In Miami Beach, the mute bellboy Stanley works at the luxurious Fontainebleau Hotel. In spite of being a serviceable and friendly employee, the clumsy Stanley gets successively into trouble with his mistakes.
When he flunks out of med school, Jerome Littlefield goes to work as an orderly in a private rest home where he wreaks havoc for everyone concerned. Dr. Jean Howard is the exasperated head ... See full summary »
After his girl leaves him for someone else, Herbert gets really depressed and starts searching for a job. He finally finds one in a big house which is inhabited by many, many women. Can he ... See full summary »
When a star comedian dies, his comedy team, decides to train a nobody to fill the shoes of the Star in a big TV show (a Patsy). But the man they choose, bellboy Stanley Belt, cant do ... See full summary »
While fishing on a San Diego beach, Gerald Clamson catches ... a sea diver! Even more weird, the "fish" resembles him. The man, who is not (yet) dead, reveals his secret to the peaceful ... See full summary »
Professor Sherman Klump is getting married. And the Klump family could not be more delighted for him. But Buddy Love, his Mr. Hyde alter-ego from the first film, is back and trying to make ... See full summary »
Nerd. Milquetoast. Klutz. These are just three of the many undesirable words that can be used to describe Professor Julius Kelp. But all that changes when the chemistry expert invents a potion that transforms him into a suave, sexy chick magnet, whom Julius aptly names Buddy Love. Unfortunately, there's one side effect: Buddy can't control when he'll change back into Julius, an event that always happens at inopportune times. How will Julius/Buddy resolve his Jekyll-and-Hyde dilemma? Written by
According to one of the trailers for this film, "We don't care if you blab about the beginning of this picture; nor do we care if you give away the ending; but we do care if you reveal the middle. In fact, Jerry Lewis urges you to see this picture from the beginning, on penalty of losing your popcorn privileges." This spoofs Alfred Hitchcock's dictum that Psycho (1960) had to be seen from the beginning and his insistence that no latecomers be seated ("not even the [theatre] manager's brother"). See more »
When Julius is making the potion in his lab he closes the blinds and it is glaringly bright outside. Then when he drinks the potion the clock reads 9:30 at night. See more »
Professor Julius Kelp:
And I think that the lesson that I learned came just in time. I don't want to be something that I'm not. I didn't like being someone else. At the same time I'm very glad I was cause I found out something that I never knew. You might as well like yourself. Just think about all the time you're going to have to spend with you. And if you don't think too much of yourself, how do you expect others to?
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False ending which first displays, "That's all, folks!!" then inserts a NOT in between "that's" and "all," then a 5-minute story epilogue goes to the actual ending, which is credited as "The beginning." The actor credits are done as curtain calls, with each performer bowing behind their name. See more »
My one line summary just about say it all. The remake did well due to the advancement of special effects, stage make-up and prosthetics. This film did not have that luxury. Jerry Lewis is fabulous as the gawky, quirky Professor. Both his natural comic acting talents and his natural straight acting talents shine through. When seen one after the other (i.e the remake and then the original or vice-versa) you can do nothing but agree with me that the original is the far superior film of the two. Eddie Murphy does his best with the remake and the sequel but the remake just doesn't have the class that the original has. Now I know that there are going to be those that say the remake must be better because there was no sequel to the original but lets be honest now, in todays day and age and as things currently are in the film world's state of affairs, if a film is (in the executive's and the board of director's eyes)successful enough, a sequel is always churned out. Back in the sixties when the original was made this very rarely happened if it happened at all. Those same people will also say that the remake made more money but that's because there are FAR more cinemas around now and it's effectively cheaper to go now even with a semi-bankable actor like Eddie Murphy.
(A bankable name, for those that don't know, is a name that guarantees the film being successful regardless of weather or not they can act. Will Smith has somehow become a bankable name and he has less ability to act than Pavarotti does to tap dance. The list of people like that is too big to put them all in and quite frankly I don't want to spend the time doing so. The same thing regarding the names that can act but an example of one that can is George Clooney.).
At the time when the original was made Jerry Lewis was the biggest box office draw of them all; I don't think that has ever been able to be said of Eddie Murphy. It's because of this that when you take into account how much money was taken on the original due to how many were able to see it and how many went to see the remake you will realise that the original comparatively took more and was therefore a better, no, not better, far superior film.
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