Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to ... See full summary »
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The minister of the town has died and his son Chad has no tears for him. Sarah, who now calls herself Salome, is pregnant with Chad's baby, but Chad has no future, no job and no money. ... See full summary »
Angie Rossini is an innocent (Italian Catholic) Macy's salesgirl, who discovers she's pregnant from a fling with Rocky, a musician. Angie finds Rocky (who doesn't remember her at first) to tell him she's pregnant and needs a doctor for an abortion. He finds her a doctor and they work together to raise the money. Can these two strangers find love with one another before it's too late? Written by
In the opening scenes of the movie you hear Rocky Papasano's full name called out over the loudspeaker just before he meets Angela in the crowd. Papasano is a made-up Italian surname, but in Japanese "papasan" means Mr. Dad. See more »
When Rocky is lying down on Barbie's bed after she has left to sit at the kitchen table, only the second and third buttons on Rocky's shirt are done up, his shirt not tucked into his pants. In the next shot when he is about to get up, the second, third and fourth buttons on the shirt are done up, the shirt still not tucked into his pants. In the next shot as Rocky is now off the bed, all but the top button on his shirt are done up, the front of his shirt now tucked into his pants. See more »
good on-screen chemistry makes for a great little film
Very satisfying movie that involves us completely in the conflicted relationship of the leads, played beautifully by McQueen and Wood (evidently Paul Newman was originally slated for the part). We find ourselves really rooting for them to get together. Sounds like a soap-opera "chick flick", but the story is sufficiently gritty and has enough comic touches to appeal to the guys, too. B&W works well to emphasize the New York atmosphere of the flick, with its many locale shots. The ethnic Italian ethos is well-captured, too. And to top it off is a wonderful score by Elmer Bernstein, whose music veers awfully close to sounding like that other Bernstein (and that's not a criticism!). I don't know why we don't see this one more often; thank you American Movie Classics.
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