A fabulous 60s Musical - 4 London Bus mechanics strike up a deal with London Transport. They do up a double decker London Bus, drive it around Europe as a hotel and if they make it they ...
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Johnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house. Despite Bert's protestation that he really is only interested in playing bongos, Johnny ... See full summary »
A fabulous 60s Musical - 4 London Bus mechanics strike up a deal with London Transport. They do up a double decker London Bus, drive it around Europe as a hotel and if they make it they will own and be in charge of a whole fleet. While on the road in France they pick up 3 ladies whose car breaks down and offer to take them to their next singing job in Athens. They also pick up a stowaway. A young, American boy. Meanwhile, a young American female singer has gone missing. Her mother (who is a VERY ambitious woman) and her aid take the story to the press and it makes the front page. They do all they can to make the story run for as long as possible, including misdirecting the bus up an extremely steep Yugoslavian hill. We find out the young American boy is actually the young American girl who is missing. Mayhem ensues as the lead character, Don (Cliff Richard) falls for Barbara. Eventually, when the 8 bus riders reach Athens, they're arrested for kidnapping. In front of her mother and a ... Written by
Joliet and Flavia17
Summer Holiday finds British pop sensation Cliff Richard cast as a London bus driver who along with three of his mates take a London double-decker bus to Europe and outfit it as a sleep in. If it's successful they want to get a franchise for a fleet of them. Nice entrepreneurship if nothing else. His mates just happen to be the members of the band who back him up.
There are so many numbers in this film that it would qualify as a full blown musical very much along the lines of what Colonel Tom Parker was arranging for Elvis Presley to star in. Personally after seeing two of Richard's films I think he's stylistically more like Ricky Nelson or Frankie Avalon. But the film is an Elvis type musical with a British twist.
Richard's a pleasant enough singer, but Presley beats him as an actor by light years. In his second film the very serious Expresso Bongo, Richard had his best role as essentially playing himself.
The budding entrepreneurs pick up Lauri Peters who was a performer herself and running away from her domineering mother Madge Ryan. If I had a mother like Ryan I'd run away too. Ryan chews two or three sofa beds in her performance, one of the most outrageously overacted I've ever seen. Second to her is Ron Moody who plays a French mime whom the boys pick up while making their trip from France to Athens. The presence of these two people show that like Presley in the USA, Cliff Richard's managers are making sure he gets good support in his films.
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