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The Pink Panther
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The Pink Panther (1963) More at IMDbPro »

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The Pink Panther -- In the first movie starring Peter Sellers as the bumbling Inspector Clouseau, he tries to catch a jewel thief who is right under his nose.

Overview

User Rating:
7.2/10   34,071 votes »
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Director:
Writers:
Maurice Richlin (screenplay) and
Blake Edwards (screenplay)
Contact:
View company contact information for The Pink Panther on IMDbPro.
Release Date:
20 March 1964 (USA) See more »
Genre:
Tagline:
You only live once... so see the Pink Panther twice!!! See more »
Plot:
Bumbling and conceited French police inspector Clouseau tries to catch The Phantom, a daring jewel thief whose identity and features are unknown - and is acting right under his nose. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for Oscar. Another 3 wins & 5 nominations See more »
NewsDesk:
(271 articles)
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User Reviews:
it wasn't easy See more (142 total) »

Cast

  (in credits order) (verified as complete)

David Niven ... Sir Charles Lytton

Peter Sellers ... Insp. Jacques Clouseau

Robert Wagner ... George Lytton

Capucine ... Simone Clouseau
Brenda de Banzie ... Angela Dunning
Colin Gordon ... Tucker

John Le Mesurier ... Defence Barrister (as John LeMesurier)
James Lanphier ... Saloud
Guy Thomajan ... Artoff
Michael Trubshawe ... Felix Townes
Riccardo Billi ... Aristotle Sarajos
Meri Welles ... Monica Fawn (as Meri Wells)
Martin Miller ... Pierre Luigi - Photographer
Fran Jeffries ... Greek 'cousin'

Claudia Cardinale ... Princess Dahla
rest of cast listed alphabetically:
John Bartha ... Policeman (uncredited)
William Bryant ... Policeman (uncredited)
Mario Fabrizi ... Hotel Manager (uncredited)
Eugene Walter ... Hotel Manager (English dubbing) (uncredited)

Directed by
Blake Edwards 
 
Writing credits
Maurice Richlin (screenplay) and
Blake Edwards (screenplay)

Produced by
Dick Crockett .... associate producer
Martin Jurow .... producer
Walter Mirisch .... executive producer (uncredited)
 
Original Music by
Henry Mancini 
 
Cinematography by
Philip H. Lathrop (director of photography) (as Philip Lathrop)
 
Film Editing by
Ralph E. Winters 
 
Art Direction by
Fernando Carrere 
 
Set Decoration by
Reg Allen  (as Reginald Allen)
Arrigo Breschi 
Jack Stevens 
 
Makeup Department
Amalia Paoletti .... hair stylist
Euclide Santoli .... makeup artist
Michele Trimarchi .... makeup artist (as Michele Tremarchi)
Giancarlo De Leonardis .... hair stylist (uncredited)
 
Production Management
Guy Luongo .... production supervisor
Jack McEdward .... production supervisor
 
Second Unit Director or Assistant Director
Ottavio Oppo .... assistant director
Owen Crump .... director: location second unit (uncredited)
Owen Crump .... second unit director (uncredited)
 
Art Department
Mickey Lennon .... chargehand dressing prop (uncredited)
Italo Tomassi .... head scenic painter (uncredited)
 
Sound Department
Gilbert D. Marchant .... sound effects editor
Sash Fisher .... sound (uncredited)
William Hamilton .... boom operator (uncredited)
 
Special Effects by
Lee Zavitz .... special effects
 
Stunts
Dick Crockett .... stunts (uncredited)
Nosher Powell .... stunts (uncredited)
 
Camera and Electrical Department
Cliff King .... camera operator
John Burton Jr. .... camera operator: animation (uncredited)
Bill Geddes .... camera grip (uncredited)
Richard H. Kline .... camera operator (uncredited)
 
Animation Department
Warren Batchelder .... animator: main titles (uncredited)
Dale Case .... animator: main titles (uncredited)
Corny Cole .... lead graphic designer: main titles (uncredited)
George DeLado .... background artist: main titles (uncredited)
David H. DePatie .... animation producer (uncredited)
Friz Freleng .... animation producer (uncredited)
Manny Gould .... animator: main titles (uncredited)
George Grandpré .... animator: main titles (uncredited)
Laverne Harding .... animator: main titles (uncredited)
Ken Harris .... animator: main titles (uncredited)
Harry Love .... production coordinator: animation (uncredited)
Bob Matz .... animator: main titles (uncredited)
Norm McCabe .... animator: main titles (uncredited)
Tom O'Loughlin .... background artist: main titles (uncredited)
Manuel Perez .... animator: main titles (uncredited)
Hawley Pratt .... director: animation sequence (uncredited)
Dick Ung .... layout artist: main titles (uncredited)
Don Williams .... animator: main titles (uncredited)
 
Costume and Wardrobe Department
Annalisa Nasalli-Rocca .... wardrobe supervisor (as Annalisa Rocca)
Yves Saint-Laurent .... wardrobe: Claudia Cardinale and Capucine (as Yves St. Laurent)
William Ware Theiss .... wardrobe consultant (as William Theiss)
 
Editorial Department
Marshall M. Borden .... assistant film editor
David B. Zinnemann .... assistant film editor
Lee Gunther .... film editor: animation (uncredited)
 
Music Department
Richard Carruth .... music editor
Robert Bain .... musician: guitar (uncredited)
Carl Fortina .... musician: accordion soloist (uncredited)
Richard Nash .... musician: trombone soloist (uncredited)
 
Transportation Department
Eddie Frewin .... transportation chief (uncredited)
 
Other crew
Betty A. Griffin .... script supervisor (as Betty Abbott)
James Lanphier .... dialogue coach
Ralph M. Leo .... production accountant (uncredited)
Hermes Pan .... choreographer (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
115 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.20 : 1 See more »
Sound Mix:
4-Track Stereo (Westrex Recording System) | Mono
Certification:
Argentina:Atp | Australia:PG | Brazil:Livre | Canada:PG (Manitoba/Ontario) | Canada:G (Nova Scotia/Quebec) | Finland:S | France:U | Germany:12 | Iceland:L | Ireland:PG | Netherlands:AL | Norway:16 (original rating) | Norway:12 (re-rating) | Portugal:M/12 | Singapore:PG | Sweden:Btl | UK:PG | USA:TV-PG | USA:Approved (certificate #20449) | West Germany:12

Did You Know?

Trivia:
The second Clouseau film, A Shot in the Dark (1964), was released only three months after this film.See more »
Goofs:
Revealing mistakes: When Clouseau first opens the door to his room to look into the hall he yanks it open it swings halfway open then slams back into him. A small "stop" block can be seen fastened to the floor where the door can hit it. The block is gone in all other shots.See more »
Quotes:
[first lines]
Gem dealer 1:As in every stone of this size, there is a flaw.
Sultan:A flaw?
Gem dealer 2:The slightest flaw, your excellency.
Gem dealer 1:If you look deep into the stone, you will perceive the tiniest discoloration. It resembles an animal.
Sultan:An animal?
Gem dealer 1:A little panther.
Sultan:Yes! A pink panther. Come here, Dala. A gift to your father from his grateful people. Some day it will be yours. The most fabulous diamond in all the world. Come closer.
See more »
Movie Connections:
Referenced in Kabhi Haan Kabhi Naa (1994)See more »
Soundtrack:
It Had Better Be TonightSee more »

FAQ

How did the Pink Panther diamond get its name?
Does the Pink Panther diamond really exist?
See more »
7 out of 9 people found the following review useful.
it wasn't easy, 7 February 2005
Author: dustybooks from United States

This is one of the cases in which saying a movie is very much "of its time" is a high compliment. To see THE PINK PANTHER today is to be transported to the stylish Blake Edwards '60s world of opulence, Mancini, and nutty but smart slapstick. The sequel A SHOT IN THE DARK may be funnier and more sophisticated, but PINK PANTHER is still a peerless, graceful treat, pure entertainment.

This doesn't really fit in that well with the rest of the series (of which I'm a big fan), but it's on a higher plane in a sense. Those seeking the usual slapstick fare will find plenty of it, not to mention an engagingly worldly edge lacking in the sequels. Not only is this a fine comedy, it's beautifully photographed and full of elegance. Peter Sellers' Inspector Clouseau is wonderful as always, but is neither the central character -- the jewel thief "The Phantom," played by David Niven, is the real protagonist -- or the source of the most laughs; Robert Wagner, the Phantom's nephew who shows up unexpected on the eve of a jewel binge, provides the movie with a force of sheer subversion. That's not to say the greatest moments aren't Clouseau's; particularly during the bedroom scenes with Capucine, Sellers is in top form.

An interesting note is the similarity of THE PINK PANTHER in many ways to Alfred Hitchcock's TO CATCH A THIEF, made in 1955. The two films have more-than-similar story lines, and both are glitzy and glamorous, but the approach is different. PANTHER is a far less serious piece of work, yet in the end it has more substance, perhaps because it refuses to take jewel thievery with the stone-faced seriousness of its counterpart. Having said that, both are great fun, and what more could you want? There is simply so much to love about this movie it's hard to know where to begin. In the hopelessly romantic world Edwards and Mancini usually present, it's pleasant to see a darker and perhaps more vibrant edge shining through. BREAKFAST AT TIFFANY'S might be the quintessential Edwards film of the '60s, but it was released the same year as one of his best, EXPERIMENT IN TERROR, a daring, violent, noirish outing that couldn't have been more different. In the layers of irony and comic wisdom of THE PINK PANTHER Edwards finds a middle ground, and it's savory.

Was the above review useful to you?
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