To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
The trademark of The Phantom, a renowned jewel thief, is a glove left at the scene of the crime. Inspector Clouseau, an expert on The Phantom's exploits, feels sure that he knows where The Phantom will strike next and leaves Paris for Switzerland, where the famous Lugashi jewel 'The Pink Panther' is going to be. However, he does not know who The Phantom really is, or for that matter who anyone else really is... Written by
Graeme Roy <firstname.lastname@example.org>
When Clouseau first opens the door to his room to look into the hall he yanks it open it swings halfway open then slams back into him. A small "stop" block can be seen fastened to the floor where the door can hit it. The block is gone in all other shots. See more »
Gem dealer 1:
As in every stone of this size, there is a flaw.
Gem dealer 2:
The slightest flaw, your excellency.
Gem dealer 1:
If you look deep into the stone, you will perceive the tiniest discoloration. It resembles an animal.
Gem dealer 1:
A little panther.
Yes! A pink panther. Come here, Dala. A gift to your father from his grateful people. Some day it will be yours. The most fabulous diamond in all the world. Come closer.
See more »
At the end of the film the cartoon pink panther makes a brief appearance in a live-action scene holding up a sign reading THEND, which he then corrects to THE END. See more »
"The Pink Panther" is a risque (for its time) romantic heist farce starring David Niven and Robert Wager, as uncle and son jewel thieves. Also included is a small slapstick part was Peter Sellers (originally to be Peter Ustinov) as the French detective hot on their trail. While the romantic farce isn't bad, the exquisite slapstick timing of Peter Sellers not only kept this movie from being an innocuous but one-note affair, it also was the genesis of a comic legend. Actually two, since the cartoon Pink Panther appears in the credits.
There's no Cato or twitching Inspector Dreyfus (they come in the next Clouseau film, "A Shot in the Dark", one of the funniest movies ever made). Viewers who grew up on the later Pink Panther films that revolve around Clouseau are bound to be disappointed, but they shouldn't let their disappointment mar the movie. Peter Sellers is funny enough in every scene he's in (in fact, he does some of his best Clouseau work in this movie). But "The Pink Panther" should be approached as a film in its own right, and accept its terms as the movie defines them. This is a subtle bedroom farce based on a heist, and it has its unique, languid beauty.
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