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Hands Over the City (1963)
"Le mani sulla città" (original title)

 -  Drama  -  9 October 1963 (Italy)
7.6
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Ratings: 7.6/10 from 1,018 users  
Reviews: 6 user | 31 critic

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Title: Hands Over the City (1963)

Hands Over the City (1963) on IMDb 7.6/10

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Cast

Complete credited cast:
...
Edoardo Nottola
Salvo Randone ...
Professor De Angelis
Guido Alberti ...
Maglione
Marcello Cannavale ...
Friend of Nottola
Dante Di Pinto ...
President of Inquiry Committee
Alberto Conocchia ...
Friend of Nottola
Carlo Fermariello ...
De Vita
Terenzio Cordova ...
Prosecutor
Gaetano Grimaldi Filioli ...
Friend of Nottola
Angelo D'Alessandro ...
Balsamo
Vincenzo Metafora ...
Mayor
Dany París ...
Dany
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Storyline

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Plot Keywords:

deceit | cover up | lying | liar | lie | See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

Release Date:

9 October 1963 (Italy)  »

Also Known As:

As Mãos Sobre a Cidade  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Italian censorship visa # 41137 delivered on 10-9-1963. See more »

Crazy Credits

Western Electric is misspelled ('Elettric'). See more »

Connections

Referenced in La vita agra (1964) See more »

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User Reviews

 
Disagree with both previous comments
14 August 2008 | by (Greece) – See all my reviews

This film is not about any aspect of human activity which is particular to Italian life. It is about the prevalence of greed and corruption over the human being and society anywhere. In this sense its value is universal - not limited to Italy. One of its strong points is precisely that it is not focused on an individual family's drama. Such focus often moves in a very superficial way - it turns the universal problem into one family's problem (and if it could be solved everything would be fine). Take a movie like "Ace in the hole". An outstanding movie, one of the best of its kind and its time (maybe of all time) and a good example of the human-focused view. You empathise with the victim, you rebel against the man (KD) but otherwise this can still be the best of all possible worlds. Not so in any of the films of Rosi. Rosi, in this more than in any other of his films, puts the collective problem, as well as the collective responsibility so clearly and so strongly to the fore that I believe this to be, maybe, the best political film of its kind ever made.


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