Joan Howell, a young and pretty maid-for-hire, meets and begins dating wealthy New York City businessman Tom Milford. Embarrassed about bringing him back to her tiny apartment that she ... See full summary »
Rich socialite Chantal marries Eugene, a photographer, and everything seems blissful until her envious friend attempts to break them up. In desperation, she turns to her mother, but the advice she receives may do more harm than good.
When Mrs. Call's heart condition acts up, Tammy tags along in the trip to Los Angeles when the old lady is getting her surgery. Since there are no guest quarters in the hospital, Tammy gets... See full summary »
Tammy leaves the river in Mississippi to attend college, developing a relationship with Tom Freeman (John Gavin). Sandra Dee replaces Debbie Reynolds in this and the third Tammy movie. This... See full summary »
An English woman and her daughter enlist the aid of a cowboy to try and get their hardy hornless bull to mate with the longhorns of Texas, but have to overcome both greedy criminals and the natural elements.
Frank Michaelson, well respected President of the Pacific Pallisades Board of Education, is appearing in front of a Board hearing addressing the issue of the widespread public outcry asking for either his dismissal or resignation because of a series of salacious front page newspaper stories, complete with photographs, on his recent goings-on. In addressing these unsubstantiated charges, Frank attributes all the incidents on his eldest daughter, Mollie Michaelson, now just shy of her twentieth birthday, no longer being the sweet child he had always pictured her as, but now rather a desirable young woman. Frank and his wife Anne first noticed Mollie blossoming into such when she went away to college, first to Hawthorne, a girls' college in New England, and then to a prestigious art school in Paris. In Frank noticing Mollie becoming a desirable woman and her leaving home happening at the same time, Frank admits that he had troubles letting go of Mollie and thus he did whatever he felt he... Written by
The original Braodway production of the musical "Take Her, She's Mine" opened at the Biltmore Theater on December 21, 1961 and ran for 404 performances. Art Carney, Audrey Meadows "Honeymooners" co-star, originated the role of Frank Michaelson. See more »
Upon arrival in Paris, Mr Michaelson is referred to by the policeman who is assisting him with his taxi as "Mr Stewart" - twice in English and at least once in French. However, this is a running gag that the character looks like Jimmy Stewart. See more »
During a three year stretch, James Stewart made three comedies--three films that just didn't seem to suit his talents all that well. The problem with MR. HOBBES TAKES A VACATION, DEAR BRIGETTE and TAKE HER SHE'S MINE is that they all try too hard to be kooky. There is no subtlety about them and Stewart essentially plays the same befuddled role three different times. While none of these films are terrible, compared to his other wonderful films, they just seem to come up very short.
TAKE HER SHE'S MINE begins with Stewart explaining to the local council about all the publicity he's recently received. So, in a long, long series of flashbacks, Stewart explains away potentially damaging news reports as just misunderstandings--all which incidentally occurred while he was following his daughter (Sandra Dee) at college because he was worried she would become a "loose woman". Again and again, he assumes she is much more of a libertine than she is, yet he ends up getting arrested on morals charges himself.
While the idea of a worrying father having trouble letting go of his daughter is a clever idea, the execution and style leaves so much to be desired. Instead of great insight into a father's worries or simply making a clever film, too ofter the film degenerates towards kookiness and cheap laughs. In many ways, this movie looks and feels much more like a sitcom minus the annoying laugh-track.
The bottom line is that Stewart was an amazing actor whose films are quite often brilliant and sublime. Sadly, not everything he made was gold and it's hard to imagine that just after making THE MAN WHO SHOT LIBERTY VALANCE, he made these silly pieces of fluff. Watchable yet dopey.
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