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Hands Over the City (1963)
"Le mani sulla città" (original title)

Not Rated  |   |  Drama  |  9 October 1963 (Italy)
7.7
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Ratings: 7.7/10 from 1,340 users  
Reviews: 6 user | 35 critic

Prior to a city council election, the collapse of a building leaves a land developer and his political backers defending themselves against a scandal.

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(idea), (idea), 4 more credits »
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Title: Hands Over the City (1963)

Hands Over the City (1963) on IMDb 7.7/10

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Cast

Cast overview, first billed only:
...
Edoardo Nottola
Salvo Randone ...
De Angelis
Guido Alberti ...
Maglione
Angelo D'Alessandro ...
Balsamo
Carlo Fermariello ...
De Vita
Marcello Cannavale ...
Amico di Nottola
Alberto Conocchia ...
Amico di Nottola
Gaetano Grimaldi Filioli ...
Amico di Nottola
Terenzio Cordova ...
Commissario
Dante Di Pinto ...
Presidente della Commissione
Dany París ...
Dany - Amante di Maglione
Alberto Amato ...
Consigliere Comunale
Vincenzo Metafora ...
Sindaco
Pasquale Martino ...
Capo dell'archivio
Mario Perelli ...
Capo dell'Ufficio Technico
Edit

Storyline

Prior to a city council election, the collapse of a building leaves a land developer and his political backers defending themselves against a scandal.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

Release Date:

9 October 1963 (Italy)  »

Also Known As:

As Mãos Sobre a Cidade  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Italian censorship visa # 41137 delivered on 10-9-1963. See more »

Crazy Credits

Western Electric is misspelled ('Elettric'). See more »

Connections

Referenced in One Hundred Steps (2000) See more »

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User Reviews

 
An outstanding masterpiece of political cinema
15 January 2010 | by (Eel Pie Island) – See all my reviews

I don't recollect giving many 10s. This film has to get the gong: it has it all, great acting, great scenario, brilliant direction, it's one of those films that feels like a slice of life rather than a drama. It could have been made yesterday, although not in the USA, I hasten to add, which is a shame because it really describes the post-WW2 dispensation imposed on Italy by the USA, with the aid of the Comorra, the criminal tribal system of greater Naples. The quintessential American figure, the property developer, played by US icon Rod Steiger, stands at the centre of this maelstrom of a movie, denounced daily on all fronts by the leader of the Left forces, De Vita (Carlo Fermariello), and catered to by the assortment of running dogs and capos on the Right. This movie performs nothing less than open-heart surgery on a great city at a turning point in its history: the eloquence, the in-fighting, the soul-searching. It also contains some great film-making, particularly the initial fatal building collapse that triggers the narrative. This film gets to the heart of what went wrong with the modern city, and it has attained the status of universality. In my opinion, every American high-school student should be obliged to view it in order to graduate from High school.


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