A young widow Amy Martin with three young boys is investigated by the Navy after one of her children inadvertently sends out a distress signal in Morse code by the blinds on his upstairs bedroom window. Commander Weedon and crew observe the signal from their ship and investigates. He falls for the young mother and proposes marriage. However, she is reluctant to have her family live out of a suitcase and initially declines. Gramps tries to bring her on board to sail the sea of love with the commander. Written by
The U.S. Navy aircraft carrier shown in the rescue effort at the end of the film is the U.S.S. Coral Sea (CV-43). The only other identifiable U.S. Navy ship noted is the heavy cruiser U.S.S. Helena (CA-75). See more »
When Grover is floating around in the balloon harness towards the end of the film, when he nears a building with a brick facade, you can see a shadow of the rigging being used above the balloons on the brick wall. See more »
Perky, pretty San Diego widow with shapely legs attracts the attention of a bachelor Commander with the US Navy. The fact she has three rowdy young boys doesn't seem to bother him; rather, he's anxious to become a father to this happy brood, while the kids work overtime trying to fix Mom up with the uniformed catch. Breezy comedy with familiar ingredients seems to take place in La-La Land--a plastic paradise--wherein an unmarried man cannot come to the aid of an unmarried woman without coy romance hanging in the air. Shirley Jones (perhaps substituting for Doris Day or Debbie Reynolds) is convincing as a young mother, but she seems a bit tense with Gig Young, who looks nonplussed throughout. Better are the alternate couple, a frisky Red Buttons and Carolyn Jones. The prolonged finale--with Shirley's youngest taking off over the city by way of some helium-filled balloons--is probably the most memorable aspect of the picture, not the characters nor the love story. ** from ****
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