Rock Hudson narrates a compilation of clips from Marilyn Monroe's 20th Century-Fox movies. The documentary traces Monroe's early studio beginnings as a bit player in "A Ticket to Tomahawk" ...
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The eccentric Bullock household again need a new butler. Daughter Irene encounters bedraggled Godfrey Godfrey at the docks and, fancying him and noticing his obviously good manners, gets ... See full summary »
Jessie Royce Landis
Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her... See full summary »
A young man asks a hat check girl to pose as his fiancée in order to make his dying father's last moments happy. However, the old man's health takes a turn for the better and now his son ... See full summary »
Chinese stowaway Mei Li (Miyoshi Umeki) arrives in San Francisco with her father to meet her fiancé, wealthy nightclub owner Sammy Fong (Jack Soo), in an arranged marriage, but the groom ... See full summary »
Meg, a young ballet student, idolizes the school's top ballerina, the shallow Ariane Bouchet. Meg is distressed when she learns visiting prima ballerina Darina rather than Bouchet will play... See full summary »
Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
Miss Dove is a strict disciplinary, plus a well respected teacher, who has inspired her students to individual greatness. One day during class, Miss Dove experiences great pain in her back,... See full summary »
Rock Hudson narrates a compilation of clips from Marilyn Monroe's 20th Century-Fox movies. The documentary traces Monroe's early studio beginnings as a bit player in "A Ticket to Tomahawk" to her final screen moments in the unfinished "Something's Got to Give." Written by
Daniel Bubbeo <firstname.lastname@example.org>
For almost 3 decades, this documentary contained all the clips from Somethjng's Get To Give the public saw. It was said the film was 'unwatchable,' Marilyn's scenes were 'terrible,' and the colour had faded from the negatives. The only one of these true was the last - the colour had degenerated over time. One reason the film was kept from public view, was so it would go along with 20th Century Fox's long-held (fabricated) story of Marilyn being the (sole) cause of the film being shut down. In actual fact, Marilyn had been rehire by Fox - several days before her passing - at terms which were much fairer to an actor of her magnitude, and would also be the concluding film in Marilyn's Fox contract. Tragically, this film, never was, the truth was withheld for decades. See more »
Yes, folks, I am astounded this excellent doco has been so neglected and forgotten as to not be available on video or DVD ...and incredibly not commented upon or reviewed on the IMDb. I can't be the only person in 2005 who knows this exists. Anyway, here's the info: made in 1963 as a Marilyn Monroe - Fox release to take the place of SOMETHING'S GOTTA GIVE which, as we all know was scrapped adding to her demise. Fox filled in the schedule blank (and mopped up as much MM sympathy cash as possible) by creating this 90 minute documentary with intros and links shot in cinema-scope on a blank stage with Rock Hudson narrating the clips from all her Fox films. It looks a lot like the format used later in THAT'S ENTERTAINMENT PART 2 with ladders and spotlights and studio bits for the narrator to wander through before various scenes or musical numbers are presented. Those films with sequences originally shot in 1.33 are presented as such in center frame and the cinema-scope clips fill the whole screen. I have also just discovered thanks to Box office Bill on the Roxy page on the Cinema Treasures site that in 1952, the "Diamonds Are A Girl's Best Friend" song number was shot in two formats: the 1.33 look as released in the feature GENTLEMEN PREFER BLONDES and an experimental cinema-scope version which sat in the vault until it was (now) possibly used as the finale for this c/s doco. I remember showing MARILYN at my cinema in the 70s and 80s and remarking how good this sequence looked in cinema-scope, thinking it was a cropped version of the 1.33. Well, not the case and there is the truth of it. Very good. Thankyou Box office Bill. So it was used eventually, but in a sad celebration. Apart from all this, MARILYN is an excellent doco and today more so as it compiles all the best Fox bits as a stand alone feature. Fox should rediscover their own excellent compilation feature here and get it out into stores on DVD tomorrow! Now if we can get FOX to do the same style of doco with "a celebration of Cinemascope" and a "Fabulous Foxes" and a "Technicolour Two hours" compilation we would sing their praises, instead of moaning the vault is locked. Start with MARILYN. This documentary is a major discovery for anyone in any century.
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