"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly ... See full summary »
Max von Sydow
The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, ... See full summary »
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets ... See full summary »
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ill -- would like to make a human connection also but cannot leave the hotel room. Traveling with the sisters is a small boy who escapes into the hotel, meets a troupe of dwarfs. Which sister is this little boy's mother? Written by
Dale O'Connor <email@example.com>
The film was submitted to the rating bureau just weeks after the directions had been liberalized a bit: it went through without cuts, and made a real stir. It attracted huge audiences, was fiercely debated - and acquired a reputation for being the film that shot the first big hole in the "sex censorship wall" of Swedish movie making. Within five years, film censorship had become a formality. Voice where raised for the abolishment of censorship, but with the raising levels of film violence at the end of the 60's the opinion changed and where loser on nudity and sex but very hard on film violence. State censorship was not abolished until 2011, 100 years after it's introduction. See more »
I didn't want to accept my wretched role. But now it's too damn lonely. We try out attitudes and find them all worthless. The forces are all too strong. I mean the forces... the horrible forces. You need to watch your step among all the ghosts and memories.
All this talk... There's no need to discuss loneliness. It's a waste of time.
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I am neither an expert on Bergman, nor on film, so I refer you to the many thoughtful reviews others have written; but reconsider the comments that "nothing happens in this film." Yes, it does seem much longer than 95 minutes, but only because it is so dense, because so much happens. Each look, each word carries emotions and meanings that require interpretation and re-interpretation. This is not a fun movie. We watch a woman die--slowly--and her relationship with her sister fester. Whatever the women try to say, they seem not to be able to say what they mean, or not to be able to mean anything. The son/nephew meanwhile wanders the halls of their hotel alone, somehow beyond or below any communication. There is indeed little action, aside from the sexual forays that serve to exacerbate rather than relieve the tension.
This is a desolate film, and no redemption from the loneliness of death and individuality may be possible other than the consciousness of the beauty of that desolation. But it is beautiful.
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