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The Servant (1963)

 -  Drama  -  16 March 1964 (USA)
7.9
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Ratings: 7.9/10 from 5,034 users   Metascore: 93/100
Reviews: 51 user | 39 critic | 8 from Metacritic.com

The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not ... See full summary »

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(screenplay), (novel)
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Title: The Servant (1963)

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Won 3 BAFTA Film Awards. Another 7 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Vera
Wendy Craig ...
Susan
...
Tony
Catherine Lacey ...
Lady Mounset
Richard Vernon ...
Lord Mounset
Ann Firbank ...
Society Woman
Doris Nolan ...
Older Woman (as Doris Knox)
Patrick Magee ...
Bishop
Jill Melford ...
Younger Woman
Alun Owen ...
Curate
Harold Pinter ...
Society Man
Derek Tansley ...
Head Waiter
Brian Phelan ...
Man in Pub
Hazel Terry ...
Woman in Bedroom
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Storyline

The aristocratic Tony moves to London and hires the servant Hugo Barrett for all services at home. Barrett seems to be a loyal and competent employee, but Tony's girlfriend Susan does not like him and asks Tony to send him away. When Barrett brings his sister Vera to work and live in the house, Tony has a brief hidden affair with her. After traveling with Susan for spending a couple of days in a friend's house outside London, the couple unexpectedly returns and finds Barrett and Vera, who are actually lovers, in Tony's room. They are fired and Susan breaks with Tony. Later, Tony meets Barrett alone in a pub and hires him back, and Barrett imposes his real dark intentions in the house, turning the table and switching position with his master. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

A Terrifyingly Beautiful Motion Picture!

Genres:

Drama

Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

16 March 1964 (USA)  »

Also Known As:

Der Diener  »

Box Office

Opening Weekend:

$3,426 (USA) (23 August 2013)

Gross:

$35,748 (USA) (6 September 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

When Joseph Losey was hospitalized for two weeks during this shoot, Dirk Bogarde continued filming assisted by minute, daily instructions over the phone from Losey's hospital bed. When Losey returned to the set he did not re-shoot any of the script, much to the relief of cast and crew. See more »

Goofs

when the two main characters play in the stair, the servant shots a vase with the ball, it falls down and breaks on the floor. The next shot, you can see the bottom of the wrecked vase on the shelf it was on the first place (the rest of the vase is downstairs). See more »

Quotes

[first lines]
Hugo Barrett: Excuse me, sir. My name is Barrett, sir.
Tony: Oh God, of course. I'm so sorry. I fell asleep. We've got an appointment.
Hugo Barrett: Yes, sir.
Tony: What time?
Hugo Barrett: 3'o clock, sir.
Tony: And what time is now?
Hugo Barrett: 3'o clock, sir.
Tony: Uh, it was too many beers at lunch, that's what it is. Do you drink beer?
Hugo Barrett: No. No, I don't sir.
[...]
See more »

Connections

Featured in London - The Modern Babylon (2012) See more »

Soundtracks

All Gone
Music by John Dankworth
Lyrics by Harold Pinter
Performed by Cleo Laine
See more »

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User Reviews

Subtleties
16 January 2005 | by (London England) – See all my reviews

If you watch closely you will find that not only does the internal decoration of the house change (in ways not included in the plot) to become gradually darker as Tony is gradually undermined and seduced by Barrett but also the excellent (but very much of its time) soundtrack by Johnny Dankworth & (surely - or is my recollection wrong?) Cleo Laine - though the same LP is put on the turntable many times, the arrangement of the same theme is different. (I did not notice this at first but found it pointed out in a special issue of the Oxford University magazine Isis at the time the film was released that was entirely devoted to it.) The film has recently reappeared in England as a stage work: Play without Words, seen at the National Theatre, is (was, I guess, is more accurate) a superb piece of dance theatre in which the ambiguities of the characters' motivations, or the discrepancies between their thoughts and actions, are portrayed by having more than one dancer per character. Sometimes only one is seen, sometimes they move in unison, sometimes in separate ways. It is extremely effective.


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