In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led by an evil prophecy and his ruthless yet desirable wife to the treasonous act that ... See full summary »
Joseph K. awakes one morning, to find two strange men in his room, telling him he has been arrested. Joseph is not told what he is charged with, and despite being "arrested," is allowed to ... See full summary »
David Hugh Jones
The Portuguese colony of Macao in the 19th century. Mr. Clay is a very rich merchant and the subject of town gossip. He has spent many years in China and is now quite old. He likes his ... See full summary »
Josef K wakes up in the morning and finds the police in his room. They tell him that he is on trial but nobody tells him what he is accused of. In order to find out about the reason of this accusation and to protest his innocence, he tries to look behind the facade of the judicial system. But since this remains fruitless, there seems to be no chance for him to escape from this Kafkaesque nightmare. Written by
Joern Richts <email@example.com>
When Josef K. follows Hilda being carried out of the large trial room/hall by the law student, he hastily grabs and throws on his suit jacket. In the succeeding scenes, the jacket's buttons which are buttoned changes. See more »
Before the law, there stands a guard. A man comes from the country, begging admittance to the law. But the guard cannot admit him. May he hope to enter at a later time? That is possible, said the guard. The man tries to peer through the entrance. He'd been taught that the law was to be accessible to every man. "Do not attempt to enter without my permission", says the guard. I am very powerful. Yet I am the least of all the guards. From hall to hall, door after door, each guard is ...
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The end cast credits are read over by Orson Welles without titles See more »
Anthony Perkins realizes the paranoia of Joseph K, charged with an unnamed crime by uncooperative detectives and pursued by victims, executioners, and young girls through a nightmarish European city which is darker than the blackest things in horror of film noir. The terrifying,thought provoking, dreamily real picture could only have been brought to us by Orson Welles. He comes to us not only as a director, but again as an actor. Welles plays a bedridden lawyer in a cavernous house and enters in the cloud of smoke from a cigar. Romy Shneider shines as his nursemaid who seduces the lawyers clients like K and Block(Akim Tamiroff). Welles updated Kafka's THE TRIAL to the age after the holocaust and the atomic bomb. This is aided by the locations Welles was forced to shoot in after funding was cut. Edmund Richard masterfully moves his camera through the ruined interiors of a decaying industrial Europe. K's dillema is hightened by the cavernous abandoned railroad station. The picture is genius from the pinscreen opening to the spellbinding climax. Fans of THE THIRD MAN should appreciate the final scenes. Welles's best and therefore the best there is.
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