| Akira Kubo | ... | Kenji Murai - Professor | |
| Kumi Mizuno | ... | Mami Sekiguchi - Singer | |
| Hiroshi Koizumi | ... | Naoyuki Sakuta - Skipper | |
| Kenji Sahara | ... | Senzô Koyama - Sailor | |
| Hiroshi Tachikawa | ... | Etsurô Yoshida - Writer | |
| Yoshio Tsuchiya | ... | Masafumi Kasai - Owner | |
| Miki Yashiro | ... | Akiko Sôma - Student | |
| Hideyo Amamoto | ... | Skulking Transitional Matango | |
| Takuzô Kumagai | ... | Doctor (as Jirô Kumagai) | |
| Akio Kusama | ... | Police Personnel | |
| Yutaka Oka | ... | Doctor | |
| Keisuke Yamada | ... | Doctor | |
| Kazuo Higata | ... | Police Personnel | |
| Katsumi Tezuka | ... | Police Personnel | |
| Haruo Nakajima | ... | Matango | |
| Tokio Ôkawa | ... | Matango | |
| Kôji Uruki | ... | Matango | |
| Masaki Shinohara | ... | Matango | |
| Kuniyoshi Kashima | ... | Transitional Matango | |
| Toku Ihara | ... | Transitional Matango | |
| Mitsuko Hayashi | ... | Nurse | |
| Tazue Ichimanji | ... | Nurse | |
| rest of cast listed alphabetically: | |||
| Hiroshi Akitsu | ... | Guest at Club (uncredited) | |
| Ryûtarô Amami | ... | Guest at Club (uncredited) | |
| Saburô Iketani | ... | Radio Announcer (voice) (uncredited) | |
| Yoshio Katsube | ... | Guest at Club (uncredited) | |
| Hideo Shibuya | ... | Staff at Club (uncredited) | |
Directed by | |||
| Ishirô Honda | |||
Writing credits | ||
| Takeshi Kimura | (screenplay) | |
| Shinichi Hoshi | adaptation & | |
| Masami Fukushima | adaptation and | |
| William Hope Hodgson | story "The Voice in the Night" | |
| Sakyo Komatsu | uncredited | |
Produced by | |||
| Tomoyuki Tanaka | .... | producer | |
Original Music by | |||
| Sadao Bekku | |||
Cinematography by | |||
| Hajime Koizumi | |||
Film Editing by | |||
| Reiko Kaneko | |||
Production Design by | |||
| Shigekazu Ikuno | |||
Costume Design by | |||
| Shigeru Komatsuzaki | |||
Production Management | |||
| Tadashi Koike | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kôji Kajita | .... | chief assistant director | |
Art Department | |||
| Shigeru Komatsuzaki | .... | conceptual artist | |
Sound Department | |||
| Minoru Kaneyama | .... | sound effects | |
| Hisashi Shimonaga | .... | sound effects | |
| Fumio Yanoguchi | .... | sound recordist | |
Special Effects by | |||
| Shigeru Nakamura | .... | special effects unit production manager | |
| Teruyoshi Nakano | .... | chief assistant special effects director | |
| Eiji Tsuburaya | .... | director of special effects | |
| Akira Watanabe | .... | special effects art director | |
| Akira Watanabe | .... | special effects set decorator | |
Visual Effects by | |||
| Sadamasa Arikawa | .... | director of special effects photography | |
| Kuichirô Kishida | .... | special effects lighting | |
| Yukio Manoda | .... | optical cinematography | |
| Hiroshi Mukoyama | .... | matte process | |
| Hiroshi Mukoyama | .... | optical chief | |
| Yoshiyuki Tokumasa | .... | optical cinematography | |
| Sokei Tomioka | .... | director of special effects photography | |
Camera and Electrical Department | |||
| Shoshichi Kojima | .... | lighting technician | |
| Issei Tanaka | .... | still photographer | |
Other crew | |||
| Samuel Z. Arkoff | .... | presenter | |
| James H. Nicholson | .... | presenter | |
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| Dreamcatcher | Godzilla | Grave of the Fireflies | King Kong | Mogambo |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb Japan section |
MATANGO, directed by Ishiro Honda, is an exceptionally beautiful fantasy film from the mighty Toho. Bastardized for its American release, badly dubbed, retitled ("Attack of the Mushroom People") and afforded very little respect, its recent re-emergence as a special edition DVD confirms its place in the realm of fantastique cinema.
What makes this amazing film so effective is its seductively spare but intelligent screenplay, nightmarish atmosphere, serenely creepy score and stunning special effects. Tonally, it recalls underrated Japanese genre flicks such as "The Mistress in a Cave", "Horror of Malformed Men" and the delightful "Living Skeleton". Like the mushrooms the shipwrecked survivors of a pleasure craft are drawn to, it seduces us with its simple structure, pleasing taste and rich subtext.
The film operates on a number of thematic levels, but Honda's achievement is that he never allows the dense thematics to weigh the very human drama down. Like all classic stories of survival, human greed, envy, love and hunger are the engines of the conflict. The search for a state of being free of responsibility and consequences is the dream driving the conflicted.
It is of curious interest to me that the characters in this "uncharted island" fantasy include a Skipper, a Millionaire, a Professor, a First Mate and a Girl Next Door. Produced before "Gilligan's Island" debuted on American TV, it could surely be argued that this orchestration of characters was a template for Sherwood Schwartz, the creator of "Gilligan's Island".
A palpable sadness permeates the last twenty minutes of MATANGO, a sense of blinding melancholy that elevates it to a dizzying level of achievement.
MATANGO explores how we are all drawn to pleasures that we know may sign our death warrants while daring to suggest that death by pleasure is a demise more preferable to death without love.
Stunning.