When heavy fog prevents all aircraft from leaving London airport, a group of passengers take an airline bus to get them to an alternative airport. However, one among their number is the ... See full summary »
While Miss Marple is on vacation in a luxurious Caribbean resort, a fellow guest confides he has evidence that another resident of the hotel is an unscrupulous serial murderer but is poisoned before he can reveal his identity to her.
Robert Michael Lewis
Hunting guides have kidnapped David and will force him to lead them to a lost city hidden in the center of an active volcano. Bomba the Jungle Boy arrives to rescue David just as the ... See full summary »
Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produces another corpse.
The old and wealthy Mr. Enderby dies of a heart attack but the ever suspicious Miss Marple has her doubts. Who or what gave him a heart attack? Enderby's poor relatives gather at the The Gallop, a combined boarding-house and riding school. Miss Marple also gets there to find out if any of them had any particular reasons to see him dead. Written by
When the valuable painting at the center of the intrigue was first introduced it appeared that the picture wasn't very large. However when Stringer sets off for London to have it appraised, it looked like it grew to twice the size. See more »
Brisk Agatha Christie mystery moves at a gallop...
This is possibly MARGARET RUTHERFORD's most satisfactory excursion into Agtha Christie-land and she's helped by a delightful Ron Goodwin score that emphasizes her character with an infectious main theme and the gorgeous B&W photography, full of sinister shadows and proper atmospheric effects.
Furthermore, Miss Rutherford is surrounded by some formidable British talent, such as Stringer Davis (his Mr. Stringer is always a delight), Robert Morley (blustery but fun), and most notably, FLORA ROBSON, remarkable as the timid companion of an elderly woman.
I've seen most of these Miss Marple mysteries from the 1960s, and this has got to be one of the best. It moves at a swift gallop (unlike some of the more tedious, slow-paced BBC versions), and the accent is on the humorous characterization that Rutherford is capable of. Purists may not think it serves Agatha Christie well, but taken on its own as a piece of comedy/mystery entertainment, it stands up well in that genre.
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