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Crypt of the Vampire (1964)

La cripta e l'incubo (original title)
Count Karnstein sends for a doctor to help his sick daughter Laura. Her nurse believes she is possessed by the spirit of a dead ancestor;Carmilla. A young woman becomes intrigued by the ... See full summary »

Director:

(as Thomas Miller)

Writers:

(story) (as Robert Bohr), (story) (as Julian Berry)
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Cast

Complete credited cast:
...
Adriana Ambesi ...
Laura Karnstein (as Audry Amber)
Ursula Davis ...
Ljuba
José Campos ...
Friedrich Klauss
Véra Valmont ...
Annette (as Vera Valmont)
A. Midlin ...
Hunchback (as Angel Midlin)
Carla Calò ...
Ljuba's Mother (as Cicely Clayton)
Nela Conjiu ...
Rowena
José Villasante ...
Cedric the Butler
José Cortés ...
Man (as Bill Curtis)
James Brightman ...
Man
Edit

Storyline

Count Karnstein sends for a doctor to help his sick daughter Laura. Her nurse believes she is possessed by the spirit of a dead ancestor;Carmilla. A young woman becomes intrigued by the mysterious deaths surrounding Laura after a carriage accident outside the castle forces her to stay. They become close friends until Laura becomes convinced the spirit of Carmilla is forcing her to kill. Written by Randy Van Ort <rvanort@mailhost.primenet.com>

Plot Summary | Plot Synopsis

Genres:

Horror

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Details

Country:

|

Language:

Release Date:

27 May 1964 (Italy)  »

Also Known As:

Crypt of the Vampire  »

Box Office

Gross:

ESP 4,915,571 (Spain)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

Hunchback: In some houses, Death is a tenant. They found a girl last Monday, she was like wax. Preparing her for burial, they couldn't find a drop of blood in her body.
See more »

Connections

Version of Nightmare Classics: Carmilla (1989) See more »

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User Reviews

 
Morbid, atmospheric Gothic chiller
22 June 2004 | by (Montreal) – See all my reviews

This is a superbly old-fashioned and atmospheric chiller from the Italian Gothic horror revival of the 60s. The sets and costumes are stately, the camera-work slithery and shadowy (in good old b&w), and the lush score (featuring theremin and other creepy sounds) is a knockout. Since it is based on the Karnstein legend, there are plenty of exotic, full-figured Euro-starlets on hand to heave their breasts and scream, and the lesbian angle is fairly overt. Best of all, it's played with utmost conviction, avoiding the campiness that often crept into these items (intentionally or not). Although there's not enough sex or violence to appeal to modern genre fans, there are a couple of fine shocks and an inescapable atmosphere of doom and ferocity mingled with eroticism. A must-see for the discerning fan, along with the similarly-themed Slaughter of the Vampires.


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