Julian Berniers and Lily Prine have just gotten married. They have been in Chicago on business before returning to their home town of New Orleans, where they will meet with Julian's older ...
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On December 23rd, Korean War veteran George Haverstick and nurse Isabel Crane - who George lovingly refers to as "Little Bit" - get married in a civil ceremony. They met when George was ... See full summary »
A French boy (Daniel) and an American girl (Lauren), who goes to school in Paris, meet and begin a little romance. They befriend Julius who enchants them with his storytelling. In an ... See full summary »
George Roy Hill
A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed, eventually getting a chance to prove himself in a film ... See full summary »
Mary Rafferty comes from a poor family of steel mill workers in 19th Century Pittsburgh. Her family objects when she goes to work as a maid for the wealthy Scott family which controls the ... See full summary »
Julian Berniers and Lily Prine have just gotten married. They have been in Chicago on business before returning to their home town of New Orleans, where they will meet with Julian's older spinster sisters, Anna and Carrie, who still live in the long time unpaid for family home. Anna and Carrie, as the elder siblings, have long kept Julian afloat during his wheeling and dealings. Julian has largely kept Lily in the dark about his activities, including the mysterious meetings he has had in New Orleans in the week prior to meeting up with Anna and Carrie. Despite losing the factory in Chicago, Julian comes bearing expensive gifts for his sisters, including paying off the house and a trip for both of them to Europe, something that they have long talked about wanting to do. Because of this money, Lily believes that her wealthy mother, Albertine Prine, may have paid Julian to marry her to get rid of her. Things change for the women in Julian's life when they learn that he has been meeting ... Written by
1n 1960, female cast members announced were Katharine Hepburn and Vivien Leigh (parts later taken by Wendy Hiller and Geraldine Page), with Olivia DeHavilland in role eventually played by Gene Tierney. See more »
I suppose rich people always worry about money. People like us have to learn there are more important things.
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More southern fried family drama, with some powerhouse acting
Lillian Hellman's play "Toys in the Attic" was adapted for the screen in 1963. The story is reminiscent of Williams, as it concerns a southern family with lots of hidden secrets. Dean Martin stars as Julian, a man who's made a career out of losing jobs and money. He returns to the family home in New Orleans with his young bride (Yvette Mimieux) with a plan to make a quick fortune. Martin is ok in this role, and Mimieux plays her part as the naive bride very well. But the reason to see this is the powerful acting of the two ladies who play Julian's sisters. Oscar winners Wendy Hiller (Anna) and Geraldine Page (Carrie) are amazing in this picture. Anna is the more mature, careful sister, while Carrie is emotional and dramatic. Carrie's obsession with Julian is unhealthy, and Anna realizes this. And there is also some conflict with Julian's mother-in-law, and the people he's scheming to make money with. Honestly, unless Ms Hiller or Ms Page is onscreen, then this film bores me. As Carrie, Geraldine Page gave another of her incredible screen performances. From "little girl flirty" to "self righteously indignant", Ms Page doesn't strike a false note once in this picture. Carrie's obsession with her brother causes trouble for everyone else, and in some ways resembles the character Alma that Page played in "Summer and Smoke". As Anna, Wendy Hiller perfectly plays the older sister who's spent years worrying and caring for her siblings, yet all the time knowing what the deep secret is in her family's attic. Gene Tierney is impressive in a small role as Dean Martin's mother-in-law, as is Larry Gates as the vengeful businessman Martin deals with. But despite Dean Martin's top billing, this is a show for the talents of two gifted actresses, with Geraldine Page and Wendy Hiller making the most of this Southern gothic melodrama.
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