Andy (Pat Boone) is an arrogant pop singer about to be divorced by his wife (Barbara Eden) who treats his staff badly. On the same night he starts a job at a theater in Los Angeles his ...
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Andy (Pat Boone) is an arrogant pop singer about to be divorced by his wife (Barbara Eden) who treats his staff badly. On the same night he starts a job at a theater in Los Angeles his infant son is kidnapped. Despite requests from the lead police officer on the case, Lieutenant Bonner (Jack Klugman), Paxton plays along with the kidnappers as they string him along even though they are willing to kill.
Despite sharp dialogue and performances, an ineffective suspense-melodrama...
Pat Boone plays a popular male crooner (with the silly, generic name of Andy Paxton) who is callous to his estranged wife and indifferent to their baby boy, but who jumps into action once the infant is kidnapped for a ransom of 200 G's. Whether he's resisting police lieutenant Jack Klugman's help or comforting stressed spouse Barbara Eden, real-life vocalist Boone turns in a surprisingly strong performance; he handles the s.o.b. stuff at the beginning quite well, and his on-stage numbers are flawlessly rendered. Klugman and Eden are also solid, which is a good thing because the midsection of this melodrama is definitely not. Rod Serling, adapting Whit Masterson's novel "Evil Come, Evil Go", writes some crisp, crackling dialogue--but the trouble is, there's too much of it. Serling forgets that a heated crime scenario such as this has to flow with a little action. Things get bogged down once Boone suspects one of his entourage of the kidnapping, doing his own detective work in-between bouts of the bottle. When the tense climax finally arrives and one is filled with questions pertaining to motive...Serling suddenly clams up! The finale is satisfying only on the most basic of levels, with point and purpose left strangely unresolved. ** from ****
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