A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly ... See full summary »
Max von Sydow
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets ... See full summary »
Apu is a jobless former student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. This changes his life, for when the ... See full summary »
How do we understand faith and prayer, and what of miracles? August 1925 on a Danish farm. Patriarch Borgen has three sons: Mikkel, a good-hearted agnostic whose wife Inger is pregnant, ... See full summary »
Carl Theodor Dreyer
Emil Hass Christensen,
Preben Lerdorff Rye
On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. After the service, he attempts to console a fisherman (Jonas Persson) who is tormented by anxiety, but Tomas can only speak about his own troubled relationship with God. A school teacher (Maerta Lundberg) offers Tomas her love as consolation for his loss of faith. But Tomas resists her love as desperately as she offers it to him. This is the second in Bergman's trilogy of films dealing with man's relationship with God. Written by
When she saw the completed film, Ingmar Bergman's then wife Kabi Laretei said, "Yes, Ingmar, it's a masterpiece. But it's a dreary masterpiece." See more »
When Thomas leaves to go to the suicide scene Marta's car is parked nearby. She follows him in her car. They leave the suicide scene in her car and his is never seen again. See more »
Algot Frövik, Sexton:
The passion of Christ, his suffering... Wouldn't you say the focus on his suffering is all wrong?
Tomas Ericsson, Pastor:
What do you mean?
Algot Frövik, Sexton:
This emphasis on physical pain. It couldn't have been all that bad. It may sound presumptuous of me - but in my humble way, I've suffered as much physical pain as Jesus. And his torments were rather brief. Lasting some four hours, I gather? I feel that he was tormented far worse on an other level. Maybe I've got it all wrong. But just think of Gethsemane, Vicar. Christ's disciples...
[...] See more »
This is a captivating film, one of Bergman's most inward-looking and cold pieces.
The performances are terrific. Gunnar Bjornstrand is at his excellent best, Max von Syndow is predictably good. I would single out the women performers for particular praise in this film: Ingrid Thulin is outstanding as the spinster who cannot break the ice that encloses Bjornstrand's pastor. Gunnel Lindblom plays a small but superb part as the desperate wife of the suicidal von Syndow.
This is not plot and action stuff, nor is it any good for you if seeing depression in others makes you depressed. It is a microscope study of desperation and depression. It is a small canvas film my personal preference is for Bergman's larger canvas work such as The Seventh Seal and especially Wild Strawberries. Of his darker, psychological work, again I would express a preference for Persona and also Through a Glass Darkly. But I'm comparing greatness with greatness if you like Bergman's work this one's a must see.
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