A detective (inspector Rogas) is assigned to investigate the mysterious murders of some Supreme Court judges. During the investigation he discovers a complot that involves the Italian ... See full summary »
The story of exploited textile factory workers in Turin, Italy at the turn of the century and their beginnings of their fight for better working conditions. Professor Sinigaglia (Marcello ... See full summary »
Jill, a teenager, feels misunderstood by her neglectful selfish parents, Frank and Alice. Following a misunderstanding with Frank and trouble with her boyfriend she attempts suicide. Jill's... See full summary »
Two wealthy Victorian widows are courted tentatively by two impoverished British aristocrats. When one of the dowagers suggests that her beau go away with her for a month to see if they are compatible, the fireworks begin.
Dr. Steven Bishop is taken to the hideout of Frank Dillon and his gang to treat the wounded Joe Madison. Joe's nurse sister Nora Madison is also taken. Dillon tells Bishop that if Joe dies,... See full summary »
D. Ross Lederman
Howard Da Silva
A newspaperman out to get the goods on a crooked politician winds up in jail, framed for a killing he didn't commit. He and another prisoner attempt an escape, but although the newspaperman... See full summary »
This film is not about any aspect of human activity which is particular to Italian life. It is about the prevalence of greed and corruption over the human being and society anywhere. In this sense its value is universal - not limited to Italy. One of its strong points is precisely that it is not focused on an individual family's drama. Such focus often moves in a very superficial way - it turns the universal problem into one family's problem (and if it could be solved everything would be fine). Take a movie like "Ace in the hole". An outstanding movie, one of the best of its kind and its time (maybe of all time) and a good example of the human-focused view. You empathise with the victim, you rebel against the man (KD) but otherwise this can still be the best of all possible worlds. Not so in any of the films of Rosi. Rosi, in this more than in any other of his films, puts the collective problem, as well as the collective responsibility so clearly and so strongly to the fore that I believe this to be, maybe, the best political film of its kind ever made.
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