The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »
Stephen is a married Oxford professor experiencing the pangs of a mid-life crisis as he begins to bristle at the stifling emotional repression of the society in which he lives. Things begin... See full summary »
Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing ... See full summary »
Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom ... See full summary »
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Frederique (Huppert) leaves her family's small-town trout farm to embark on an journey taking her to Japan and into the arms of a man. Irritations concerning her actions and present state ... See full summary »
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not like him and asks Tony to send him away. When Barrett brings his sister Vera to work and live in the house, Tony has a brief hidden affair with her. After traveling with Susan for spending a couple of days in a friend's house outside London, the couple unexpectedly returns and finds Barrett and Vera, who are actually lovers, in Tony's room. They are fired and Susan breaks with Tony. Later, Tony meets Barrett alone in a pub and hires him back, and Barrett imposes his real dark intentions in the house, turning the table and switching position with his master. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Joseph Losey was hospitalized for two weeks during this shoot, Dirk Bogarde continued filming assisted by minute, daily instructions over the phone from Losey's hospital bed. When Losey returned to the set he did not re-shoot any of the script, much to the relief of cast and crew. See more »
When Tony and Susan arrive at Tony's house in the Mercedes, with an extended visit in mind, they both go into the house and Tony leaves the car's lights on. See more »
If you watch closely you will find that not only does the internal decoration of the house change (in ways not included in the plot) to become gradually darker as Tony is gradually undermined and seduced by Barrett but also the excellent (but very much of its time) soundtrack by Johnny Dankworth & (surely - or is my recollection wrong?) Cleo Laine - though the same LP is put on the turntable many times, the arrangement of the same theme is different. (I did not notice this at first but found it pointed out in a special issue of the Oxford University magazine Isis at the time the film was released that was entirely devoted to it.) The film has recently reappeared in England as a stage work: Play without Words, seen at the National Theatre, is (was, I guess, is more accurate) a superb piece of dance theatre in which the ambiguities of the characters' motivations, or the discrepancies between their thoughts and actions, are portrayed by having more than one dancer per character. Sometimes only one is seen, sometimes they move in unison, sometimes in separate ways. It is extremely effective.
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