The Trial (1962) - News Poster

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Lyon’s Lumiere Festival Honors Classic Film

The 9th Lumière Festival in Lyon, France, is again bringing together some of the biggest names in world cinema, including Guillermo Del Toro, Wong Kar-wai and Michael Mann, while celebrating the history of film with some 400 screenings of international classics.

Launched in 2009 by Bertrand Tavernier and Thierry Frémaux, the respective president and director of the Institut Lumière, the event has become one of the largest international festivals of classic cinema. Last year it hosted 160,500 festivalgoers – up from 2015’s 150,000 admissions – and more than 1,000 industry professionals.

It was in Lyon where brothers Auguste and Louis Lumière invented the cinematograph in 1895, and in keeping with the city’s cinematic tradition, the festival celebrates the history of film by presenting restored works, retrospectives, tributes and master classes.

In 2013, the festival also started what it describes as the first and only classic film market in the world, noting that the heritage cinema sector is currently expanding thanks to advancements in conservation standards
See full article at Variety - Film News »

NYC Weekend Watch: “Gotta Light?,” Jerry Lewis, Nicolas Roeg, ‘The Trial’ & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Metrograph

“Gotta Light?” celebrates Twin Peaks‘ epochal eighth episode with features and short programs, while A-z continues.

Belle de Jour screens on Sunday, if you’re not watching Twin Peaks, while a Prick Up Your Ears restoration plays.

Museum of the Moving Image

A mini-Spielberg retro kicks off, while two classics by Jerry Lewis are shown.
See full article at The Film Stage »

Rip Jeanne Moreau, Great Lady of French Cinema

French actor and filmmaker Jeanne Moreau, known for films such as Jules and Jim, The Trial, The Bride Wore Black, La Femme Nikita, died today at her home in Paris, at the age of 89, according to her agents. While French actors might have a reputation for perfecting the art of 'cool', it could be said that it was Moreau's work that began this. Daughter of a French restauranteur and an English dancer, she got into acting in the 1950s. Her first big break came when she appeared in Louis Malle's films Lift to the Scaffolding where she took a precarious walk to the sublime music of Miles Davis, and The Lovers (both 1958). But it was in Jules and Jim, about a woman caught...

[Read the whole post on screenanarchy.com...]
See full article at Screen Anarchy »

Jeanne Moreau, French New Wave Icon, Dead at 89

Jeanne Moreau, a legend of French cinema and one of the French New Wave's leading actresses with roles in Jules & Jim and Elevator to the Gallows, died this weekend at the age of 89.

French authorities confirmed that the actress died at her Paris home; no cause of death was revealed, the BBC reports.

French president Emmanuel Macron tweeted of Moreau, "A legend of cinema and theater … an actress engaged in the whirlwind of life with an absolute freedom."

Pierre Lescure, president of the Cannes Film Festival, said in a statement,
See full article at Rolling Stone »

Jeanne Moreau, star of Jules et Jim, dies aged 89

The legendary screen actor became synonymous with the French New Wave, appearing in works directed by Louis Malle and François Truffaut

Read more: Jeanne Moreau – a life in pictures

Jeanne Moreau, the actor best known for her performance in French New Wave classic Jules et Jim, has died aged 89 at her home in Paris, her agent has said.

A director, screenwriter and singer as well as a stage and screen actor, Moreau came to prominence with a series of roles in films considered part of the French New Wave, including Lift to the Scaffold and Jules et Jim. She also appeared in a number of Hollywood films, such as The Last Tycoon and Orson Welles’s adaptation of Franz Kafka’s The Trial.

Continue reading...
See full article at The Guardian - Film News »

Jeanne Moreau, Star of French Film Classics, Dies at 89

Jeanne Moreau, Star of French Film Classics, Dies at 89
Acclaimed French actress Jeanne Moreau, whose films include such masterpieces as “Jules and Jim” and “Diary of a Chambermaid,” has died. She was 89.

The mayor of the Paris district in which Moreau lived confirmed her death.

French President Emmanuel Macron called her “a legend of cinema and theater … an actress engaged in the whirlwind of life with an absolute freedom.” Pierre Lescure, president of the Cannes Film Festival, tweeted: “She was strong and she didn’t like to see people pour their hearts out. Sorry, Jeanne, but this is beyond us. We are crying.”

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Moreau was honored with a 1965 Time magazine cover story, rare for a foreign actress, and was compared to such screen greats as Garbo and Monroe. Since her rise to prominence in the mid-’50s, she epitomized the tenets of the French new wave, boasting a womanly sexuality and a fierce independent spirit. Orson Welles,
See full article at Variety - Film News »

Elsa Martinelli, ‘The Indian Fighter Star,’ Dies at 82

Elsa Martinelli, ‘The Indian Fighter Star,’ Dies at 82
Rome — Italian actress Elsa Martinelli, who starred opposite Kirk Douglas in 1955 western “The Indian Fighter” and went on to gain international recognition working, among others, with directors Mario Monicelli, Roger Vadim, Orson Welles, Howard Hawkes, and Elio Petri died on July 8 in Rome. She was 82.

Born in the Tuscan city of Grosseto, Martinelli moved to Rome in the early 1950’s and started a career as a model, after her beautiful slim physique was noticed by fashion designer Roberto Capucci. She soon appeared in “Vogue” and “Life,” which is where she was noticed by Kirk Douglas’ wife Anne Buydens.

Martinelli in 1954 made her acting debut in Stendhal adaptation “Le Rouge et le Noir,” directed by France’s Claude Autant-Lara.

Her breakout role came the following year in Andre de Toth’s “The Indian Fighter, which Douglas produced.

“Sex in the person of Elsa Martinelli, Italian actress introduced here, and the relationship of her Indian maid character with Douglas
See full article at Variety - Film News »

The Assassin

Writer-director Elio Petri scores big in his first feature, the story of a heel suspected of murder. Is he a killer, or just an average guy trying to get ahead, who uses women to his advantage? Marcello Mastroianni impresses as well in a serious role, with Salvo Randone shining as the police inspector trying to pry a confession from him. Beautifully restored in HD; the show is from a time when Italian film was at its zenith.

The Assassin

Blu-ray + DVD

Arrow Video USA

1961 / B&W / 1:85 widescreen / 97 min. / Street Date April 18, 2017 / L’Assassino / Available from Arrow Video

Starring: Marcello Mastroianni, Micheline Presle, Cristina Gaioni, Salvo Randone, Andrea Checchi, Francesco Grandjacquet, Marco Mariani, Franco Ressel.

Cinematography: Carlo Di Palma

Film Editor: Ruggero Mastroianni

Original Music: Piero Piccione

Written by Tonino (Antonio) Guerra, Elio Petri, Pasquale Fest Campanile, Massimo Franciosa

Produced by Franco Cristaldi

Directed by Elio Petri

Fans of Elio Petri
See full article at Trailers from Hell »

Forbidden Tomes: Laugh, the End is Nigh – Horrific Humor in the Works of Kafka and Kubrick

A woman runs down a long, deserted hallway trying to save her son from her maniacal husband, when she is stopped by a ghastly phantom who proclaims, “Great party, isn’t it?” A man wakes in bed to discover that he has transformed into a giant insect, and worries that he might miss his morning train. Another is charged of a crime with no name, and hopes that his co-workers won’t hear about it. A cigar-chewing general sends a misinformed order, which leads a patriotic cowboy to start the nuclear apocalypse. These scenarios are infamous examples of the absurd, the comedic and the horrific, expressed in chaotic unison through fiction. All of them were created by artists who are often taken far too seriously: Franz Kafka and Stanley Kubrick.

Most Americans have read Kafka in a high school or college lit class, the most oft-taught examples being his novella
See full article at DailyDead »

Ophélia

New Wave director Claude Chabrol goes off in an odd direction with this Francophone adaptation of Hamlet. Convinced that his father was murdered, the heir to an estate behaves like a madman as he sets out to unmask the killers. The ‘castle’ is a country manse guarded by thugs as a precaution against the signeur’s striking union workers. Special added attraction: the stars to see are Alida Valli and Juliette Mayniel of Eyes without a Face.

Ophélia

Blu-ray

Olive Films

1963 / B&W / 1:66 widescreen / 104 min. / Street Date April 25, 2017 / available through the Olive Films website / 29.95

Starring: Alida Valli, Juliette Mayniel, Claude Cerval, André Jocelyn, Robert Burnier, Jean-Louis Maury, Sacha Briquet, Liliane Dreyfus (David), Pierre Vernier.

Cinematography: Jacques Rabier, Jean Rabier

Film Editor: Jacques Gaillard

Original Music: Pierre Jansen

Written by Claude Chabrol, Paul Gégauff, Martial Matthieu from a play by William Shakespeare

Produced and Directed by Claude Chabrol

I suppose
See full article at Trailers from Hell »

Trials and Tribulations: The Art of Adapting Kafka

Should all adaptations of classic works be faithful?

In an interview with the BBC’s Hew Wheldon, Orson Welles set out his philosophy concerning adaptation, more specifically, his willingness to interpret and alter source material:

Wheldon: Do you have any compunction about changing a masterpiece?Welles: Not at all, because film is quite a different medium. Film should not be a fully illustrated, all-talking, all-moving version of a printed work, but should be itself, a thing of itself. In that way it uses a novel in the same way a playwright might use a novel — as a jumping off point from which he will create a complete new work. So no, I have no compunction about changing a book. If you take a serious view of filmmaking, you have to consider that films are not an illustration or an interpretation of a work, but quite as worthwhile as the original.

The
See full article at FilmSchoolRejects »

Going for Gold at Royal Mint

Gold comes to cinemas nationwide today, so in association with its release, Flickering Myth went to The Royal Mint in pursuit of gold…

See Also: Read our review of Gold here

On a dreary winter’s day, an industrial town in Wales doesn’t sound like the ideal destination. However, much like Kenny Wells (Matthew McConaughey in Gold), sometimes you can strike gold in the most unassuming of places.

Royal Mint is the largest mint in western Europe, every single British coin in circulation is made here – that’s right, all of those coins tunefully jangling in your pockets. The Royal Mint produces roughly 90 million coins each week, averaging a cool 5 billion per year.

The Royal Mint Experience, a purpose built exhibition and visitor centre, opened its doors for the first time on the 18th May 2016. This provides visitors with the chance to explore the rich history of Royal Mint,
See full article at Flickeringmyth »

The Forgotten: Abel Gance's "Austerlitz" (1960)

  • MUBI
The great film historian Kevin Brownlow, who has devoted large sections of his life to restoring Abel Gance's 1927 epic Napoleon, takes a dim view of this one. And indeed Austerlitz, a.k.a. The Battle of Austerlitz, has several strikes against it, belongs to several categories of film maudit all at once. It's a late film by a seventy-one-year-old director whose best work, by universal consensus, was in the silent era; it's a kind of belated sequel, the further adventures of Napoleon Bonaparte; it's a Salkind production.Incidentally, viewing the lavish sets for this movie, we can see how the Salkinds, those roving multinational mountebanks, ran up the unpaid studio bills in Yugoslavia which kept Orson Welles from building the elaborate vanishing sets he had planned for The Trial (starting realistic, it would have ended up playing in a featureless void), necessitating the repurposing of a disused Parisian railway station.
See full article at MUBI »

Chimes at Midnight

Fans that lament Orson Welles' many career frustrations will flip over this Spanish-filmed masterpiece. Not well distributed when new and Mia for decades, its serious audio problems have now mostly been cleared up. It's great -- right up there with Kane and Touch of Evil, and it features what is probably Welles' best acting. Chimes at Midnight Blu-ray The Criterion Collection 830 1966 / B&W / 1:66 widescreen / 116 min. / available through The Criterion Collection / Falstaff, Campanadas a medianoche / Street Date August 30, 2016 / 39.95 Starring Orson Welles, Keith Baxter, Jeanne Moreau, Margaret Rutherford, John Gielgud, Norman Rodway, Marina Vlady, Walter Chiari, Michael Aldridge, Tony Beckley, Alan Webb, José Nieto, Fernando Rey, Beatrice Welles, Ralph Richardson. Cinematography Edmond Richard Film Editor Fritz Mueller Original Music Angelo Francesco Lavagnino Produced by Alessandro Tasca Directed by Orson Welles

Reviewed by Glenn Erickson

It's even better than I remembered. Sometime during film school I went with UCLA friends Clark
See full article at Trailers from Hell »

The Immortal Story

Orson Welles' French TV show with Jeanne Moreau is a near-masterpiece, directed with assurance and style. It's the filmmaker's first color feature, and his last completed fictional feature. The Immortal Story Blu-ray The Criterion Collection 831 1968 / Color / 1:66 widescreen / 58 min. / Histoire immortelle / available through The Criterion Collection / Street Date August 30, 2016 / 39.95 Starring Jeanne Moreau, Orson Welles, Roger Coggio, Norman Eshley, Fernando Rey. Cinematography Willy Kurant Film Editors Yolande Maurette, Marcelle Pluet, Françoise Garnault, Claude Farny Music selections Eric Satie Based on a novel by Isak Dinesen Produced by Micheline Rozan Written and Directed by Orson Welles

Reviewed by Glenn Erickson

The Criterion Collection's Blu-ray of The Immortal Story took me completely by surprise. I bailed out of a viewing long ago on Los Angeles' 'Z' Channel cable station, mainly because it looked terrible -- grainy and washed out. I thought I was watching a faded print that had been blown up from 16mm.
See full article at Trailers from Hell »

David Lowery On ‘Pete’s Dragon’: How a Microbudget Filmmaker Became Disney’s Secret Weapon

David Lowery On ‘Pete’s Dragon’: How a Microbudget Filmmaker Became Disney’s Secret Weapon
Nine years before he completed production on the multi-million dollar Disney remake of “Pete’s Dragon,” David Lowery was living out of the back of his car, editing corporate videos. The Dallas native directed his first feature, the little-seen “Lullaby,” at age 19. The ensuing years found him collaborating with a close-knit group of local film-savvy friends, but little in the way of upward mobility. “I never put a premium on making a living,” he told me in a recent phone conversation. “It was never one of those things that was important to me.”

Lowery’s work at the time suggests as much — it’s anything but commercial — and yet it provided him with an ideal platform for a massive career move as one of Disney’s newest secret weapons. “Pete’s Dragon,” a $60 million re-imagining of the 1977 live-action-animated musical film, has all the hallmarks of Lowery’s earlier work: a serene,
See full article at Indiewire »

Recommended New Books on Filmmaking: A.O. Scott, Orson Welles, Owen Gleiberman, Humphrey Bogart, and More

Part of the fun in rounding up recent books about (or connected to) cinema is the sheer diversity of releases. This latest collection features a dive into this history of Hollywood legends, lots more Force Awakens, compelling reads from two fascinating critics, texts highlighting the art of Batman v. Superman and The Little Prince, and more. Plus, if you’ve been coveting Constable Zuvio mentions, you’re finally in luck.

Movie Freak: My Life Watching Movies by Owen Gleiberman (Hachette Books)

My favorite book of 2016 thus far has arrived, and it’s Movie Freak by former Entertainment Weekly critic Owen Gleiberman. For many a nineties teen, EW was something of a pop culture bible, and Gleiberman’s incisive writing was a key reason. In Movie Freak, his unguardedly personal memoir, he talks of films loved (Blue Velvet, Manhunter), friendships dashed (with the likes of Oliver Stone and Pauline Kael), and
See full article at The Film Stage »

No Fear: The Year’S Best Movies

This is definitely the time of year when film critic types (I’m sure you know who I mean) spend an inordinate amount of time leading up to awards season—and it all leads up to awards season, don’t it?—compiling lists and trying to convince anyone who will listen that it was a shitty year at the movies for anyone who liked something other than what they saw and liked. And ‘tis the season, or at least ‘thas (?) been in the recent past, for that most beloved of academic parlor games, bemoaning the death of cinema, which, if the sackcloth-and-ashes-clad among us are to be believed, is an increasingly detached and irrelevant art form in the process of being smothered under the wet, steaming blanket of American blockbuster-it is. And it’s going all malnourished from the siphoning off of all the talent back to TV, which, as everyone knows,
See full article at Trailers from Hell »

Magician: The Astonishing Life And Work Of Orson Welles – The Review

Not so very long ago I had a co-worker who described himself as a movie geek, film fan, cinema addict, what have you. He talked about film as if he knew all about it. I asked him one day what he thought of Orson Welles. His reply?

“I don’t think about Orson Welles, he was old and fat, now he’s dead, what am I supposed to think about him?”

Needless to say I never really talked to this person again, who shall remain nameless. Of course the fact that he was an egocentric, arrogant, narcissistic weasel didn’t help matters. (He claimed to have a small part in Tombstone, I have seen that movie several times, never spotted him, by the way…)

I simply cannot fathom the arrogance of someone dismissing, so casually one of the greatest film makers who ever lived. I have been fascinated, obsessed even,
See full article at WeAreMovieGeeks.com »

Daily | Orson Welles’s Chimes At Midnight

Janus Films' new restoration of Orson Welles's Chimes at Midnight (1965), drawing on several plays by William Shakespeare and starring himself, Jeanne Moreau, Margaret Rutherford, John Gielgud, Marina Vlady, Keith Baxter and Fernando Rey, opens in New York and Los Angeles today and screens tomorrow in Portland before rolling out across North America and eventually seeing a Criterion release on DVD and Blu-ray. Ignatiy Vishnevetsky at the Av Club: "A big chunk of Welles’s body of work could be divided up into movies about power (e.g. Citizen Kane, Macbeth) and movies about powerlessness (e.g. The Lady from Shanghai, The Trial), and Chimes at Midnight fits squarely into the latter category." » - David Hudson
See full article at Keyframe »
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