IMDb > Contempt (1963)
Le mépris
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Contempt (1963) More at IMDbPro »Le mépris (original title)

Photos (See all 28 | slideshow) Videos (see all 2)
Contempt -- Open-ended Trailer from Criterion

Overview

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7.8/10   16,287 votes »
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View company contact information for Contempt on IMDbPro.
Release Date:
18 December 1964 (USA) See more »
Genre:
Tagline:
Bardot at her bold, bare and brazen best! Reveling in Rome, cavorting in Capri...jolting even the jaded international jet-set in her pursuit of love! [UK Theatrical] See more »
Plot:
Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue. Full summary » | Add synopsis »
User Reviews:
Perhaps it's great because of its ambiguity. See more (119 total) »

Cast

  (in credits order) (verified as complete)

Directed by
Jean-Luc Godard 
 
Writing credits
(in alphabetical order)
Jean-Luc Godard  uncredited
Alberto Moravia  novel "Il Disprezzo"

Produced by
Georges de Beauregard .... producer
Carlo Ponti .... producer
Joseph E. Levine .... producer (uncredited)
 
Original Music by
Georges Delerue 
Piero Piccioni (Italian and Spanish version)
 
Cinematography by
Raoul Coutard 
 
Film Editing by
Agnès Guillemot 
Lila Lakshmanan (uncredited)
 
Costume Design by
Tanine Autré (uncredited)
 
Makeup Department
Odette Berroyer .... makeup artist (uncredited)
 
Production Management
Philippe Dussart .... production manager
Carlo Lastricati .... production manager
 
Second Unit Director or Assistant Director
Charles L. Bitsch .... assistant director (uncredited)
 
Sound Department
William Robert Sivel .... sound (as William Sivel)
 
Camera and Electrical Department
Joe D'Amato .... assistant camera (uncredited)
Roger Robert .... grip (uncredited)
 
Other crew
Annie Chauvet .... publicist (uncredited)
Suzanne Schiffman .... script girl (uncredited)
Bertrand Tavernier .... publicist (uncredited)
 
Crew believed to be complete


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Additional Details

Also Known As:
"Le mépris" - France (original title)
See more »
Runtime:
103 min | Finland:97 min | USA:102 min | Italy:82 min (re-edited version) (cut)
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:16 | Australia:PG | Brazil:16 | Chile:18 | Finland:K-16 | France:U | Germany:6 (re-rating) (2002) | Portugal:M/12 | Singapore:PG | Sweden:11 | UK:15 | UK:AA (original rating) | USA:Not Rated | West Germany:18 (original rating) (w) | West Germany:16 (re-rating) (199?) (VHS release)

Did You Know?

Trivia:
Godard was forced into shooting in CinemaScope.See more »
Goofs:
Incorrectly regarded as goofs: It is possible that all "mistakes" in the film that involve visible equipment are intentional, or at least intentionally uncorrected: the film, after all, is about the artificiality of making a film, and the initial credit sequence shows filmmakers shooting the film itself.See more »
Quotes:
[after viewing film shot by Fritz Lang]
Jerry Prokosch:You've cheated me, Fritz. That's not what is in that script.
Fritz Lang:It is!
[he pulls the script away from Jerry, who is attempting to grab it out of his hand]
Fritz Lang:Oh, no!
Jerry Prokosch:Get the script, Francesca.
[he reads the script and then changes his tone]
Jerry Prokosch:Yes, it's in the script. But it's not what you have on that screen.
Fritz Lang:Naturally, because in the script it is written, and on the screen it's pictures. Motion picture, it's called.
See more »
Movie Connections:
Referenced in Film Geek (2005)See more »

FAQ

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12 out of 14 people found the following review useful.
Perhaps it's great because of its ambiguity., 19 July 2009
Author: bobsgrock from United States

Contempt is the type of film that can create that feeling between itself and the audience watching. It is a strange mix of cinematic magic and unrealistic psychobabble. Jean-Luc Godard is one of the greatest of all directors and perhaps the most successful of the French New Wave, one of the most important occurrences in film history. He had already hit success with his ground-breaking Breathless and his personal My Life to Live. Here, he is at his most experimental, even more so than in The Little Soldier. From the opening shot of a camera tracking an actor down towards where the narrative camera is, there is no doubt this is a unique picture.

We then get multiple scenes involving the strangest nude scenes ever recorded. This film stars Bridgette Bardot, one of the most beautiful and captivating women ever to be in a movie, and Godard intentionally films her almost completely without a sense of eroticism or sexiness. She, like everything else here, is objectified, pushed away and gives us a chance to consider other films we have seen.

This is a rare gift to film lovers, a story that cannot be judged on standard grounds because it is not a standard film. Godard, I believe, is showing the absolute boundaries of the cinema, daring to go farther than nearly anyone before or after him. For most, it will totally polarize them and perhaps turn them off to Godard or even foreign films completely. But, that should not be the case. True, this is a head-scratcher, but you cannot expect normalcy from a director like Godard. Here, along with most of his other work, he proved that the director, if given freedom, can change the look and feel of a film to an unlimited amount of options and opportunities. Roger Ebert said that Godard never made another movie like this because he realized he couldn't. I think he didn't because he realized cinema hasn't reached those limits yet; and perhaps never will.

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Message Boards

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The Emperor has no clothes- inane piece of rubbish nutritionist
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