When heavy fog prevents all aircraft from leaving London airport, a group of passengers take an airline bus to get them to an alternative airport. However, one among their number is the ... See full summary »
While Miss Marple is on vacation in a luxurious Caribbean resort, a fellow guest confides he has evidence that another resident of the hotel is an unscrupulous serial murderer but is poisoned before he can reveal his identity to her.
Robert Michael Lewis
An American movie actress, best known for playing dumb blondes, is Scotland Yard's prime suspect when her husband, Lord Edgware, is murdered. The great detective, Hercule Poirot, digs deeper into the case.
The old and wealthy Mr. Enderby dies of a heart attack but the ever suspicious Miss Marple has her doubts. Who or what gave him a heart attack? Enderby's poor relatives gather at the The Gallop, a combined boarding-house and riding school. Miss Marple also gets there to find out if any of them had any particular reasons to see him dead. Written by
When Miss Marple and Stringer enter her cottage they go through the front door which has a window on the same level as the top "yale" lock. The next scene inside the cottage shows the door without a window. See more »
Brisk Agatha Christie mystery moves at a gallop...
This is possibly MARGARET RUTHERFORD's most satisfactory excursion into Agtha Christie-land and she's helped by a delightful Ron Goodwin score that emphasizes her character with an infectious main theme and the gorgeous B&W photography, full of sinister shadows and proper atmospheric effects.
Furthermore, Miss Rutherford is surrounded by some formidable British talent, such as Stringer Davis (his Mr. Stringer is always a delight), Robert Morley (blustery but fun), and most notably, FLORA ROBSON, remarkable as the timid companion of an elderly woman.
I've seen most of these Miss Marple mysteries from the 1960s, and this has got to be one of the best. It moves at a swift gallop (unlike some of the more tedious, slow-paced BBC versions), and the accent is on the humorous characterization that Rutherford is capable of. Purists may not think it serves Agatha Christie well, but taken on its own as a piece of comedy/mystery entertainment, it stands up well in that genre.
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