If Jack Griffith's wife doesn't like the color of a neighbor's house, he'll arrange for it to be a house of a different color. If the owner of the ice cream parlor doesn't believe in ...
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James Hatcher embezzles ten million dollars from a joint mafia/CIA operation, leaving them squabbling with each other. Unemployed Lewis Kinney gets caught up in the intrigue, and must try ... See full summary »
Won the Academy Award for the Best Documentary Short of 1954. The subject deals with the children at The Royal School for the Deaf in Margate, Kent. The hearing-handicapped children are ... See full summary »
After his girl leaves him for someone else, Herbert gets really depressed and starts searching for a job. He finally finds one in a big house which is inhabited by many, many women. Can he ... See full summary »
When he flunks out of med school, Jerome Littlefield goes to work as an orderly in a private rest home where he wreaks havoc for everyone concerned. Dr. Jean Howard is the exasperated head ... See full summary »
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.
If Jack Griffith's wife doesn't like the color of a neighbor's house, he'll arrange for it to be a house of a different color. If the owner of the ice cream parlor doesn't believe in selling triple banana splits for a penny, Jack will buy the establishment. And if Jack's little girl wants the pony in the circus parade, why not buy the entire circus! This last prank sends Amberlyn Griffith back to Texarkana c. 1900, where her father is running for his third term as mayor. Jack follows, bringing the entire circus. Written by
Dale O'Connor <email@example.com>
A scene featuring a song called "Walking Happy" was edited out before the film's release but was later used in (and was the title for) a Broadway show in New York. As Gleason sings the tune, he and his on-screen daughter Linda Bruhl walk down a hometown street while Gleason sings about the people they meet along the way. The song was composed by Jimmy Van Heusen with lyrics by Sammy Cahn, both of whom also wrote "Call Me Irresponsible," which remained in the film. See more »
This turn-of-the-century period piece defines a genre all its own: screwball pathos. Jackie is larger-than-life, outrageous, sings the Academy-award-winning Best Song ("Call Me Irresponsible") in self-deprecatory pathos, and is generally an irresponsible but frustratingly lovable alcoholic of a husband to Glynis Johns. Johns is marvelous as the wife at the end of her rope who really doesn't want to let go, but feels like she must for the good of her children. The result is not entirely successful, and elicits some consternation from me as a modern woman, but I know that's the wrong perspective. It's certainly memorable, and moves reasonably well, so it's worth a look if you haven't seen it.
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