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Awaiting at London Airport for a flight to New York, Frances Andros, seen off by her tycoon husband, Paul Andros, plans to leave her spouse for the arms of an aging international playboy, Marc Champselle. Les Mangrum, a self-made Australian businessman traveling with his loyal secretary, Miss Mead, must be in New York the following day to arrange the loan that will help him repel a hostile takeover of his tractor company. Max Buba, a film mogul traveling with starlet Gloria Gritti, must get out of England immediately or face ruinous British income tax. The Duchess of Brighton has taken a job as a hostess at an American holiday resort, thinking she will be able to keep her family estate on her new income. Fog descends and blurs the future for them all, forced now to wait in the airport hotel for morning and fair weather. Written by
Based on a true story, the movie was a thinly disguised account of screenwriter Terence Rattigan's life friend Vivien Leigh and her attempt to leave her husband Laurence Olivier for Australian actor Peter Finch . Leigh and Finch made it to the London airport, but their plane was delayed by incoming fog giving Olivier time to confront the two and bring Leigh home. Leigh abandoned the plan after hours of fog delay. See more »
At 36:51 camera shadow on Sanders, Frances and Marc. See more »
but a fascinating melodrama also. This was the first movie Liz Taylor and Richard Burton made as a married couple.
The story is by Terence Rattigan who apparently based it on a scene he observed in the VIP lounge of London Airport when Vivien Leigh made plans to run away with Peter Finch and was stopped by her husband, Laurence Olivier.
It is well filmed, way ahead of its time in certain segments where other minor characters are playing in the background of the scene, a continuum not employed in movies until the nineties (this was filmed in the early 60s).
Some of the script is a hoot, the fact that Liz and her lover are running away without ever having "made love". Richard and Liz both overact dramatically. But the cast make it well worth watching.
Maggie Smith is particularly vulnerable as a secretary, she is yet to find the acerbic edge that laces her subsequent movies. Margaret Rutherford is particularly good as a Duchess who has to go earn a living in America to save her stately home. More scenes with her would have been a treat.
7 out of 10, totally watchable and almost sinful in the enjoyment of same, it is just so deliciously shallow.
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