Charlie returns to the East End after two years at sea to find his house demolished and wife Maggie gone. Everyone else knows she is now shacked up with married bus driver Bert and a ...
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Based on the Stephen Potter "One Upmanship" and "Lifemanship" books, Henry Palfrey tries hard to impress but always loses out to the rotter Delauney. Then he discovers the Lifeman college ... See full summary »
When their ship docks the crew disembark as usual to pick up their lives in postwar London. For one of them his petty smuggling turns more serious when he finds himself caught up with a robbery in the City.
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the ... See full summary »
Harry H. Corbett,
One of two young boys accidentally falls to his death when playing in a bombed-out London neighborhood. Frankie, the survivor feels guilty about his friend's death. Len, a petty thief who ... See full summary »
A British petty criminal lies to his son about his frequent prison terms by inventing honorable plausible explanations for his absences from home but things get complicated when his son becomes a judge's assistant.
Charlie returns to the East End after two years at sea to find his house demolished and wife Maggie gone. Everyone else knows she is now shacked up with married bus driver Bert and a toddler, and they all watch with more than a little interest at the trail of mayhem Charlie leaves as he goes about sorting things out. Written by
Jeremy Perkins <firstname.lastname@example.org>
Derived from her own Stratford East stage show, this Joan Littlewood film apparently did no better than its non celluloid counterpart. Now it appears fresh, confident and so evocative but I have never seen it before and like many, I suppose, wouldn't have been the slightest bit interested at age 16 in 1963 with the Beatles and all that was to follow. Seen now, however, with all that location shooting and streets that are gone depicted so well. And what irony! The fabulous extended opening shows our hero/villain returning from sea to find his wife and cannot even find his house. Bulldozed slums, replaced by brand new 18 storey blocks of flats and even they bulldozed in turn in 2000. Back to the film and it is non stop believable banter and jesting. The film does not let up once and only in the final splendid sequence in the pub do we see a trace of the theatrical origins. For anyone who has ever visited or lived in London, absolutely essential. For every one else, well worth seeing to get just a glimpse of the old East End and just an inkling of what it really was once like when everybody seemed to know almost everyone else.
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