A friend of Miss Marple's sees a woman being strangled in a passing train. When police cannot find a body and doubt the story, Miss Marple enlists professional housekeeper, Lucy Eyelesbarrow, to go undercover.
While Miss Marple is on vacation in a luxurious Caribbean resort, a fellow guest confides he has evidence that another resident of the hotel is an unscrupulous serial murderer but is poisoned before he can reveal his identity to her.
Robert Michael Lewis
The old and wealthy Mr. Enderby dies of a heart attack but the ever suspicious Miss Marple has her doubts. Who or what gave him a heart attack? Enderby's poor relatives gather at the The Gallop, a combined boarding-house and riding school. Miss Marple also gets there to find out if any of them had any particular reasons to see him dead. Written by
The world première took place at a church garden party in rural Cheshire, England. See more »
As was customary film practice at the time, the lightbeam from Crossfield's torch in Black Jack's stable was provided by an actual studio light rather than the actor's prop. This is obvious as the light spot on the wall remains fairly constant whilst the character moves frantically - and at one point the torch casts a clear shadow in its own light. See more »
Miss Jane Marple:
[attempting to console her dance partner, who is dismayed that the orchestra has chosen to play a rock song]
One must be tolerant of the young, Mr. Enderby. I remember my dear mama was quite horrified when she caught me dancing the Charleston in public.
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Brisk Agatha Christie mystery moves at a gallop...
This is possibly MARGARET RUTHERFORD's most satisfactory excursion into Agtha Christie-land and she's helped by a delightful Ron Goodwin score that emphasizes her character with an infectious main theme and the gorgeous B&W photography, full of sinister shadows and proper atmospheric effects.
Furthermore, Miss Rutherford is surrounded by some formidable British talent, such as Stringer Davis (his Mr. Stringer is always a delight), Robert Morley (blustery but fun), and most notably, FLORA ROBSON, remarkable as the timid companion of an elderly woman.
I've seen most of these Miss Marple mysteries from the 1960s, and this has got to be one of the best. It moves at a swift gallop (unlike some of the more tedious, slow-paced BBC versions), and the accent is on the humorous characterization that Rutherford is capable of. Purists may not think it serves Agatha Christie well, but taken on its own as a piece of comedy/mystery entertainment, it stands up well in that genre.
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