Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let... See full summary »
A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly ... See full summary »
Max von Sydow
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Harry Dean Stanton,
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let his wife Camille drive with Prokosch and he is late, she believes, he uses her as a sort of present for Prokosch to get get a better payment. So the relationship ends. Written by
Stephan Eichenberg <firstname.lastname@example.org>
It is possible that all "mistakes" in the film that involve visible equipment are intentional, or at least intentionally uncorrected: the film, after all, is about the artificiality of making a film, and the initial credit sequence shows filmmakers shooting the film itself. See more »
I've noticed the more we doubt, the more we cling to a false lucidity, in hope of rationalizing what feelings have made murky.
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The opening cast credits are read, without titles See more »
Contempt is the type of film that can create that feeling between itself and the audience watching. It is a strange mix of cinematic magic and unrealistic psychobabble. Jean-Luc Godard is one of the greatest of all directors and perhaps the most successful of the French New Wave, one of the most important occurrences in film history. He had already hit success with his ground-breaking Breathless and his personal My Life to Live. Here, he is at his most experimental, even more so than in The Little Soldier. From the opening shot of a camera tracking an actor down towards where the narrative camera is, there is no doubt this is a unique picture.
We then get multiple scenes involving the strangest nude scenes ever recorded. This film stars Bridgette Bardot, one of the most beautiful and captivating women ever to be in a movie, and Godard intentionally films her almost completely without a sense of eroticism or sexiness. She, like everything else here, is objectified, pushed away and gives us a chance to consider other films we have seen.
This is a rare gift to film lovers, a story that cannot be judged on standard grounds because it is not a standard film. Godard, I believe, is showing the absolute boundaries of the cinema, daring to go farther than nearly anyone before or after him. For most, it will totally polarize them and perhaps turn them off to Godard or even foreign films completely. But, that should not be the case. True, this is a head-scratcher, but you cannot expect normalcy from a director like Godard. Here, along with most of his other work, he proved that the director, if given freedom, can change the look and feel of a film to an unlimited amount of options and opportunities. Roger Ebert said that Godard never made another movie like this because he realized he couldn't. I think he didn't because he realized cinema hasn't reached those limits yet; and perhaps never will.
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