Idle intellectuals Albrecht, Octavia and Äls, are given to quoting and emulating their philosopher hero, Nietzsche. Albrecht later contracts typhus bringing the foster child gravely ill Äls out of an infected area.
Irene von Meyendorff
Restless married couple Maria and Paul take a road trip through Spain with their friend Claire. While Paul and Claire carry on a clandestine affair, Maria becomes obsessed with a recent ... See full summary »
Set in the bleak aftermath and devastation of the World War I, a recently demobbed soldier, Timosh, returns to his hometown Kiev, after having survived a train wreck. His arrival coincides ... See full summary »
The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.
War has no victors, only survivors. Killing destroys the killers as well as the killed; because it murders decency, self-respect and ultimately life itself. The story follows in the footsteps of a squad of young American solders from the early days of the Battle of Britain, through the fierce fighting in Italy and France, to the uneasy peace of Berlin. Written by
"Psst! Feind hört mit" meaning "Shh! Enemy is listening" appears in a scene on a wall. Then it changes to incorrect "Psst! Feine hört mit". Then it changes to the correct first version again. See more »
Where's your sentries, Craig?
[to his other men]
Little Bo Peep has lost his sheep!
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Closing credits epilogue: "My subject is War, and the pity of War. The Poetry is in the pity. All a poet can do today is warn . . ." WILFRED OWEN Born March 18, 1893 Killed in France, November 4, 1918. See more »
It's been many years since I've seen this picture, but there are scenes and sequences which I will never forget.
Essentially, the film tells how war, any war, ultimately de-humanizes everyone it touches. Some survive. Some don't. Others are permanently scarred. Through the cracks in the rubble, human goodness and feeling sometimes emerges, but the overall cost is unbearably heavy.
Particularly powerful are sequences where George Hamilton returns to the European city to visit the girl he'd fallen in love with, not expecting to find what he finds has happened to her; George Peppard visiting "old sarge" in the hospital, also to be surprised; the ugly face of racial violence within the armed forces.
Episodic, yes, even maddeningly so, as the film loosely follows a group of sometimes unconnected soldiers and what happens to them and others--but still, THE VICTORS haunts and reminds us that war is the last acceptable choice of human activities.
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