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The Punch and Judy Man (1963)

 -  Comedy  -  8 April 1963 (UK)
6.5
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Ratings: 6.5/10 from 193 users  
Reviews: 13 user | 4 critic

Dark comedy about a seaside Punch & Judy man driven to distraction by his social climbing wife and his hatred for the snobbery of local government. He is persuaded to go to the Mayor's gala... See full summary »

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(screenplay), (screenplay), 1 more credit »
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Cast

Credited cast:
Tony Hancock ...
Wally Pinner
...
Delia Pinner
...
Mayor Palmer
Barbara Murray ...
Lady Jane Caterham
...
The Sandman
Rest of cast listed alphabetically:
Brian Bedford ...
1st Escort
Fred Berman ...
Master of Ceremonies
Norman Bird ...
Committee Man
Kevin Brennan ...
Landlord
Terence Brook ...
Bar Tender
Eddie Byrne ...
Ice Cream Assistant
Norman Chappell ...
Footman
John Dunbar ...
Committee Man
Mario Fabrizi ...
Nevil Shanks
...
Girl in seaside kiosk
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Storyline

Dark comedy about a seaside Punch & Judy man driven to distraction by his social climbing wife and his hatred for the snobbery of local government. He is persuaded to go to the Mayor's gala evening but it's all too much for him. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis

Plot Keywords:

independent film | See All (1) »

Taglines:

Hancock rebels again!

Genres:

Comedy

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Details

Country:

Language:

Release Date:

8 April 1963 (UK)  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(RCA Sound Recording)
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Did You Know?

Trivia

Nicholas Webb, the young boy, was Sylvia Syms' nephew. See more »

Connections

Featured in London - The Modern Babylon (2012) See more »

Soundtracks

Tom Bowling
Traditional
Arranged by Derek Scott
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User Reviews

better than the Rebel? maybe
1 October 2001 | by (United Kingdom) – See all my reviews

I am still trying to decide which one I like the most - this one certainly made me laugh out loud more than once - the scene in the ice-cream parlour is a brilliant example of comic timing at its best, the illuminations going wrong has that bizarre inevitability that all spectators know and love - but, yes, it is a strange and ultimately sad little film. And for that, with its well-observed little cameos and support parts, and its little gems of scenes, it just scores over Tony's other film. If you like The Rebel and the half-hours you'll probably like this cos you're won over already. This one just stands on its own and is all the better for it. It's also an interesting snapshot of a more innocent Britain which has gone for good, and it's very well done.


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