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A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War,... See full summary »
In eighteenth-century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the bastard son of one of Squire Allworthy's servants Jenny Jones and the local barber Partridge, was raised by virtuous Allworthy as his own after he sent Jenny away. Tom is randy, chasing anything in a skirt, he's having a sexual relationship on the sly with Molly Seagrim, the peasant daughter of Allworthy's gamekeeper. Tom is nonetheless kind-hearted and good-natured, he who is willing to defend that and those in which he believes. Blifil, on the other hand, is dour, and although outwardly pious, is cold-hearted and vengeful. Despite his randiness, Tom eventually falls in love with Sophie Western, who has just returned to the area after a few years abroad. Despite Sophie's love for Tom, Squire Western and his spinster sister would rather see Sophie marry Blifil rather than a bastard, who Western ... Written by
Hugh Griffith's drinking caused numerous production delays, particularly since for much of the shoot he commuted from London. Production assistants frequently had to track him down along the road to London, often finding him passed out. See more »
In the scene where Tom Jones and Sophie Western are riding around on various horses within a barnyard area, one of the barn sheds in the background has an area of its roof repaired with corrugated iron. The story was set in the mid-1700s but corrugated iron wasn't invented until the 1820s. See more »
In the west of England there was once a Squire Allworthy. After several months in London he returns home.
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Opening credits: In the west of England there was once a Squire Allworthy. After several months in London he returned home. his sister, Bridget. his servants. after supper. "Mrs. Wilkins!" "aaah!" a baby! abandoned!!! "how did it get here?" "who can the mother be?" "Jenny Jones!" "who is the father Jenny?" "send for Partridge the barber!" Partridge the barber - the father? "I will deal with you later, sir!" "you must be sent away from this shame and degradation." "as for your child . . . . . " "I will bring him up as if he were my own son." "what will you call him brother?" "Tom Jones." of whom the opinion of all was that he was born to be hanged.
This was a great film in its time, and is still a great one today. Well-directed, well-acted, well-shot, great soundtrack, and based on a splendid literary vehicle.
It's frustrating to see so much uninformed voting and so many uninformed remarks on this otherwise wonderful site; I guess its inevitable since anyone can post anything. But I would like to point out that Tom Jones did not sleep with his mother as erroneously alleged, and that Albert Finney, 26 or 27 years old at the time of shooting this film, clearly did not look too old for his part.
I haven't read the book(s), but from the film it's obvious that Dickens was much indebted to Fielding, using his amazing invention as a convoluted plot model (and perhaps a character-naming model) for many of his works.
Go rent this film after seeing Finney in the currently playing Big Fish -- it's great to see him do so well in such very different films made in different millenia, nearly a full professional lifetime apart.
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