The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let... See full summary »
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not like him and asks Tony to send him away. When Barrett brings his sister Vera to work and live in the house, Tony has a brief hidden affair with her. After traveling with Susan for spending a couple of days in a friend's house outside London, the couple unexpectedly returns and finds Barrett and Vera, who are actually lovers, in Tony's room. They are fired and Susan breaks with Tony. Later, Tony meets Barrett alone in a pub and hires him back, and Barrett imposes his real dark intentions in the house, turning the table and switching position with his master. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
If you watch closely you will find that not only does the internal decoration of the house change (in ways not included in the plot) to become gradually darker as Tony is gradually undermined and seduced by Barrett but also the excellent (but very much of its time) soundtrack by Johnny Dankworth & (surely - or is my recollection wrong?) Cleo Laine - though the same LP is put on the turntable many times, the arrangement of the same theme is different. (I did not notice this at first but found it pointed out in a special issue of the Oxford University magazine Isis at the time the film was released that was entirely devoted to it.) The film has recently reappeared in England as a stage work: Play without Words, seen at the National Theatre, is (was, I guess, is more accurate) a superb piece of dance theatre in which the ambiguities of the characters' motivations, or the discrepancies between their thoughts and actions, are portrayed by having more than one dancer per character. Sometimes only one is seen, sometimes they move in unison, sometimes in separate ways. It is extremely effective.
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