A wonderful fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The ... See full summary »
Carmine Bonavia wins election as the mayor of New York on a promise to legalize drugs. After the election, he marries Carrie and goes to his ancestral home of Sicily for their honeymoon. In... See full summary »
In the industrial North, Giovanni is a skilled factory worker offered a promotion if he'll go to Sicily for 18 months to assist in a new department. His impending absence strains his ... See full summary »
The story of exploited textile factory workers in Turin, Italy at the turn of the century and their beginnings of their fight for better working conditions. Professor Sinigaglia (Marcello ... See full summary »
A small village in Latin America. Santiago have been knife in the morning. It surprise nobody. The Vicario brothers have openly declared the would kill him to avenge the lost honour of ... See full summary »
Gian Maria Volonté
The story of Giuseppe Garibaldi's 1849 campaign to free Italy from Austrian domination. Although the defence of Rome has become impossible, Garibaldi declares his intent to continue the ... See full summary »
This film is not about any aspect of human activity which is particular to Italian life. It is about the prevalence of greed and corruption over the human being and society anywhere. In this sense its value is universal - not limited to Italy. One of its strong points is precisely that it is not focused on an individual family's drama. Such focus often moves in a very superficial way - it turns the universal problem into one family's problem (and if it could be solved everything would be fine). Take a movie like "Ace in the hole". An outstanding movie, one of the best of its kind and its time (maybe of all time) and a good example of the human-focused view. You empathise with the victim, you rebel against the man (KD) but otherwise this can still be the best of all possible worlds. Not so in any of the films of Rosi. Rosi, in this more than in any other of his films, puts the collective problem, as well as the collective responsibility so clearly and so strongly to the fore that I believe this to be, maybe, the best political film of its kind ever made.
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