On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. After the service, he attempts to console a fisherman (Jonas Persson) who is tormented by anxiety, but Tomas can only speak about his own troubled relationship with God. A school teacher (Maerta Lundberg) offers Tomas her love as consolation for his loss of faith. But Tomas resists her love as desperately as she offers it to him. This is the second in Bergman's trilogy of films dealing with man's relationship with God. Written by
Did You Know?
When she saw the completed film, Ingmar Bergman
's then wife Kabi Laretei said, "Yes, Ingmar, it's a masterpiece. But it's a dreary masterpiece." See more
In the vestry (or office) to the side of the church, as Tomas realises that he believes life is more understandable without the presence of God, the light through the window behind him intensifies. Assuming the church building has an east-west orientation (as churches tend to do), the light is coming from a northerly direction. Yet, when he later re-enters the church proper (and collapses by the altar rail), the sun is clearly visible, low in the sky, through the window at the opposite (southern) side of the building. See more
Märta Lundberg, Schoolteacher
God, why have you created me so eternally dissatisfied? So frightened, so bitter? Why must I realize how wretched I am? Why must I suffer so hellishly for my insignificance? If there is a purpose to my suffering, then tell me, so I can bear my pain without complaint. I'm strong. You made me so very strong in both body and soul, but you never give me a task worthy of my strength. Give my life meaning, and I'll be your obedient slave.
Followed by The Silence