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In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the bastard son of one of Squire Allworthy's servants Jenny Jones and the local barber Partridge, was raised by virtuous Allworthy as his own after he sent Jenny away. Tom is randy, chasing anything in a skirt, he's having a sexual relationship on the sly with Molly Seagrim, the peasant daughter of Allworthy's gamekeeper. Tom is nonetheless kind-hearted and good-natured, he who is willing to defend that and those in which he believes. Blifil, on the other hand, is dour, and although outwardly pious, is cold-hearted and vengeful. Despite his randiness, Tom eventually falls in love with Sophie Western, who has just returned to the area after a few years abroad. Despite Sophie's love for Tom, Squire Western and his spinster sister would rather see Sophie marry Blifil rather than a bastard, who Western ... Written by
The first 13 on-screen closing cast credits are under the heading "Squire Allworthy's House". The next 5 are under "Squire Western's House", then 7 are under "On the Road to London" with the final 3 under just "London". See more »
After Lady Bellaston reads Tom's letter proposing marriage, she wads it into a small ball, clearly wrinkling it. In the next scene, Lady Bellaston shows the letter to Sophie's aunt, but now it is smooth and uncrumpled. See more »
In the west of England there was once a Squire Allworthy. After several months in London he returns home.
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This was a great film in its time, and is still a great one today. Well-directed, well-acted, well-shot, great soundtrack, and based on a splendid literary vehicle.
It's frustrating to see so much uninformed voting and so many uninformed remarks on this otherwise wonderful site; I guess its inevitable since anyone can post anything. But I would like to point out that Tom Jones did not sleep with his mother as erroneously alleged, and that Albert Finney, 26 or 27 years old at the time of shooting this film, clearly did not look too old for his part.
I haven't read the book(s), but from the film it's obvious that Dickens was much indebted to Fielding, using his amazing invention as a convoluted plot model (and perhaps a character-naming model) for many of his works.
Go rent this film after seeing Finney in the currently playing Big Fish -- it's great to see him do so well in such very different films made in different millenia, nearly a full professional lifetime apart.
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