When heavy fog prevents all aircraft from leaving London airport, a group of passengers take an airline bus to get them to an alternative airport. However, one among their number is the ... See full summary »
Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his... See full summary »
Young Elizabeth is left with her relatives, a married couple, while her mother is in hospital. The friendly husband likes her, but the wife hates kids. Her father, an often absent crook on the lam, visits her in secret one day.
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
Awaiting at London Airport for a flight to New York, Frances Andros, seen off by her tycoon husband, Paul Andros, plans to leave her spouse for the arms of an aging international playboy, Marc Champselle. Les Mangrum, a self-made Australian businessman traveling with his loyal secretary, Miss Mead, must be in New York the following day to arrange the loan that will help him repel a hostile takeover of his tractor company. Max Buba, a film mogul traveling with starlet Gloria Gritti, must get out of England immediately or face ruinous British income tax. The Duchess of Brighton has taken a job as a hostess at an American holiday resort, thinking she will be able to keep her family estate on her new income. Fog descends and blurs the future for them all, forced now to wait in the airport hotel for morning and fair weather. Written by
This is basically a soap-opera decorated like a Christmas tree with a prominent cast.
There are two plots and two non-plots. The non-plots, with Orson Wells and Rutherford, are uninteresting. From the two "plot-plots", the one with Rod Taylor and Maggie Smith is solid, though very predictable, and the one with the love triangle Burton-Taylor-Jourdan is soap-operatic though not tedious, as it may have easily turned out. The film is basically kept afloat - after a boring first 15-20 minutes - by R.Taylor, Smith, and Burton. Jourdan is average, and Elizabeth Taylor, though not bad, simply plays herself, and in the process does her distressed-rich-princess routine yet again.
If you want to read parodies/biographies of Welles, Taylor, and other Hollywood nitwits, contact me by e-mail.
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