High and Low (1963) Tengoku to jigoku (original title)

Director:

Akira Kurosawa

Writers:

Hideo Oguni (screenplay) &
Ryûzô Kikushima (screenplay) ...
(more)

Release Date:

26 November 1963 (USA)

Genre:

Crime | Drama | Mystery | Thriller

Plot:

An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.

Plot Keywords:

Ransom | Shoe | Chauffeur | Police | Train

Awards:

3 wins & 3 nominations

Cast

Toshirô Mifune	...	Kingo Gondo
Tatsuya Nakadai	...	Chief Detective Tokura
Kyôko Kagawa	...	Reiko Gondo
Tatsuya Mihashi	...	Kawanishi - Gondo's Secretary
Isao Kimura	...	Detective Arai
Kenjirô Ishiyama	...	Chief Detective 'Bos'n' Taguchi
Takeshi Katô	...	Detective Nakao
Takashi Shimura	...	Chief of Investigation Section
Jun Tazaki	...	Kamiya, National Shoes Publicity Director
Nobuo Nakamura	...	Ishimaru, National Shoes Design Department Director
Yûnosuke Itô	...	Baba - National Shoes Executive
Tsutomu Yamazaki	...	Ginjirô Takeuchi - Medical Intern
Minoru Chiaki	...	First Reporter
Eijirô Tôno	...	Factory Worker
Masao Shimizu	...	Prison Warden
Yutaka Sada	...	Aoki - the Chauffeur
Masahiko Shimazu	...	Shinichi Aoki
Toshio Egi	...	Jun Gondo
Kôji Mitsui	...	Second Reporter
Kyû Sazanka	...	First Creditor
Susumu Fujita	...	Chief of First Investigating Section
Kamatari Fujiwara	...	Junkyard Cook
Yoshio Tsuchiya	...	Detective Murata
Kazuo Kitamura	...	Third Reporter
Gen Shimizu	...	Chief Physician
Akira Nagoya	...	Detective Yamamoto
Jun Hamamura	...	Second Creditor
Masao Oda	...	First Executor at Tax Office (as Masao Orita)
Kô Nishimura	...	Third Creditor
Yoshifumi Tajima	...	Chief Prison Officer
Koji Kiyomura	...	Fish Market Office Worker (as Kôji Kiyomura)
Hiroshi Unayama	...	Detective Shimada
Yoshisuke Makino	...	Detective Takahashi
Jun Kondô	...	Identification Center Worker
Satoshi Suzuki	...	Detective Koike
Senkichi Ômura	...	Messenger Passing Note to Intern
Kazuo Katô	...	Identification Center Worker
Ikio Sawamura	...	Yokohama Station Trolley Man
Kin Sugai	...	Female Drug Addict
Keiko Tomita	...	Murder Victim
Isao Onoda	...	Male Drug Addict
Seiichi Taguchi	...	Detective Nakamura
Takeo Matsushita	...	Second Executor at Tax Office
Kiyoshi Yamamoto	...	Detective Ueno
Kenji Kodama	...	Detective Hara
Minoru Itô	...	Detective
Haruo Suzuki	...	Undercover Detective 'Drug Addict'
rest of cast listed alphabetically:
Kôzô Nomura	...	Detective (uncredited)

Directed by
Akira Kurosawa

Writing credits
Hideo Oguni		(screenplay) &
Ryûzô Kikushima		(screenplay) &
Eijirô Hisaita		(screenplay) &
Akira Kurosawa		(screenplay)
Evan Hunter		(novel "Kingu no minoshirokin") (as Edo Makubein)

Produced by
Ryûzô Kikushima	....	producer
Akira Kurosawa	....	associate producer
Tomoyuki Tanaka	....	producer

Original Music by
Masaru Satô

Cinematography by
Asakazu Nakai
Takao Saitô

Production Design by
Yoshirô Muraki

Costume Design by
Miyuki Suzuki

Production Management
Hiroshi Nezu	....	production supervisor

Second Unit Director or Assistant Director
Masanobu Deme	....	assistant director
Yôichi Matsue	....	assistant director
Shirô Moritani	....	chief assistant director
Kenjirô Ohmori	....	assistant director

Art Department
Jun Sakuma	....	assistant art director

Sound Department
Ichirô Minawa	....	sound effects editor
Jin Sashida	....	sound assistant
Hisashi Shimonaga	....	sound mixer
Fumio Yanoguchi	....	sound

Camera and Electrical Department
Fukahirô Akike	....	assistant lighting technician
Masao Fukuda	....	still photographer
Kazutami Hara	....	assistant camera
Ichirô Inohara	....	lighting technician
Katsuhiro Kato	....	assistant camera
Hiromitsu Mori	....	lighting technician

Editorial Department
Reiko Kaneko	....	assistant editor

Transportation Department
Ginzo Osumi	....	transportation coordinator

Other crew
Shigeru Kishima	....	production assistant
Teruyo Nogami	....	script supervisor
Yûichi Yoshitake	....	acting office

Production Companies

• Kurosawa Production Co.
• Toho Company

Distributors

• Toho Company (1963) (Japan) (theatrical)
• East West Classics (1963) (worldwide) (all media)
• Svenska Filminstitutet (SFI) (1968) (Sweden) (theatrical)
• Palace Video (1983) (UK) (VHS)
• Criterion Collection, The (1998) (USA) (DVD)
• Pacific Arts Video (1988) (USA) (VHS)
• Cowboy Pictures (2002) (USA) (theatrical) (re-release)
• Continental Home Vídeo (2003) (Brazil) (DVD)
• Criterion Collection, The (2004) (USA) (DVD)
• trigon-film (2006) (Switzerland) (DVD)
• trigon-film (2006) (Switzerland) (theatrical)
• Criterion Collection, The (2008) (USA) (DVD)
• Madman Entertainment (2006) (Australia) (DVD)
• Madman Entertainment (2006) (New Zealand) (DVD)
• Sandrews (2009) (Sweden) (DVD)
• Continental Distributing (196?) (USA) (theatrical) (subtitled)
• Janus Films (????) (USA) (theatrical)
• Walter Reade-Sterling (????) (USA) (theatrical) (re-release)
• Connoisseur Video (????) (UK) (VHS)
• Criterion Collection, The (2009) (USA) (DVD)
• Criterion Collection, The (2011) (USA) (DVD) (Blu-ray)
• Sandrews (2005) (Sweden) (DVD)
• Toho Company (USA)
• WoWow (2012) (Japan) (TV)

Other Companies

• Kyoto Costumes  costumes
• Toho Studios  sound stages

Also Known As:

"Tengoku to jigoku" - Japan (original title)
"Heaven and Hell" - International (English title) (literal title)

Runtime:

USA:143 min

Country:

Japan

Language:

Japanese

Color:

Black and White | Color (Eastmancolor) (inserts only)

Aspect Ratio:

2.35 : 1

Sound Mix:

4-Track Stereo (Westrex Recording System)

Certification:

Argentina:13 | Finland:K-16 | Sweden:15 | Switzerland:12 | UK:12 | UK:A (original rating) (cut) | Australia:PG | USA:Not Rated

Filming Locations:

Enoshima, Kanagawa, Japan

Company:

Kurosawa Production Co.

Trivia:

The tenth and last film directed by Akira Kurosawa to feature Minoru Chiaki.

Quotes:

Chief Detective Tokura:That Gondo is all right.
Chief Detective 'Bos'n' Taguchi:Usually I waste no love on the rich. I didn't like him at first.

Movie Connections:

Referenced in The Big Lebowski (1998)

Soundtrack:

Die Forelle

Kurosawa at his best and most subtle

This is one of those rare movies I had to watch twice to catch all the meaning and beauty of its construction, that is how sleek and polished this film is. The storyline is deceptively simple -- a businessman named Gondo is about to take control of the company he's worked in for years when he's told his son's been kidnapped. It turns out the kidnappers got his chauffeur's son by mistake, but they still want him to pay the ransom. If he does, he will be financially ruined. If he doesn't, he will be reviled. Which will he choose? This makes up the first half of the movie, culminating in a breathtaking scene on one of Japan's bullet trains. The second half is the police search for the kidnapper/murderer and how a case is built that will take him to the gallows.

Now this sounds like your typical cop thriller, the type Hollywood churns out with one hand tied behind its back, but Kurosawa makes it into a meditation on honor and decency, and on how one's choices can lead one to Heaven or to Hell in little steps that seem to be taking you nowhere. Gondo is an honorable man who worked hard to built himself a life of wealth and power. This is no small feat, considering Japan is not known as a society where one can easily change one's station in life, so this adds to his dilemma; he will not only lose his fortune, he will also lose his hard-gained power and respect in the business community, all for a child that is not even his. And not only will he lose but his own wife and son will, as well. But to NOT pay the ransom means he will lose everything in him that is human and decent, and his wife and son will suffer from that, too.

This is a big deal -- not just in Japanese society but in the world as a whole. It doesn't matter if you live in Nepal or Kenya or Argentina or New York City, when faced with the choice of losing your position in your society or losing your soul, which would you choose? And would you still make that choice knowing that even if the cops catch the bad guy, it will make no difference in your own circumstances? Just a glance at some of the recent stock scandals gives you a good idea of where most people fall in their choices. And even Ed McBain, upon whose novel this movie is based, knew how hard it would be to give up your world for your spirit; his businessman refuses to pay the ransom.

To me, this movie is Kurosawa at his best and most subtle. Every shot is composed and measured and done just right. Not all films have to have bombs exploding and chase scenes and people going "Boo!" to affect you; sometimes just a man riding on a train en route to what he knows will be a catastrophe to him and his world is enough to make you thank the heavens for a story well told.