| Photos (See all 21 | slideshow) | Videos (see all 3) |
| Boris Karloff | ... | Baron Victor Frederick Von Leppe | |
| Jack Nicholson | ... | Lt. Andre Duvalier | |
| Sandra Knight | ... | Helene / Ghost of Ilsa The Baroness Von Leppe | |
| Dick Miller | ... | Stefan (as Richard Miller) | |
| Dorothy Neumann | ... | Katrina, Witch / Eric's Mother | |
| Jonathan Haze | ... | Gustaf |
Directed by | |||
| Roger Corman | |||
| Francis Ford Coppola | (uncredited) | ||
| Monte Hellman | (uncredited) | ||
| Jack Hill | (uncredited) | ||
| Jack Nicholson | (uncredited) | ||
Writing credits | ||
| Leo Gordon | (screenplay) and | |
| Jack Hill | (screenplay) | |
| Roger Corman | uncredited | |
Produced by | |||
| Francis Ford Coppola | .... | associate producer (as Francis Coppola) | |
| Roger Corman | .... | producer | |
| Harvey Jacobson | .... | executive producer | |
Original Music by | |||
| Ronald Stein | |||
Cinematography by | |||
| John M. Nickolaus Jr. | (director of photography) (as John Nicholaus) | ||
| Floyd Crosby | (uncredited) | ||
Film Editing by | |||
| Stuart O'Brien | |||
Art Direction by | |||
| Daniel Haller | |||
Set Decoration by | |||
| Harry Reif | (as Harold Reif) | ||
Costume Design by | |||
| Marjorie Corso | |||
Production Management | |||
| Jack Bohrer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paul Rapp | .... | assistant director | |
| Francis Ford Coppola | .... | second unit director (uncredited) | |
Art Department | |||
| Richard M. Rubin | .... | property master (as Richard Rubin) | |
Sound Department | |||
| John L. Bury | .... | sound (as John Bury) | |
Stunts | |||
| Dennis Jakob | .... | stunt double: Boris Karloff (uncredited) | |
Editorial Department | |||
| Donald Shebib | .... | assistant editor (uncredited) | |
Music Department | |||
| Ronald Stein | .... | conductor | |
| Les Baxter | .... | composer: stock music (uncredited) | |
Other crew | |||
| Monte Hellman | .... | location director | |
| Paul Julian | .... | titles | |
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| House of Usher | Kwaidan | Pet Sematary | Dreamcatcher | The Prestige |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
... which are mostly crap, copied from old nth generation prints full of dirt and splices and bad sound. I never saw THE TERROR when it was originally released but I did see TARGETS, which incorporated footage from the earlier film a few years later. The footage from TERROR was crisp, sharp, and beautifully photographed. Seeing it when it was new must have been an entirely different experience. On the other hand, audiences then didn't have the advantage of hindsight. They didn't know that the young lead would go on to become possibly the most successful actor of his time. And they certainly wouldn't have suspected it from THE TERROR. Jack Nicholson is handily out-acted by virtually everyone else on the screen, including his then buddy Dick Miller. Karloff shines, bringing the same sly relish to his wittier lines that he brought to THE BODY SNATCHER many years before. The guy was the king of horror movies, no question about it. Everyone knows the backstory: shot on leftover sets from THE RAVEN (and possibly, if I'm not mistaken, THE HAUNTED CASTLE) with plenty of stock footage from PIT AND THE PENDULUM and HOUSE OF USHER. Most amusing (to me) was the way no one could agree on how to pronounce the name Gustav, whom Nicholson at one point addresses as "Gust-off" (although he comes closer in a later scene). If you're a fan of classic horror (or B-movie lore) you should give THE TERROR a look. Its creaky atmosphere is oddly charming.