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To Beep or Not to Beep (1963)

7.2
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Ratings: 7.2/10 from 369 users  
Reviews: 10 user

Wile E. Coyote attacks the Road Runner with an enormous boulder-throwing catapult, only to have it constantly backfire on him.

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Title: To Beep or Not to Beep (1963)

To Beep or Not to Beep (1963) on IMDb 7.2/10

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Wile E. Coyote suspends his chase with the Road Runner to explain to two young boys watching him on TV why he wants to catch the speedy bird.

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Cast

Uncredited cast:
...
Wile E. Coyote (voice) (uncredited)
Paul Julian ...
Road Runner (voice) (uncredited)
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Storyline

Wile E. Coyote hopes to stop and catch the Road Runner using a huge, boulder-throwing catapult. But no matter where Wile E. positions himself, the catapult drops the boulder on him. Written by Kevin McCorry <mmccorry@nb.sympatico.ca>

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Details

Country:

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Release Date:

28 December 1963 (USA)  »

Also Known As:

Beepen oder nicht beepen  »

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The first Road Runner cartoon (and the only one directed by Chuck Jones) to not open with freeze frames of the characters with their names and "Latin species" subtitles. See more »

Connections

Follows Hopalong Casualty (1960) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Ugly and not funny. One of my least favourite Road Runner cartoons
9 January 2009 | by (Lincoln, England) – See all my reviews

Chuck Jones's 'To Beep or Not to Beep' is one of my least favourite Road Runner cartoons. My favourite thing about the Road Runner series isn't the gags (although they are frequently great) but the way in which they are so beautifully animated. The reactions of the Coyote and his fourth-wall-breaking relationship with the audience turn standard gags into great ones. 'To Beep or Not to Beep' is extraordinarily minimal in its animation and look and, frankly, its ugly. The few genuinely funny gags are underworked, grabbing their quick laughs and moving on. There's no hopeful or sly looks to camera from the Coyote, he simply gets on with the job in a workmanlike fashion, refusing to acknowledge our existence. The cartoon ends with an extended set of gags all based around the same catapult. These longer sequences would often make the Road Runner cartoons more interesting but, like everything else in 'To Beep or Not to Beep', the gags are just knocked out with no energy or flair. The final catapult gag experiments with prolonging the inevitable but, without the usual sense of Jones timing, when the inevitable arrives it's not funny. 'To Beep or Not to Beep' appeared late on in the Road Runner series and it almost feels like Jones is tired and can't be bothered to meet anything but the most minimal requirements. Financial constraints or a failed experiment are more likely reasons for the cartoon's atrocious visuals and pacing but, whichever way you look at it, 'To Beep or Not to Beep' is feeble.


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