Quietly competent young Joanna moves with her scatterbrain mother to a country village to take up her first job as District Nurse. She soon overcomes the suspicion of her patients used to ... See full summary »
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Quietly competent young Joanna moves with her scatterbrain mother to a country village to take up her first job as District Nurse. She soon overcomes the suspicion of her patients used to someone rather older, while becoming romantically involved with a local farmer - at least until he tries to evict a newly-arrived expectant couple who park their caravan on his land. Written by
Jeremy Perkins <jwp@aber.ac.uk>
Underneath the opening credits of this gentle, old-fashioned (even when it was made) corny comedy, we see Juliet Mills riding her bike through a provincial town. She looks very nervous; probably because she knew there'd only be one take, and that there were no safety measures. The producers of this British relic (I don't mean Ms Mills) were known for their cheese-paring parsimony. It shows in the lighting set-ups and the straightforward, episodic storytelling. That's not to say that Gerald Thomas didn't know how to tell a story. He had plenty of practice. He also knew that the host of tried and true character actors who populate this mild comedy, were prone to hamming outrageously if given the chance; he gave them the chance and they don't disappoint - with the exception of Mr Huntley and Ms Seyler, who are restrained. The handsome (and, film-wise, under-used, for health reasons, I understand) Ronald Lewis stars as the nurse's love interest; and Ms Mills, in her professional English way is a very charming nurse. I thought it very light when I first saw it at the Regal cinema, in Putney, in South London. Even then I was surprised it scraped in as a main feature. I expect it had some pretty strong support - a western perhaps, in colour. Nowadays Nurse on Wheels seems almost amateurish; but if you like those thesps of yore, check it out. They're the main attraction.
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Underneath the opening credits of this gentle, old-fashioned (even when it was made) corny comedy, we see Juliet Mills riding her bike through a provincial town. She looks very nervous; probably because she knew there'd only be one take, and that there were no safety measures. The producers of this British relic (I don't mean Ms Mills) were known for their cheese-paring parsimony. It shows in the lighting set-ups and the straightforward, episodic storytelling. That's not to say that Gerald Thomas didn't know how to tell a story. He had plenty of practice. He also knew that the host of tried and true character actors who populate this mild comedy, were prone to hamming outrageously if given the chance; he gave them the chance and they don't disappoint - with the exception of Mr Huntley and Ms Seyler, who are restrained. The handsome (and, film-wise, under-used, for health reasons, I understand) Ronald Lewis stars as the nurse's love interest; and Ms Mills, in her professional English way is a very charming nurse. I thought it very light when I first saw it at the Regal cinema, in Putney, in South London. Even then I was surprised it scraped in as a main feature. I expect it had some pretty strong support - a western perhaps, in colour. Nowadays Nurse on Wheels seems almost amateurish; but if you like those thesps of yore, check it out. They're the main attraction.