Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let... See full summary »
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly ... See full summary »
Director:
Ingmar Bergman
Stars:
Harriet Andersson,
Gunnar Björnstrand,
Max von Sydow
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
Director:
Ingmar Bergman
Stars:
Ingrid Thulin,
Gunnel Lindblom,
Birger Malmsten
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his wife and son four years before... See full summary »
Director:
Wim Wenders
Stars:
Harry Dean Stanton,
Sam Berry,
Dean Stockwell
On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. ... See full summary »
Director:
Ingmar Bergman
Stars:
Ingrid Thulin,
Gunnar Björnstrand,
Gunnel Lindblom
Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let his wife Camille drive with Prokosch and he is late, she believes, he uses her as a sort of present for Prokosch to get get a better payment. So the relationship ends. Written by
Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
Bardot at her bold, bare and brazen best! Reveling in Rome, cavorting in Capri...jolting even the jaded international jet-set in her pursuit of love! [UK Theatrical] See more »
Jean-Luc Godard was very dismissive of the source material - Alberto Moravia's novel 'Il Disprezzo' - calling it "a nice vulgar read for a train journey". See more »
Goofs
It is possible that all "mistakes" in the film that involve visible equipment are intentional, or at least intentionally uncorrected: the film, after all, is about the artificiality of making a film, and the initial credit sequence shows filmmakers shooting the film itself. See more »
Quotes
Paul Javal:
I like CinemaScope very much.
Fritz Lang:
Oh, it wasn't meant for human beings. Just for snakes - and funerals.
See more »
Crazy Credits
The opening cast credits are read, without titles See more »
Fritz Lang, playing himself, is set to direct a more commercial adaptation of Homer's "Odyssey". Jeremy Prokosch (Jack Palance), the producer, despises art films and hires screenwriter Paul Javal (Michel Piccoli) to help Lang commercialize the movie. Javal 'offers' his young wife, Camille (Brigitte Bardot, sexier than ever, in one of her few serious roles), to Prokosch, thinking he'll get a better payment. But he didn't know that would sparkle Camille's contempt and ruin their marriage.
"Le Mépris" aka "Contempt" is Godard's existentialist, provocative essay of the relationships between artistic and commercial cinema, man and woman/husband and wife (he was married to his then-muse Anna Karina, with whom he made some of his best films; after their divorce in 1967, he married Anne Wiazemsky, with whom he made "La Chinoise", "Week End" and others). Gorgeously photographed by Raoul Coutard and scored by the master Georges Delerue, and with some "influences" of Antonioni's trilogy (L'Avventura, La Notte and L'Eclisse), "Le Mépris" is not my favourite Godard, but it's certainly a vigorous film. 9/10.
19 of 23 people found this review helpful.
Was this review helpful to you?
Fritz Lang, playing himself, is set to direct a more commercial adaptation of Homer's "Odyssey". Jeremy Prokosch (Jack Palance), the producer, despises art films and hires screenwriter Paul Javal (Michel Piccoli) to help Lang commercialize the movie. Javal 'offers' his young wife, Camille (Brigitte Bardot, sexier than ever, in one of her few serious roles), to Prokosch, thinking he'll get a better payment. But he didn't know that would sparkle Camille's contempt and ruin their marriage.
"Le Mépris" aka "Contempt" is Godard's existentialist, provocative essay of the relationships between artistic and commercial cinema, man and woman/husband and wife (he was married to his then-muse Anna Karina, with whom he made some of his best films; after their divorce in 1967, he married Anne Wiazemsky, with whom he made "La Chinoise", "Week End" and others). Gorgeously photographed by Raoul Coutard and scored by the master Georges Delerue, and with some "influences" of Antonioni's trilogy (L'Avventura, La Notte and L'Eclisse), "Le Mépris" is not my favourite Godard, but it's certainly a vigorous film. 9/10.