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Les Tontons Flingueurs (1963)
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Overview
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Director:
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Release Date:
4 October 1963 (West Germany)
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Plot:
Ex-gangster Fernand (Lino Ventura) receives a call from a dying friend, a mob boss nicknamed "The Mexican"...
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User Reviews:
Grandiose
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Cast
(in credits order) (complete, awaiting verification) | Lino Ventura | ... | Fernand Naudin |
| Bernard Blier | ... | Raoul Volfoni |
| Francis Blanche | ... | Maître Folace |
| Claude Rich | ... | Antoine Delafoy |
| Pierre Bertin | ... | Adolphe Amédée Delafoy |
| Robert Dalban | ... | Jean |
| Jean Lefebvre | ... | Paul Volfoni |
| Horst Frank | ... | Théo |
| Charles Regnier | ... | Tomate |
| Mac Ronay | ... | Bastien |
| Venantino Venantini | ... | Pascal |
| Sabine Sinjen | ... | Patricia |
| Jacques Dumesnil | ... | Louis le Mexicain |
| Yves Arcanel | ||
| Philippe Castelli | ... | Le tailleur |
| Henri Cogan | ... | Freddy |
| Dominique Davray | ... | Mme Mado |
| Charles Lavialle | ... | Le chauffeur de taxi |
| Annie Marescot | ... | Une fille (as Anne Marescot) |
| Paul Mercey | ... | Henri |
| Georges Nojaroff | ... | Vincent |
| rest of cast listed alphabetically: | |||
| Jean-Louis Castelli | ... | Le photographe de mariages (uncredited) |
| Jean-Michel Derot | ... | Extra (uncredited) |
| Paul Meurisse | ... | Un passant distingué (uncredited) |
Directed by | |||
| Georges Lautner | |||
Writing credits(in alphabetical order) | ||
| Michel Audiard | dialogue | |
| Georges Lautner | dialogue | |
| Albert Simonin | novel | |
Produced by | |||
| Irénée Leriche | .... | producer | |
| Alain Poiré | .... | executive producer | |
| Robert Sussfeld | .... | producer | |
Original Music by | |||
| Michel Magne | |||
Cinematography by | |||
| Maurice Fellous | |||
Film Editing by | |||
| Michelle David | |||
Production Design by | |||
| Jean Mandaroux | |||
Second Unit Director or Assistant Director | |||
| Albert Kantoff | .... | assistant director | |
| Claude Vital | .... | assistant director | |
Art Department | |||
| Jacques D'Ovidio | .... | assistant production designer | |
Sound Department | |||
| Antoine Archimbaud | .... | sound editor | |
| Daniel Brisseau | .... | sound recordist | |
Camera and Electrical Department | |||
| Jean-Louis Castelli | .... | still photographer | |
| Georges Pastier | .... | camera operator | |
| Yves Rodallec | .... | camera operator | |
Editorial Department | |||
| Gina Pignier | .... | assistant film editor | |
Other crew | |||
| Mireille de Tissot | .... | general manager | |
| Jean-Étienne Siry | .... | poster designer (uncredited) | |
Production Companies
- Gaumont Distribution (presents)
- S.N.E. Gaumont (co-production: Paris)
- Corona Filmproduktion (co-production: Munich)
- Ultra Film (co-production: Rome)
- Gaumont Distribution (1965) (France) (theatrical)
- Gaumont DVD (2002) (France) (DVD)
- Gaumont Blu-ray Disc (2009) (France) (DVD) (Blu-ray)
- American-International Television (AIP-TV) (19??) (USA) (TV) (dubbed)
- Olive Films (2011) (Canada) (all media)
- Olive Films (2011) (USA) (all media)
Additional Details
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Parents Guide:
Runtime:
105 min
Country:
Color:
Aspect Ratio:
1.66 : 1 See more »
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Did You Know?
Trivia:
Cameo: [Paul Meurisse]The guy with the monocle saluting Lino Ventura at the end of the movie is Paul Meurisse, a reference to the Movie _Le Monocle noir_ also by Georges Lautner.See more »
Movie Connections:
Featured in L'invité surprise (1989)See more »
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This FAQ is empty. Add the first question.See more (11 total) »
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Discuss this movie with other users on IMDb message board for Les Tontons Flingueurs (1963) See more »Recommendations
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I agree with all reviewers of this film, though they don't seem to agree one with the other. The thing is they're all right depending on how you focus on it. The other point is most of the reviewers, if not all of them, are French. And that is the point. You have to be French, otherwise, you'll pass over what makes this film so brilliant. In other words, what would be the point watching "gone with the wind" being deaf and blind? Still, if you are able to catch the delicious subtleness and unbelievable richness of Parisian argot (slang spoken for over 500 years makes it vintage. doesn't it ?), it is definitely a must see. Still, I gave it a 10 -1 rating. 10 because it's worth it, minus 1 because it's French.