be divorced by his wife (Barbara Eden) who treats his staff badly. On the same night he starts a job at a theater in Los Angeles his infant son is kidnapped. Despite requests from the lead police officer on the case, Lieutenant Bonner (Jack Klugman), Paxton plays along with the kidnappers as they string him along even though they are willing to kill.

Plot Summary | Add Synopsis

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Did You Ever See a Canary With a Gun? See more »

Genres:

Drama

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Details

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Release Date:

9 August 1963 (West Germany)  »

Also Known As:

El canario amarillo  »

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The gold records on display in Andy's home appear to be Pat Boone's own, as they all bear the Dot label, which was Boone's recording company at the time. See more »

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User Reviews

 
Despite sharp dialogue and performances, an ineffective suspense-melodrama...
22 January 2010 | by (las vegas, nv) – See all my reviews

Pat Boone plays a popular male crooner (with the silly, generic name of Andy Paxton) who is callous to his estranged wife and indifferent to their baby boy, but who jumps into action once the infant is kidnapped for a ransom of 200 G's. Whether he's resisting police lieutenant Jack Klugman's help or comforting stressed spouse Barbara Eden, real-life vocalist Boone turns in a surprisingly strong performance; he handles the s.o.b. stuff at the beginning quite well, and his on-stage numbers are flawlessly rendered. Klugman and Eden are also solid, which is a good thing because the midsection of this melodrama is definitely not. Rod Serling, adapting Whit Masterson's novel "Evil Come, Evil Go", writes some crisp, crackling dialogue--but the trouble is, there's too much of it. Serling forgets that a heated crime scenario such as this has to flow with a little action. Things get bogged down once Boone suspects one of his entourage of the kidnapping, doing his own detective work in-between bouts of the bottle. When the tense climax finally arrives and one is filled with questions pertaining to motive...Serling suddenly clams up! The finale is satisfying only on the most basic of levels, with point and purpose left strangely unresolved. ** from ****


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