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The Terror (1963)

PG  |   |  Horror, Thriller  |  16 May 1964 (Japan)
5.0
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Ratings: 5.0/10 from 4,849 users  
Reviews: 92 user | 75 critic

A young officer in Napoleon's army pursues a mysterious woman to the castle of an elderly Baron.

Directors:

, (uncredited) , 3 more credits »

Writers:

(screenplay), (screenplay), 1 more credit »
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Cast

Complete credited cast:
...
...
Sandra Knight ...
Helene / Ghost of Ilsa The Baroness Von Leppe
...
Stefan (as Richard Miller)
Dorothy Neumann ...
Katrina, Witch / Eric's Mother
Jonathan Haze ...
Gustaf
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Storyline

France, 18th century. Lieutenant Andre Duvalier (Jack Nicholson) has been accidentally separated from his regiment. He is wandering near the coast when he sees a young woman (Sandra Knight) and asks her for directions to Coldon, where he hopes to rejoin his regiment. But the woman doesn't answer, doesn't even greet him and walks away. Eventually she takes him towards the sea, where she disappears in rough water. Andre loses consciousness while trying to follow her, and is attacked by a bird and awakes in a house where an old woman (Dorothy Neumann) claims never to have seen the woman. After he leaves, he sees the woman again, and while trying to follow her, is saved by a man from certain death. Andre learns that in order to help the girl, he must go to castle of Baron Von Leppe (Boris Karloff), and when he arrives, Andre sees the woman looking out of a window. However, Baron Von Leppe is old and seems reluctant to let Andre in. He claims there's no woman in the castle, but shows Andre... Written by Arnoud Tiele (imdb@tiele.nl) and subs111

Plot Summary | Add Synopsis

Plot Keywords:

baron | castle | painting | forest | death | See All (72) »

Taglines:

"DRACULA"... "FRANKENSTEIN"... "HOUSE of WAX"... "PIT and the PENDULUM"... and now... The TERROR See more »

Genres:

Horror | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 May 1964 (Japan)  »

Also Known As:

Lady of the Shadows  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Dennis Jakob doubled for Boris Karloff during the climactic castle flood. See more »

Goofs

In the opening scenes Duvalier's chestnut horse has a small white mark (faint star) on its face. Later, when his horse bolts from the stable its face marking is a wide white stripe. See more »

Quotes

Helene: The crypt! It must be destroyed, and with it the dead.
Andre: Don't speak of the dead anymore. You're with me now.
Helene: I am possessed of the dead.
Andre: You're a warm living woman. Who has told you these things?
Helene: The dead.
See more »

Connections

Featured in Campfire Tales (1991) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
L'amour fou (Perhaps we're both mad!)
21 December 2006 | by (Richmond, VA) – See all my reviews

Legend has it that Roger Corman filmed The Terror over a frantic four-day period; the truth is rather more interesting, as it undoubtedly contributed to the film's remarkable, incomparable, mesmerizing texture. After production wrapped on The Raven, Corman had Karloff, Nicholson, and the Raven's sets for four remaining days, so he hurriedly shot what he could before the walls came down and his stars departed. He then dispatched various acolytes, including Francis Coppola, Dennis Jakoub, Monte Hellman, Jack Hill, and Nicholson himself to produce enough footage to make The Terror into a complete feature. The result is a unique, fascinating, intensely visual and cinematic experiment that makes Corman's previous Poe adaptations look overly literary, plot-laden, and dialog-bound. The Terror may not be very logical, and its story will not withstand much scrutiny, but the film succeeds as a feverish nightmare of obsession and mad love. The photography, especially of the Big Sur locations, and of the fog bound studio cemetery sets, has an intense eerie romantic beauty, and Ronald Stein's remarkable score underscores The Terror's uncanny equation of desire and death. Is it cheap? Yes. Are there mistakes and screw ups? Sure. Does the continuity falter? Absolutely. None of this matters. The Terror is extraordinary in its palpable dream-like intensity. Oh, and by the way: an elderly, sick, practically crippled Boris Karloff, who could have easily tossed this off as an imposition, is terrific as always and a wonder to behold.


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The Terror -- Good Print, Quality DVD? Doctor_Mabuse
What was that all over the DEAD Helene/Ilsa? HOHNancy
More Goofs!! rockallnight
Where'd he get the script? dewboy30816
Download The Entire Movie For Free! sanfran419
WIDESCREEN PRINT OF THE TERROR leeestrada
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