Count Karnstein sends for a doctor to help his sick daughter Laura. Her nurse believes she is possessed by the spirit of a dead ancestor;Carmilla. A young woman becomes intrigued by the ... See full summary »
In the 1890s a team of British archaeologists discover the untouched tomb of Princess Ananka but accidentally bring the mummified body of her High Priest back to life. Three years later ... See full summary »
After Jonathan Harker attacks Dracula at his castle (apparently somewhere in Germany), the vampire travels to a nearby city, where he preys on the family of Harker's fiancée. The only one ... See full summary »
An attorney arrives at a castle to settle the estate of its recently deceased owner. The owner's wife and daughter reveal that he was someone who was able to summon the souls of ancient ... See full summary »
Young Carmilla is jealous of her friend's engagement, and her obsession leads her to the tomb of a female vampire. The vampire possesses her and leads her to kill and terrorise the ... See full summary »
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
Hans arrives in a town near Amsterdam to write a story on the reclusive sculptor, Professor Val, who lives on an island in the old mill house the locals call the Mill of the Stone Women. ... See full summary »
At the end of the 19th century, in a little Italian village by a lake an old statue is recovered. Soon a series of crimes start and the superstitious people of the village believe that the ... See full summary »
Count Karnstein sends for a doctor to help his sick daughter Laura. Her nurse believes she is possessed by the spirit of a dead ancestor;Carmilla. A young woman becomes intrigued by the mysterious deaths surrounding Laura after a carriage accident outside the castle forces her to stay. They become close friends until Laura becomes convinced the spirit of Carmilla is forcing her to kill. Written by
Randy Van Ort <email@example.com>
A Christopher Lee flick I'd never even heard of, much less seen. The cult film legend is not the titular bloodsucker in this Spanish-Italian co-production, however. Here the vampire's identity is supposed to be something of a mystery, although if you're at all familiar with Sheridan Le Fanu's "Carmilla", from which the script was adapted, you'll have everything figured out long before the characters do.
Director Camillo Mastrocinque piles on the classical Gothic themes and motifs like there's no tomorrow: vampirism, witchcraft, ancient family curses, heaving bosoms straining against diaphanous pregnoirs, creepy castle corridors and crypts by candlelight that sort of thing. Facilitating this omnipresent atmosphere is some excellent black-and-white cinematography expressly modeled in the style of visual maestro Mario Bava (BLACK Sunday). Adriana Ambesi (FANGS OF THE LIVIND DEAD) and Ursula Davis (SPARTACUS AND THE TEN GLADIATORS) provide the eye candy; the story's lesbian angle is handled quite demurely but is unmistakably present, not merely hinted at yet always kept implicit. While the absence of shocks and skin, not to mention the leisurely pace, may well dissuade the casual fright film viewer the Gothic horror fan will be in his or her element. And you can never go wrong casting Lee as the aloof, aristocratic type.
Makes for an interesting double feature with Hammer's THE VAMPIRE LOVERS (1970), which is also inspired by "Carmilla".
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