| Photos (See all 37 | slideshow) | Videos (see all 3) |
| Brigitte Bardot | ... | Camille Javal | |
| Michel Piccoli | ... | Paul Javal | |
| Jack Palance | ... | Jeremy Prokosch | |
| Giorgia Moll | ... | Francesca Vanini | |
| Fritz Lang | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Raoul Coutard | ... | Cameraman (uncredited) | |
| Jean-Luc Godard | ... | Lang's Assistant Director (uncredited) | |
| Linda Veras | ... | Siren (uncredited) | |
Directed by | |||
| Jean-Luc Godard | |||
Writing credits(in alphabetical order) | ||
| Jean-Luc Godard | uncredited | |
| Alberto Moravia | novel "Il Disprezzo" | |
Produced by | |||
| Georges de Beauregard | .... | producer | |
| Carlo Ponti | .... | producer | |
| Joseph E. Levine | .... | producer (uncredited) | |
Original Music by | |||
| Georges Delerue | |||
| Piero Piccioni | (Italian and Spanish version) | ||
Cinematography by | |||
| Raoul Coutard | |||
Film Editing by | |||
| Agnès Guillemot | |||
| Lila Lakshmanan | (uncredited) | ||
Costume Design by | |||
| Tanine Autré | (uncredited) | ||
Makeup Department | |||
| Odette Berroyer | .... | makeup artist (uncredited) | |
Production Management | |||
| Philippe Dussart | .... | production manager | |
| Carlo Lastricati | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles L. Bitsch | .... | assistant director (uncredited) | |
Sound Department | |||
| William Robert Sivel | .... | sound (as William Sivel) | |
Camera and Electrical Department | |||
| Joe D'Amato | .... | assistant camera (uncredited) | |
Other crew | |||
| Annie Chauvet | .... | publicist (uncredited) | |
| Suzanne Schiffman | .... | script girl (uncredited) | |
| Bertrand Tavernier | .... | publicist (uncredited) | |
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| 8½ | Sunset Blvd. | The Wages of Fear | CQ | The Reader |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Here are what Contempt, by French director Jean-Luc Godard, made in 1963, is about--an examination on a relationship in jeopardy, which has been one of the most universal themes in cinema, and which is probably inspired by Michelangelo Antonioni's trilogy; a struggle in film-making as a side-theme, which may be Godard's self-reflective expression; the international star cast including Brigitte Bardot, Michel Piccoli, and Jack Palance, along with the cameo appearance of legendary German filmmaker Fritz Lang; well-choreographed long takes, which are sometimes several minutes in length, and which could be also influenced by Antonioni; inclusion of three montage sequences that comprise sliced flashback and flashforward clips, which create a remarkable contrast to the long takes; beautifully photographed sceneries, especially of the sea; and the memorable orchestral score with sentimental arpeggio by Georges Delerue.
Being both unique and universal, and being perfectly executed, Contempt is arguably Godard's best film, and undoubtedly one of the best works in cinema.