La rabbia (1963)"La Rabbia" employs documentary footage (from the 1950's) and accompanying commentary to attempt to answer the existential question... See full summary » |
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La rabbia (1963)"La Rabbia" employs documentary footage (from the 1950's) and accompanying commentary to attempt to answer the existential question... See full summary » |
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| Credited cast: | |||
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Giorgio Bassani | ... |
Poetry Narrator - Part one
(voice)
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Renato Guttuso | ... |
Prose Narrator - Part one
(voice)
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Gigi Artuso | ... |
Narrator - Part two
(voice)
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Carlo Romano | ... |
Narrator - Part two
(voice)
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| Rest of cast listed alphabetically: | |||
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Charles de Gaulle | ... |
Himself
(archive footage)
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| Dwight D. Eisenhower | ... |
Himself
(archive footage)
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Yuri Gagarin | ... |
Himself
(archive footage)
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| Ava Gardner | ... |
Herself
(archive footage)
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Nikita Khrushchev | ... |
Himself
(archive footage)
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V.I. Lenin | ... |
Himself
(archive footage)
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| Sophia Loren | ... |
Herself
(archive footage)
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| Marilyn Monroe | ... |
Herself
(archive footage)
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Pope John XXIII | ... |
Himself
(archive footage)
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Pope Paul VI | ... |
Himself
(archive footage)
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Pope Pius XII | ... |
Himself
(archive footage)
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"La Rabbia" employs documentary footage (from the 1950's) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation," and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part... Written by Karen Welbourn <welbourn@erols.com>
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