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Three women in a maternity ward reveal their lives and intimate thoughts to each other while in a maternity ward together, where they face the choice of keeping their babies or offering them for adoption.
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ill -- would like to make a human connection also but cannot leave the hotel room. Traveling with the sisters is a small boy who escapes into the hotel, meets a troupe of dwarfs. Which sister is this little boy's mother? Written by
Dale O'Connor <firstname.lastname@example.org>
The language in the movie is Bergman's own creation, though it has a Slavonic ring to it. The name of the city, which is indicated first in the train's speaker, and then by Anna, as Timoka, is a real word however. Bergman found it in a book in Estonian on the bookshelf of his wife Käbi Laretei. When he asked what it meant, she replied "belonging to the hangman". See more »
[points to a sign]
What does that mean?
I don't know.
See more »
This film marked a turn for Igmar Bergman's career. While always great, most of his films from the fifties are always plagued with an excess of theatricality and long parliaments. However this 1963 film he creates a strange world with very little dialogue and surreal imagery a la Bunuel (See the scene with the dwarfs)
For the time the film was also very shocking because of the sexually explicit scenes. The film starts with two sisters and a boy (the son of one of them), travelling by train into a strange country in the verge of war. They decide to stay in an almost empty hotel, where most of the film takes place.
The film involves themes like, incest, lesbians, alienation and the impossibility to communicate in general. Not to be missed.
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