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Matango (1963)

6.3
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Ratings: 6.3/10 from 1,358 users  
Reviews: 62 user | 36 critic

Shipwrecked survivors slowly transform into mushrooms.

Director:

Writers:

(screenplay), (adaptation), 3 more credits »
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Title: Matango (1963)

Matango (1963) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
Akira Kubo ...
Kenji Murai - Professor
Kumi Mizuno ...
Mami Sekiguchi - Singer
Hiroshi Koizumi ...
Naoyuki Sakuta - Skipper
Kenji Sahara ...
Senzô Koyama - Sailor
Hiroshi Tachikawa ...
Etsurô Yoshida - Writer
Yoshio Tsuchiya ...
Masafumi Kasai - Owner
Miki Yashiro ...
Akiko Sôma - Student
Hideyo Amamoto ...
Skulking Transitional Matango
Takuzô Kumagai ...
Doctor (as Jirô Kumagai)
Akio Kusama ...
Police Personnel
Yutaka Oka ...
Doctor
Keisuke Yamada ...
Doctor
Kazuo Higata ...
Police Personnel
Katsumi Tezuka ...
Police Personnel
Haruo Nakajima ...
Matango
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Storyline

A group of pleasure-seeking young people are stranded on a mysterious island when their boat crashes. One by one they succumb to the lure of the deadly music. Written by Steve Hill <shill@harper.cc.il.us>

Plot Summary | Add Synopsis

Plot Keywords:

island | mushroom | yacht | radiation | occult | See more »


Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

11 August 1963 (Japan)  »

Also Known As:

Attack of the Mushroom People  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

The film was nearly banned in Japan due to the fact that the makeup that some of the cast wore as they were turning into mushrooms was very reminiscent of how many people looked after the atomic bombing of Hiroshima and Nagasaki. See more »

Goofs

When Kasai shoots at Yoshida and Mami as he chases them off the boat, you can see the bullets ricochet off the ground before he fires a shot. See more »

Crazy Credits

The opening credits of the Japanese version are on animated sails. See more »

Connections

Referenced in Secret of Mana (1993) See more »

Soundtracks

(untitled)
Performed by Kumi Mizuno
See more »

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User Reviews

 
One of the most beautiful and haunting fantasy films ever made
24 April 2005 | by (Mountains of Madness) – See all my reviews

MATANGO, directed by Ishiro Honda, is an exceptionally beautiful fantasy film from the mighty Toho. Bastardized for its American release, badly dubbed, retitled ("Attack of the Mushroom People") and afforded very little respect, its recent re-emergence as a special edition DVD confirms its place in the realm of fantastique cinema.

What makes this amazing film so effective is its seductively spare but intelligent screenplay, nightmarish atmosphere, serenely creepy score and stunning special effects. Tonally, it recalls underrated Japanese genre flicks such as "The Mistress in a Cave", "Horror of Malformed Men" and the delightful "Living Skeleton". Like the mushrooms the shipwrecked survivors of a pleasure craft are drawn to, it seduces us with its simple structure, pleasing taste and rich subtext.

The film operates on a number of thematic levels, but Honda's achievement is that he never allows the dense thematics to weigh the very human drama down. Like all classic stories of survival, human greed, envy, love and hunger are the engines of the conflict. The search for a state of being free of responsibility and consequences is the dream driving the conflicted.

It is of curious interest to me that the characters in this "uncharted island" fantasy include a Skipper, a Millionaire, a Professor, a First Mate and a Girl Next Door. Produced before "Gilligan's Island" debuted on American TV, it could surely be argued that this orchestration of characters was a template for Sherwood Schwartz, the creator of "Gilligan's Island".

A palpable sadness permeates the last twenty minutes of MATANGO, a sense of blinding melancholy that elevates it to a dizzying level of achievement.

MATANGO explores how we are all drawn to pleasures that we know may sign our death warrants while daring to suggest that death by pleasure is a demise more preferable to death without love.

Stunning.


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