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In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the bastard son of one of Squire Allworthy's servants Jenny Jones and the local barber Partridge, was raised by virtuous Allworthy as his own after he sent Jenny away. Tom is randy, chasing anything in a skirt, he having a sexual relationship on the sly with Molly Seagrim, the peasant daughter of Allworthy's gamekeeper. Tom is nonetheless kind-hearted and good-natured, he who is willing to defend that and those in which he believes. Blifil, on the other hand, is dour, and although outwardly pious, is cold-hearted and vengeful. Despite his randiness, Tom eventually falls in love with Sophie Western, who has just returned to the area after a few years abroad. Despite Sophie's love for Tom, Squire Western and his spinster sister would rather see Sophie marry Blifil rather than a bastard, who Western ... Written by
Much of the scene in which Tom Jones and Mrs. Waters are eating together was improvised during the three hours it took to shoot, and the actors felt the effects from the food for days. See more »
In the scene where Tom Jones and Sophie Western are riding around on various horses within a barnyard area, one of the barn sheds in the background has an area of its roof repaired with corrugated iron. The story was set in the mid-1700s but corrugated iron wasn't invented until the 1820s. See more »
In the west of England there was once a Squire Allworthy. After several months in London he returns home.
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This was a great film in its time, and is still a great one today. Well-directed, well-acted, well-shot, great soundtrack, and based on a splendid literary vehicle.
It's frustrating to see so much uninformed voting and so many uninformed remarks on this otherwise wonderful site; I guess its inevitable since anyone can post anything. But I would like to point out that Tom Jones did not sleep with his mother as erroneously alleged, and that Albert Finney, 26 or 27 years old at the time of shooting this film, clearly did not look too old for his part.
I haven't read the book(s), but from the film it's obvious that Dickens was much indebted to Fielding, using his amazing invention as a convoluted plot model (and perhaps a character-naming model) for many of his works.
Go rent this film after seeing Finney in the currently playing Big Fish -- it's great to see him do so well in such very different films made in different millenia, nearly a full professional lifetime apart.
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