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Contempt (1963)

Le mépris (original title)
Not Rated | | Drama | 18 December 1964 (USA)
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2:29 | Trailer

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Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue.

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Cast

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Storyline

Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let his wife Camille drive with Prokosch and he is late, she believes, he uses her as a sort of present for Prokosch to get get a better payment. So the relationship ends. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

Bardot at her bold, bare and brazen best! Reveling in Rome, cavorting in Capri...jolting even the jaded international jet-set in her pursuit of love! [UK Theatrical] See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

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Details

Country:

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Language:

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Release Date:

18 December 1964 (USA)  »

Also Known As:

Contempt  »

Box Office

Budget:

$900,000 (estimated)

Opening Weekend:

$33,284 (USA) (27 June 1997)

Gross:

$40,575 (USA) (17 January 2014)
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Company Credits

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Technical Specs

Runtime:

| (cut) (re-edited)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jean-Luc Godard was actively seeking out a film project he could do with Brigitte Bardot when he came across Alberto Moravia's novel. See more »

Goofs

It is possible that all "mistakes" in the film that involve visible equipment are intentional, or at least intentionally uncorrected: the film, after all, is about the artificiality of making a film, and the initial credit sequence shows filmmakers shooting the film itself. See more »

Quotes

Fritz Lang: Now it's no longer the presence of God, but the absence of God, that reassures man. It's very strange, but true.
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Crazy Credits

The opening cast credits are read, without titles See more »

Connections

Referenced in How to Lose Friends & Alienate People (2008) See more »

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User Reviews

 
Arguably Godard's Best Film, Undoubtedly One of the Best Works in Cinema
31 January 2005 | by (Chiba City, Japan) – See all my reviews

Here are what Contempt, by French director Jean-Luc Godard, made in 1963, is about--an examination on a relationship in jeopardy, which has been one of the most universal themes in cinema, and which is probably inspired by Michelangelo Antonioni's trilogy; a struggle in film-making as a side-theme, which may be Godard's self-reflective expression; the international star cast including Brigitte Bardot, Michel Piccoli, and Jack Palance, along with the cameo appearance of legendary German filmmaker Fritz Lang; well-choreographed long takes, which are sometimes several minutes in length, and which could be also influenced by Antonioni; inclusion of three montage sequences that comprise sliced flashback and flashforward clips, which create a remarkable contrast to the long takes; beautifully photographed sceneries, especially of the sea; and the memorable orchestral score with sentimental arpeggio by Georges Delerue.

Being both unique and universal, and being perfectly executed, Contempt is arguably Godard's best film, and undoubtedly one of the best works in cinema.


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