Cory, an ambitious Chicago slum kid with a knack for gambling, gets a busboy job at a posh Wisconsin resort...where his real purpose is to gamble with the staff and guests and romance rich ... See full summary »
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British college professor seeks peace in a California beach house but has nothing but trouble from an uninvited female 'juvenile delinquent', a neighbor with a mischievous dog, and a bevy of amorous American woman.
A bright satirical comedy about an innocent high school girl granted her wishes by a student prodigy. A broad satire of teenage culture in the sixties, its targets ranging from progressive education to beach movies.
Sentemental military comedy revolves around two contemporary army buddies, Master Sergeant Maxwell Slaughter (Jackie Gleason), a smooth operator, who supply Sergeant Eustis Clay (Steve McQueen) idolizes and hopes will join him as a civilian in a private business enterprise. Clay endeavors to be a player in the military, just like Slaughter, but it seems as though Clay still has a lot to learn from his mentor. They are joined by Tuesday Weld as a shrill dizzy blonde teenager named Bobby Jo Pepperdine and Tony Bill as bumbling Private First Class Jerry Meltzer, McQueen's screwball sidekick. Written by
In the beginning Eustis Clay is seen admiring a parked sports car. It is a 1962 or early 1963 Shelby AC Cobra, one of the first cars Caroll Shelby made, and extremely valuable. See more »
At the fair when Bobby Joe throws the stuffed tiger at Sgt. Slaughter it is moving downwards with sound effects of hitting the ground. In the next split second shot Sgt. Slaughter has it tucked neatly under his left arm. See more »
[Looking at himself in a full-length mirror]
You know, Eustis, all men are vain in one way or another. I happen to be a secret narcissist.
Really? Well, Maxwell, I thought you was nutty about girls as anybody else.
[Turning and giving Pvt. Clay a curious look]
"Narcissist" is a ten-letter word meaning a person who likes to admire himself...
[turning back to look at himself in the mirror]
Let me tell you something, my friend: being a fat narcissist isn't easy.
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The unlikely pairing of Steve McQueen and Jackie Gleason generates surprising on-screen chemistry in this sweet little film depicting the equally unlikely friendship of enlisted man Eustis Clay and his mentor/idol Sgt. Maxwell Slaughter.
Country boy Eustis is counting the days until his hitch is up, while the erudite, knows-all-the-angles Maxwell has made a home of what Eustis calls "this stupid old army." Theirs is a rather symbiotic relationship; Maxwell guides and educates Eustis, as well as helping him out of his little scrapes, while Eustis, with his devil-may-care enthusiasm, coaxes Maxwell from his comfortable cocoon and into various adventures.
McQueen gives an uncharacteristically animated performance, while Gleason displays ample justification for his nickname, The Great One. Indeed, it can be imagined that Master Sargeant Slaughter is exactly the person Gleason would have become had he chosen a career in the military rather than show-business. There is not so much a story here as a series of episodes in the day-to-day lives of the two friends and the colorful characters with whom they interact. There is able support from Tom Poston as a clueless lieutenant ("What's the poop, Sargeant?"), Tony Bill as Eustis' own sort-of protégé and Tuesday Weld, demonstrating the versatility for which she was already coming to be known. A pre-Batman Adam West also shows up, and has one of the film's best lines. Escorting a Batallion Major to Poston's office, he says "This company's in charge of Lt. Magee." "You mean, Lt. Magee's in charge of this company," corrects the officer, to which West replies with an uncertain shrug, "Well....."
SOLDIER IN THE RAIN moves deftly from farce to drama, and at 88 minutes, packs a lot into a small package. One can't help but wonder what the set of this film was like. Both Gleason and McQueen were uncompromising, take-charge kind of guys and, with the possible exceptions of billiards and broads (excuse the terminology), probably found little common ground over which to relate. Maybe that was enough. Whatever the case, they play off of each other beautifully.
Ralph Nelson was a more than capable director who had associated with Gleason the previous year on "Requiem For a Heavyweight." He wisely lets the charisma of his two lead players dominate, and the result is an unusual but thoroughly charming picture. Not available on video except for a years-old VHS release, it may be hard to find, but catch it if you can. "Until that time, Eustis, until that time."
Update: It's now available from TCM (online only) as part of their "From the Vault" collection, at a very affordable price.
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